Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Permissions
- Introduction: ‘Slow Tide on Tide of History’: Poetry by Women in Ireland, 1870–1970
- A Note on the Texts
- Elizabeth Varian (1821–1851–1896)
- Emily Hickey (1845–1881–1924)
- A Rose
- Restitution
- A Gift
- To a Master in Paradise
- Why, If All Poets Crown Their Loves With Verse
- In a Swiss Wood
- To the Czar Nicholas II
- A Choice
- Ox-Eyed Daisies
- Aftermath
- Katharine Tynan (1858–1885–1931)
- Dora Sigerson Shorter (1866–1893–1918)
- Eva Gore-Booth (1870–1898–1926)
- Emily Lawless (1845–1902–1913)
- Susan L. Mitchell (1866–1906–1926)
- Alice Milligan (1866–1908–1953)
- Winifred M. Letts (1881–1913–1972)
- Eileen Shanahan (1901–[1921]–1979)
- Mary Devenport O'Neill (1879–1929–1967)
- Blanaid Salkeld (1880–1933–1959)
- Sheila Wingfield (1906–1938–1992)
- Freda Laughton (1907–1945–?)
- Rhoda Coghill 1903–1948–2000
- Appendix 1: Irish Women Poets 1870–1970
- Appendix 2: Chronology
- Select Bibliography
- Index of Titles and First Lines
Aftermath
from Emily Hickey (1845–1881–1924)
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Permissions
- Introduction: ‘Slow Tide on Tide of History’: Poetry by Women in Ireland, 1870–1970
- A Note on the Texts
- Elizabeth Varian (1821–1851–1896)
- Emily Hickey (1845–1881–1924)
- A Rose
- Restitution
- A Gift
- To a Master in Paradise
- Why, If All Poets Crown Their Loves With Verse
- In a Swiss Wood
- To the Czar Nicholas II
- A Choice
- Ox-Eyed Daisies
- Aftermath
- Katharine Tynan (1858–1885–1931)
- Dora Sigerson Shorter (1866–1893–1918)
- Eva Gore-Booth (1870–1898–1926)
- Emily Lawless (1845–1902–1913)
- Susan L. Mitchell (1866–1906–1926)
- Alice Milligan (1866–1908–1953)
- Winifred M. Letts (1881–1913–1972)
- Eileen Shanahan (1901–[1921]–1979)
- Mary Devenport O'Neill (1879–1929–1967)
- Blanaid Salkeld (1880–1933–1959)
- Sheila Wingfield (1906–1938–1992)
- Freda Laughton (1907–1945–?)
- Rhoda Coghill 1903–1948–2000
- Appendix 1: Irish Women Poets 1870–1970
- Appendix 2: Chronology
- Select Bibliography
- Index of Titles and First Lines
Summary
To the fields where thou hadst mown in summertide
Came a Lady most exceeding fair to see;
And she looked upon the brown fields lying wide;
And she smiled upon thy fields and smiled on thee.
Oh, that smile it was the springlight come again,
Springlight fair as on the heart of Eden laid:
And the patter sounded as of early rain,
And the sunshine blessed each little stalk and blade.
Must not autumn meadows once again be green,
In a warmth and light as dear as summer hath,
If the Queen of Christendom have walked therein,
If her feet have hallowed for an aftermath?
- Type
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- Information
- Poetry by Women in IrelandA Critical Anthology 1870–1970, pp. 80Publisher: Liverpool University PressPrint publication year: 2012