Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Permissions
- Introduction: ‘Slow Tide on Tide of History’: Poetry by Women in Ireland, 1870–1970
- A Note on the Texts
- Elizabeth Varian (1821–1851–1896)
- Emily Hickey (1845–1881–1924)
- Katharine Tynan (1858–1885–1931)
- Autumnal
- August Weather
- Poppy
- Mater Dei
- To the Mother
- Joining the Colours
- The Long Vacation
- The Immortal
- Loneliness
- The Image
- Herbal
- The Vestal
- The First Thrush
- The Purblind Praises the Lord
- Any Woman
- For my Father
- To the Beloved
- For Lord Lucas
- Alice Meynell
- For Your Sake
- The Silent Time
- Dora Sigerson Shorter (1866–1893–1918)
- Eva Gore-Booth (1870–1898–1926)
- Emily Lawless (1845–1902–1913)
- Susan L. Mitchell (1866–1906–1926)
- Alice Milligan (1866–1908–1953)
- Winifred M. Letts (1881–1913–1972)
- Eileen Shanahan (1901–[1921]–1979)
- Mary Devenport O'Neill (1879–1929–1967)
- Blanaid Salkeld (1880–1933–1959)
- Sheila Wingfield (1906–1938–1992)
- Freda Laughton (1907–1945–?)
- Rhoda Coghill 1903–1948–2000
- Appendix 1: Irish Women Poets 1870–1970
- Appendix 2: Chronology
- Select Bibliography
- Index of Titles and First Lines
The Silent Time
from Katharine Tynan (1858–1885–1931)
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Permissions
- Introduction: ‘Slow Tide on Tide of History’: Poetry by Women in Ireland, 1870–1970
- A Note on the Texts
- Elizabeth Varian (1821–1851–1896)
- Emily Hickey (1845–1881–1924)
- Katharine Tynan (1858–1885–1931)
- Autumnal
- August Weather
- Poppy
- Mater Dei
- To the Mother
- Joining the Colours
- The Long Vacation
- The Immortal
- Loneliness
- The Image
- Herbal
- The Vestal
- The First Thrush
- The Purblind Praises the Lord
- Any Woman
- For my Father
- To the Beloved
- For Lord Lucas
- Alice Meynell
- For Your Sake
- The Silent Time
- Dora Sigerson Shorter (1866–1893–1918)
- Eva Gore-Booth (1870–1898–1926)
- Emily Lawless (1845–1902–1913)
- Susan L. Mitchell (1866–1906–1926)
- Alice Milligan (1866–1908–1953)
- Winifred M. Letts (1881–1913–1972)
- Eileen Shanahan (1901–[1921]–1979)
- Mary Devenport O'Neill (1879–1929–1967)
- Blanaid Salkeld (1880–1933–1959)
- Sheila Wingfield (1906–1938–1992)
- Freda Laughton (1907–1945–?)
- Rhoda Coghill 1903–1948–2000
- Appendix 1: Irish Women Poets 1870–1970
- Appendix 2: Chronology
- Select Bibliography
- Index of Titles and First Lines
Summary
Singing of birds is over: the Curlew only
Out by the bog–pools bids his mate to beware.
Long sweet whistles under the rushes lonely
Set to listen the dew–wet ears of a hare.
Ears and eyes that turn backward. Only the plover
Pipes and is silent; the singing of birds is done;
Over the marriage–song and the song of a lover;
Over the songs to the children feathered and flown.
The wood–dovehidden in leafage mourning for ever,
Because her children are Two, only Two, only Two,
And the Wren and the Robin have Nine and Ten in the quiver.
What will she do, the soft Wood–dove? What will she do?
The Curlew calls love–calls and his mate will listen,
The Wood–dove mourns and mourns and is never still.
The hare hears; the dew on his ears a–glisten;
He thinks it a whistling boy coming over the hill.
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- Poetry by Women in IrelandA Critical Anthology 1870–1970, pp. 101Publisher: Liverpool University PressPrint publication year: 2012