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8 - The Narrative Sources of Candide's Paquette

from Part II - Visibility and Theatricality: Fiction, Image and Performance

Edward Langille
Affiliation:
St. Francis Xavier University, Nova Scotia, Canada.
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Summary

Paquette is a minor character in Voltaire's Candide who makes just four appearances in the novel, the first as part of the doomed world of Thunder-ten-tronckh, destroyed and then miraculously, if only partially, reconstituted in the novel's final chapter. In Chapter 4, Pangloss wonders aloud whether Paquette is still alive. She is, and her reappearance in Chapter 24 allows the telling of her unhappy life as a prostitute. Paquette then recedes from the forefront of Candide and is thereafter referred to only in the third person. In line with the tale's moral purpose, we learn in Chapter 30 that she has abandoned the ‘trade’ and has taken up embroidery instead!

In 1960, J. H. Broome argued that the character of Paquette was inspired by the eponymous heroine of Fougeret de Monbron's best-known work, the erotic novel Margot la Ravaudeuse: histoire d'une prostituée (1750).3 Broome highlighted a number of verbal and narrative parallels linking Margot's adventures to Paquette's life-story as told in the fifty lines Candide devotes to her saga.4

For instance, he pointed out that Paquette recounts her seduction by a monk; Margot has a similar experience with a Carmelite. Paquette becomes a doctor's mistress, is imprisoned, and freed by a judge. Margot is also imprisoned, and liberated by a président. Broome noted that Voltaire would have endorsed Monbron's vigorous denunciation of the social evils associated with prostitution.

Type
Chapter
Information
Prostitution and Eighteenth-Century Culture
Sex, Commerce and Morality
, pp. 115 - 126
Publisher: Pickering & Chatto
First published in: 2014

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