Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-n9wrp Total loading time: 0 Render date: 2024-07-16T13:25:12.390Z Has data issue: false hasContentIssue false

23 - The interior designer's view

from PART 3 - IDEAS AND FUTURES

Published online by Cambridge University Press:  08 June 2018

Val Clugston
Affiliation:
Nomad Research Design Consultation Ltd.
Get access

Summary

Introduction

In Interior Design of the 20th Century, Anne Massey (1990) states that ‘Interior design is a phenomenon born of the 20th century, to be precise the latter half of the 20th century’.

The profession of interior design is a young, evolving discipline that was first formalized in the UK as recently as the late 1960s when a number of tertiary level education courses were inaugurated. One of the most recent environments to employ interior design is the education sector and in particular libraries and learning commons. In the last ten years there has been a surge of interest in the design of ‘learning environments’, which has stimulated widespread refurbishment and building programmes in higher and further education institutions. This interest has been influenced by a complex number of cultural, pedagogic and technological developments and influences. In addition, widening access to higher education has led to greater diversity in student populations.

Oblinger (2003) provides a useful overview of the new student:

The ‘new’ student may be a seventeen-year-old high school student (a ‘Millennial’) who uses instant messaging to contact peers and teachers. The ‘new’ students may be a twenty-six-year old college student (a ‘Gen-X’ whose expectations of customer service are radically different from those of previous generations. Or the ‘new’ student may be a forty-year-old working mother (a ‘Baby-Boomer’) who is completing a degree via e learning so that she can balance work and family responsibility.

The most significant factor driving these changes is the explosion of new technology, particularly social media that enables students to participate in and debate information while sharing this with friends and colleagues often entirely online. Despite this many educators believe that there is a greater need than ever for new spaces to provide opportunities for face-to-face interaction and collaboration. The introduction of technologies to support learners has significantly changed the way that libraries, in particular, look. Evolution from banks of desktop computers to hand held or mobile devices has driven demand for new types of furniture, lighting and accessible power and data outlets. Presentation equipment supporting face-to-face collaboration has further changed the landscape of spaces, emphasizing flexible semi-private spaces with many libraries using pods or booths to facilitate this activity.

Type
Chapter
Information
Better Library and Learning Space
Projects, trends and ideas
, pp. 249 - 258
Publisher: Facet
Print publication year: 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×