Bibliography
Published online by Cambridge University Press: 16 August 2019
Edited by
- Type
- Chapter
- Information
- King Henry V , pp. 237 - 240Publisher: Cambridge University PressPrint publication year: 2002
References
Bate, Jonathan, Shakespearean Constitutions: Politics, Theatre, Criticism 1730–1830 (Oxford: Clarendon Press, 1989).Google Scholar
Beauman, Sally, The Royal Shakespeare Company's Production of Henry V for the Centenary Season at the Royal Shakespeare Theatre (Oxford and New York: Pergamon Press, 1976).Google Scholar
Beauman, Sally, The Royal Shakespeare Company: A History of Ten Decades (Oxford: Oxford University Press, 1982).Google Scholar
Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (London and York: 1774).Google Scholar
Berry, Ralph, On Directing Shakespeare: Interviews with Contemporary Directors (London: Hamish Hamilton, 1989).Google Scholar
Bogdanov, Michael, and Pennington, Michael, The English Shakespeare Company: The Story of the Wars of the Roses 1986–1989 (London: Nick Hern Books, 1990).Google Scholar
Branagh, Kenneth, Henry V by William Shakespeare: A Screen Adaptation (London: Chatto and Windus, 1989).Google Scholar
British Broadcasting Corporation, The BBC Shakespeare: Henry V (London: British Broadcasting Corporation, 1979).Google Scholar
Calvert, Charles, Shakspere's historical play of Henry the fifth, arranged by C. Calvert, and produced under his direction at the Prince's theatre, Manchester (Manchester, 1872).Google Scholar
Mrs Calvert, Charles [Adelaide Helen], Sixty-Eight Years on the Stage (London: Mills and Boon, 1911).Google Scholar
Cook, Dutton, Nights at the Play: A View of the English Stage (London, Chatto and Windus, 1883).Google Scholar
Cooper, Roberta Krensky, The American Shakespeare Theatre: Stratford 1955–85 (Washington D.C.: Folger, 1986).Google Scholar
Coursen, H.R., Shakespeare in Production: Whose History? (Athens, GA: Ohio University Press, 1996).Google Scholar
Darbyshire, Alfred, The Art of the Victorian Stage: Notes and Recollections (London and Manchester: Sherratt and Hughes, 1907).Google Scholar
David, Richard, Shakespeare in the Theatre (Cambridge: Cambridge University Press, 1978).Google Scholar
Davies, Anthony, Filming Shakespeare's Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa (Cambridge: Cambridge University Press, 1988).CrossRefGoogle Scholar
Dover Wilson, John, and Worsley, T.C., Shakespeare's Histories at Stratford, 1951 (London: Max Reinhardt, 1952).Google Scholar
Eckert, C.W. (ed.), Focus on Shakespearean Films (Englewood Cliffs, NJ: Prentice-Hall, 1972).Google Scholar
Fitter, Chris, ‘A Tale of Two Branaghs: Henry V, Ideology, and the Mekong Agincourt’ in Shakespeare Left and Right, ed. Kamps, Ivo (London and New York: Routledge, 1991), pp. 259–75.Google Scholar
Foulkes, Richard, ‘Charles Calvert's Henry V’, Shakespeare Survey 41 (1989), pp. 23–34.Google Scholar
Foulkes, Richard, The Calverts: Actors of Some Importance (London: Society for Theatre Research, 1992).Google Scholar
Geduld, Harry M., Filmguide to Henry V (Bloomington: Indiana University Press, [1973]).Google Scholar
Gurr, Andrew (ed.), The First Quarto of Henry V (Cambridge: Cambridge University Press, 2000).Google Scholar
Healy, Thomas, ‘Remembering with Advantages: Nation and Ideology in Henry V’ in Shakespeare in the New Europe, eds. Hattaway, Michael, Sokolova, Boika and Roper, Derek (Sheffield: Sheffield Academic Press, 1994), pp. 174–93.Google Scholar
Hill, Aaron, King Henry the Fifth: Or, the Conquest of France, By the English. A Tragedy (London, 1723).Google Scholar
Hogan, Charles Beecher, Shakespeare in the Theatre 1701–1800 (2 vols., Oxford: Clarendon Press, 1952).Google Scholar
Holderness, Graham, Shakespeare Recycled: The Making of Historical Drama (Brighton: Harvester Wheatsheaf, 1992).Google Scholar
Holland, Peter, English Shakespeares: Shakespeare on the English Stage in the 1990s (Cambridge: Cambridge University Press, 1997).Google Scholar
Hortman, Wilhelm, Shakespeare on the German Stage: The Twentieth Century (Cambridge: Cambridge University Press, 1995).Google Scholar
Kiernan, Pauline, Staging Shakespeare at the New Globe (Basingstoke and London: Macmillan, 1999).CrossRefGoogle Scholar
King, T.J., Casting Shakespeare's Plays: London Actors and Their Roles 1590–1642 (Cambridge: Cambridge University Press, 1992).Google Scholar
Lee, Sidney, Shakespeare's King Henry the Fifth: An Account and an Estimate (London: Smith, Elder & Co., 1900).Google Scholar
Leiter, Samuel L. (ed.), Shakespeare Around the Globe: A Guide to Notable Postwar Revivals (New York: Greenwood Press, 1986).Google Scholar
Loehlin, James N., Shakespeare in Performance: Henry V (Manchester: Manchester University Press, 1996).Google Scholar
Macready, William, The Diaries of William Charles Macready, 1833–1851, ed. Toynbee, William (London: Chapman and Hall, 1912).Google Scholar
Mazer, Cary, Shakespeare Refashioned: Elizabethan Plays on Edwardian Stages (Ann Arbor, MI: UMI Research Press, 1980).Google Scholar
Payne, Ben Iden, Life in a Wooden O (New Haven and London: Yale University Press, 1977).Google Scholar
Pilkington, Ace G., Screening Shakespeare from Richard II to Henry V (Newark and London: University of Delaware Press, 1991).Google Scholar
Rabkin, Norman, Shakespeare and the Problem of Meaning (Chicago and London: Chicago University Press, 1981).Google Scholar
Schoch, Richard W., Shakespeare's Victorian Stage: Performing History in the Theatre of Charles Kean (Cambridge: Cambridge University Press, 1998).Google Scholar
Shattuck, Charles H., The Shakespeare Promptbooks: A Descriptive Catalogue (Urbana and London: University of Illinois Press, 1965).Google Scholar
Shaughnessy, Robert, Representing Shakespeare: England, History and the RSC (New York and London: Harvester Wheatsheaf, 1994).Google Scholar
Sprague, Arthur Colby, Shakespeare and the Actors (Cambridge, MA: Harvard University Press, 1994).Google Scholar
Sprague, Arthur Colby, Shakespeare's History Plays: Plays for the Stage (London: Society for Theatre Research, 1964).Google Scholar
Taylor, Gary, Moment by Moment by Shakespeare (London and Basingstoke: Macmillan, 1985).CrossRefGoogle Scholar
Taylor, Gary, ‘We Happy Few: the 1600 Abridgement’ in Wells, Stanley and Taylor, Gary, Modernising Shakespeare's Spelling, with Three Studies in the Text of ‘Henry V’ (Oxford: Clarendon Press, 1979).Google Scholar
Taylor, Gary (ed.), The Oxford Shakespeare: Henry V (Oxford: Oxford University Press, 1984).Google Scholar
Trewin, J.C., Shakespeare on the English Stage 1900–1964 (London: Barrie and Rockliff, 1964).Google Scholar
Williams, John Ambrose, Memoirs of John Philip Kemble Esq. With an Original Critique on his Performance (London, 1817).Google Scholar
Young, John W., ‘Henry V, the Quai D'Orsay and the Well-being of the Franco-British Alliance, 1947, Historical Journal of Film, Radio and Television 7 (1987), pp. 391–21.Google Scholar