Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-qlrfm Total loading time: 0 Render date: 2024-07-12T06:15:24.372Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  16 August 2019

Robert Hapgood
Affiliation:
University of New Hampshire
Get access
Type
Chapter
Information
Hamlet , pp. 278 - 288
Publisher: Cambridge University Press
Print publication year: 1999

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Barrett, Lawrence, Promptbook (77), Harvard Theatre Collection.Google Scholar
Barrymore, John, Promptbook (154), Folger Shakespeare Library.Google Scholar
Barrymore, John, Promptbook (156), Folger Shakespeare Library.Google Scholar
Barrymore, John, Studybook (158), Hampden/Booth Library, Players Club.Google Scholar
Booth, Edwin, Studybook (109), Hampden/Booth Library, Players Club.Google Scholar
Booth, Edwin, Promptbook (111), Hampden/Booth Library, Players Club.Google Scholar
Booth, Edwin, Promptbook (112), Billy Rose Theatre Collection at Lincoln Center.Google Scholar
Fechter, Charles, Promptbook (72), Folger Shakespeare Library.Google Scholar
Forrest, Edwin, Promptbook (67), Billy Rose Theatre Collection at Lincoln Center.Google Scholar
Hampden, Walter, Promptbook (not listed in Shattuck), Hampden/Booth Library, Players Club.Google Scholar
Irving, Henry, Promptbook (90), Harvard Theatre Collection.Google Scholar
Irving, Henry, Studybook (91), Harvard Theatre Collection.Google Scholar
Macready, William Charles, Promptbook (29), Hampden/Booth Library, Players Club.Google Scholar
Macready, William Charles Promptbook (40), Billy Rose Theatre Collection at Lincoln Center.Google Scholar
Marlowe, Julia with Sothern, Edward, Promptbook (143), Folger Shakespeare Library.Google Scholar
Mason, E. T., Notes on Helen Modjeska's Ophelia (106), Boston Athenaeum Library.Google Scholar
Mason, E. T., Notes on Edwin Booth (110), Boston Athenaeum Library.Google Scholar
Roberts, J. B., Studybook (37), Folger Shakespeare Library.Google Scholar
Terry, Ellen, Rehearsal Book (95), Smallhythe Library.Google Scholar
Terry, Ellen, Promptbook (97), Folger Shakespeare Library.Google Scholar
Tree, Beerbohm H., Promptbook (121), Theatre Museum Library, Covent Garden.Google Scholar

Secondary Sources

Agate, James. Brief Chronicles, London, 1943.Google Scholar
Alger, William R. Life of Edwin Forrest, Philadelphia, vol. i, 1877.Google Scholar
Anonymous. The Laureate or, the Right Side of Colley Cibber, Esq, London, 1740.Google Scholar
Aronson, Arnold. ‘Postmodern Design’, Theatre Journal, 43, 1991, 113.CrossRefGoogle Scholar
Austin, Gilbert. Chironomia, London, 1806.Google Scholar
Barber, Frances. ‘Ophelia’, in Players of Shakespeare 2, ed. Jackson, R. and Smallwood, R., Cambridge, 1988.Google Scholar
Barnes, J. H. Forty Years on the Stage, New York, 1915.Google Scholar
Barrymore, John. Confessions of an Actor, Indianapolis, 1926.Google Scholar
Bate, Jonathan. ‘The Romantic Stage’, in Shakespeare – An Illustrated History, ed. Bate, J. and Jackson, R., Oxford, 1996.Google Scholar
BBC-TV Hamlet. London, 1980.Google Scholar
Beacham, Richard C. Adolphe Appia: Theatre Artist, Cambridge, 1987.Google Scholar
Beckett, Arthur W. A. Green-Room Recollections, London, 1896.Google Scholar
Beerbohm, Max. Around Theatres, New York, 1930.Google Scholar
Beerbohm, Max. Last Theatres, 1904–10, New York, 1970.Google Scholar
Beerbohm, Max. More Theatres, 1898–1903, New York, 1969.Google Scholar
Boswell, James. Boswell's London Journal 1762–1763, ed. Pottle, F. A., New York, 1950.Google Scholar
Boswell, James. Journal of a Tour to the Hebrides, ed. Pottle, F. and Bennett, C., New York, 1936.Google Scholar
Bragg, Melvyn. Richard Burton, Boston, Mass., 1990.Google Scholar
Branagh, Kenneth. Hamlet Screenplay, London, 1996.Google Scholar
Branam, George C. Eighteenth Century Adaptations of Shakespearean Tragedy, Berkeley, 1956.Google Scholar
Brook, Peter. Shifting Point, New York, 1987.Google Scholar
Buell, William Ackerman, The Hamlets of the Theatre, New York, 1968.Google Scholar
Burnim, Kalman A. David Garrick: Director, Pittsburgh, Penn., 1961.Google Scholar
Burton, Philip. Richard and Philip, London, 1992.Google Scholar
Burton, Richard. ‘Interview’, Playboy, September 1963, 5163.Google Scholar
Burton, Richard. ‘The tragedy of Hamlet’, Introductions to Shakespeare, London, 1977.Google Scholar
Calhoun, Lucia Gilbert. ‘Edwin Booth’, Galaxy, 7, 1869, 7787.Google Scholar
Carlisle, Carol Jones. Shakespeare from the Greenroom, Chapel Hill, N.C., 1969.Google Scholar
Carlson, Marvin. The Italian Shakespearians, Washington D.C., 1985.Google Scholar
Carnovsky, Morris. The Actor's Eye, New York, 1984.Google Scholar
Castronovo, David, The English Gentleman, New York, 1987.Google Scholar
Chambers, E. K. William Shakespeare: Facts and Problems, Oxford, vol. ii, 1930.Google Scholar
Chappell, William. The Ballad Literature and Popular Music of the Olden Time, New York, vol. i, 1965.Google Scholar
Child, Harold. ‘Stage History of Hamlet’ in Hamlet, ed. Wilson, J. Dover.Google Scholar
Church, Tony. ‘Polonius in Hamlet’, in Players of Shakespeare, ed. Brockbank, P., Cambridge, 1985.Google Scholar
Cibber, Colley. An Apology for the Life of Colley Cibber, ed. Fone, B. R. S., Arbor, Ann, Mich., 1968.Google Scholar
Clayton, Thomas, ed. The Hamlet First Published, Newark, Del., 1992.Google Scholar
Cochrane, Claire. Shakespeare and the Birmingham Repertory Theatre, 1913–29, London, 1993.Google Scholar
Cole, John William. The Life and Theatrical Times of Charles Kean, London, 2 vols., 1860.Google Scholar
Cole, Toby, ed. Playwrights on Playwriting, New York, 1960.Google Scholar
Coleman, John. Players and Playwrights I Have Known, London, vol. i, 1888.Google Scholar
Conklin, Paul S. A History of Hamlet Criticism, New York, 1947.Google Scholar
Cook, Dutton. Hours with the Players, London, vol. ii, 1881.Google Scholar
Cook, Dutton. Nights at the Play, London, vol. ii, 1883.Google Scholar
Cook, Dutton. On the Stage, London, vol. ii, 1883.Google Scholar
Cox, Murray, ed. Shakespeare Comes to Broadmoor, Philadelphia, Penn., 1992.Google Scholar
Craig, Edward. Gordon Craig, New York, 1968.Google Scholar
Craig, Edward Gordon. Ellen Terry and her Secret Self, London, 1931.Google Scholar
Crosse, Gordon. Diaries (unpublished: originals in the Shakespeare Collection, Birmingham Central Library; a copy is in the Folger Shakespeare Library).Google Scholar
Crosse, Gordon Shakespearean Playgoing, 1890–1952, London, 1953.Google Scholar
David, Richard. Shakespeare in the Theatre, Cambridge, 1978.Google Scholar
Davies, Anthony. Filming Shakespeare's Plays, Cambridge, 1988.CrossRefGoogle Scholar
Davies, Thomas. Memoirs of the Life of David Garrick, London, vol. i, 1780.Google Scholar
Davril, R.Les Mises en Scene de Pitoeff’, Etudes Anglais, 13, 1960, 192–6.Google Scholar
Dobson, Michael. The Making of the National Poet, Oxford, 1992.Google Scholar
Donohue, J. W. Dramatic Character in the English Romantic Age, Princeton, 1970.Google Scholar
Doran, John. Annals of the English Stage, from Thomas Betterton to Edmund Kean, London, vol. ii, 1864.Google Scholar
Dort, Bernard. ‘Brecht devant Shakespeare’, Revue d“Histoire du Théâtre, January-March 1965, 6983.Google Scholar
Douglas, Ann. The Feminization of American Culture, New York, 1988.Google Scholar
Downes, John. Roscius Anglicanus, London, 1708.Google Scholar
Dramatic Essays by John Forster and George Henry Lewes, ed. Archer, W. and Lowe, R. W., London, 1894.Google Scholar
Eliot, George. George Eliot Letters, 1859–61, ed. Haight, G., New Haven, Conn., 1954.Google Scholar
Eyre, Richard. Utopia and Other Places, London, 1993.Google Scholar
Falke, Konrad. Kainz als Hamlet, 1911.Google Scholar
Farjeon, Herbert. The Shakespearean Scene, London, 1949.Google Scholar
Faucit, Helena. On Some of Shakespeare's Female Characters, London, 1893.Google Scholar
Findlater, Richard. The Player Kings, New York, 1971.Google Scholar
Finlay, John. Miscellanies … Dramatic Criticism, Dublin, 1835.Google Scholar
Foakes, R. A. Hamlet versus Lear, Cambridge, 1993.CrossRefGoogle Scholar
Furness, H. H., ed. Hamlet: A New Variorum Edition, Philadelphia, Penn., 2 vols., 1877.Google Scholar
Galt, John. The Lives of the Players, London, 2 vols., 1831.Google Scholar
Garland, Hamlin. Unpublished lecture on Edwin Booth in Special Collections, University of Southern California Library.Google Scholar
Garrick, David. The Private Correspondence of David Garrick, London, vol. i, 1831.Google Scholar
Gentleman, Francis. The Dramatic Censor, London, vol. i, 1770.Google Scholar
Gershkovich, Alexander. The Theater of Yuri Lyubimov, trans. Yurieff, M., New York, 1989.Google Scholar
Gibson, Mel. Home Box Office Special (TV), 1990.Google Scholar
Gielgud, John. Acting Shakespeare, New York, 1992.Google Scholar
Gielgud, John. Early Stages, New York, 1939.Google Scholar
Gielgud, John. Gielgud – An Actor and his Time, New York, 1980.Google Scholar
Gielgud, John. Notes from the Gods, London, 1994.Google Scholar
Gielgud, John. Stage Directions, New York, 1963.Google Scholar
Gielgud, Kate Terry. A Victorian Playgoer, London, 1980.Google Scholar
Gilbert, Miriam. Unpublished account of the Jonathan Pryce/Richard Eyre Hamlet.Google Scholar
Gilbert, Miriam. Unpublished account of the Mark Rylance/Ron Daniels Hamlet.Google Scholar
Gildon, Charles. The Life of Mr. Thomas Betterton, London, 1710.Google Scholar
Glick, Claris. ‘Hamlet in the English theater – acting texts from Betterton (1676) to Olivier (1963)’, Shakespeare Quarterly, 1, 1969, 1735.CrossRefGoogle Scholar
Goddard, Arthur. Players of the Period, London, 1891.Google Scholar
Golub, Spencer. ‘Between the curtain and the grave: the Taganka in the Hamlet gulag’, in Foreign Shakespeare, ed. Kennedy, D..Google Scholar
Granville-Barker, Harley. Prefaces to Shakespeare, Princeton, New Jersey, vol. i, 1952.Google Scholar
Grattan, Thomas Colley. Beaten Paths, London, vol. ii, 1862.Google Scholar
Grebanier, Bernard. Then Came Each Actor, New York, 1975.Google Scholar
Griffith, Hubert. Iconoclastes, New York, 1927.Google Scholar
Guinness, Alec. Blessings in Disguise, London, 1985.Google Scholar
Guntner, Lawrence. ‘Shakespeare on the East German stage’, in Foreign Shakespeare, ed. Kennedy, D..Google Scholar
Gurr, Andrew. The Shakespearean Stage, 1574–1642, Cambridge, 1980.Google Scholar
Guthrie, Tyrone. A Life in the Theatre, New York, 1959.Google Scholar
Guthrie, Tyrone. In Various Directions, New York, 1965.Google Scholar
Guthrie, Tyrone. Shakespeare – Ten Great Plays, New York, 1862.Google Scholar
Habicht, Werner, Palmer, D., and Pringle, R.. Images of Shakespeare, Newark, Del., 1988.Google Scholar
Hackett, James Henry, Notes … upon Shakespeare's Plays and Actors, New York, 1863.Google Scholar
Hall, Peter, Peter Hall's Diaries, ed. Goodwin, J., New York, 1984.Google Scholar
Hall, Peter, Making an Exhibition of Myself, London, 1993.Google Scholar
Halsted, William P. Shakespeare as Spoken, Ann Arbor, Mich., vols. i, xi, xiii, 1977.Google Scholar
Hamburger, Maik. ‘“Are you a party in this business”: Consolidation and subversion in East German productions’, Shakespeare Survey, 48, 1995, 171–84.Google Scholar
Hattaway, Michael et al., eds. Shakespeare in the New Europe, Sheffield, 1994.Google Scholar
Hawkins, F. W. The Life of Edmund Kean, London, 1869.Google Scholar
Hayman, Ronald, John Gielgud, London, 1971.Google Scholar
Hayman, Ronald, Brecht, Oxford, 1983.Google Scholar
Hazlitt, William. Hazlitt on Theatre, ed. Archer, W. and Lowe, R. W., New York, n.d.Google Scholar
Holderness, Graham and Loughrey, Bryan, ‘Text and stage’, New Theatre Quarterly, May 1993, 179–91.CrossRefGoogle Scholar
Howells, William Dean. Literature and Life Studies, Port Washington, N.Y., 1968.Google Scholar
Hughes, Alan. Henry Irving, Shakespearean, Cambridge, 1981.Google Scholar
Hunt, Leigh. Dramatic Essays, ed. Archer, William and Lowe, R. W., London, 1894.Google Scholar
Irving, Henry. ‘An actor's notes on Shakespeare: No. 2’, Nineteenth Century, May 1877, 524–30.Google Scholar
Irving, Henry. ‘An actor's notes on Shakespeare: No. 3’, Nineteenth Century, February 1879, 260–3.Google Scholar
Irving, Laurence. Henry Irving, New York, 1952.Google Scholar
Jacobi, Derek, ‘Discovering Hamlet’, video, 1990.Google Scholar
Jackson, Russell. ‘Designer and director: E. W. Godwin and Wilson Barrett's Hamlet of 1884’, Shakespeare Jahrbuch West, 1974, 186200.Google Scholar
Jacquot, Jean. ‘“Mourir! Dormir! Réver peut-ětre?”: Hamlet de Dumas-Meurice de Rouvière à Mounet-Sully’, Revue d'Histoire du Théâtre, October-December 1964, 407445.Google Scholar
James, Henry. The Scenic Art, New Brunswick, 1948.Google Scholar
Jameson, [Anna] Mrs.. Characteristics of Women, Boston, Mass., 1892.Google Scholar
Jorgens, Jack. Shakespeare on Film, Bloomington, Ind., 1977.Google Scholar
Kelley, Hugh. ‘Prologue to the Romance of an Hour’, Town and Country Magazine, December 1774.Google Scholar
Kemble, Fanny [Frances Ann Butler]. Journal, Philadelphia, Penn., vol. i, 1835.Google Scholar
Kemble, John Philip. Promptbooks, ed. Shattuck, C., Charlottesville, Va., 1974.Google Scholar
Kendal, Madge. Dame Madge Kendal by Herself, London, 1933.Google Scholar
Kennedy, Dennis, ed. Foreign Shakespeare, Cambridge, 1993.Google Scholar
Kennedy, Dennis, Looking at Shakespeare, Cambridge, 1993.Google Scholar
Kerrigan, John. ‘Shakespeare as reviser’, in English Drama to 1710, ed. Ricks, C., New York, 1987.Google Scholar
Kirk, John Foster. ‘Shakespeare's Tragedies on the Stage: II’, Lippincott's Magazine, June 1884, 604–16.Google Scholar
Kirkman, Francis. The Wits, or Sport upon Sport, London, 1662; ed. Elson, J., Oxford, 1932.Google Scholar
Knight, G. Wilson. Shakespearean Production, Evanston, Ill., 1964.Google Scholar
Knight, G. Wilson, Wheel of Fire, London, 1930.Google Scholar
Knights, L. C. An Approach to Hamlet, Stanford, 1960.Google Scholar
Kobler, John. Damned in Paradise: The Life of John Barrymore, New York, 1977.Google Scholar
Kozintsev, Grigori. Shakespeare: Time and Conscience, trans. Vining, J., New York, 1966.Google Scholar
Lamb, Charles. ‘On the artificial comedy of the last century’, Elia. The Portable Charles Lamb, ed. Brown, J. M., London, 1980.Google Scholar
Lawrence, William J. Pre-Restoration Stage Studies, Cambridge, Mass., 1927.CrossRefGoogle Scholar
Le Gallienne, Richard. ‘Forbes Robertson, an appreciation’, The Century Magazine, 1914.Google Scholar
Leiter, Samuel L., ed. Shakespeare Around the Globe, Westport, Conn., 1986.Google Scholar
Levine, Lawrence, Highbrow/Lowbrow, Cambridge, Mass., 1988.Google Scholar
Levy, Micky. ‘David Borovsky designs for Lyubimov’, Theatre Crafts, 12, November-December 1978, 33–7, 5761.Google Scholar
Lewes, George Henry. On Actors and the Art of Acting, London, 1875; reprint Westport, Conn., 1968.Google Scholar
Lichtenberg, Georg Christoph. Lichtenberg's Visits to England, trans. Mare, M. and Quarrell, W., London, 1938.Google Scholar
The London Stage, ed. Van Lennep, W. with a critical introduction by Avery, E. L. and Scouten, A. H., Carbondale, Ill., vol i, 1960.Google Scholar
Long, John H. Shakespeare's Use of Music: The Histories and Tragedies, Gainesville, Fla., 1971.Google Scholar
Loughrey, Bryan. ‘Q1 in recent performance: an interview’, in The Hamlet First Published, ed. Clayton, T..Google Scholar
Lundstrom, Rinda F. William Poel's Hamlets, Ann Arbor, Mich., 1984.Google Scholar
MacCarthy, Desmond. Theatre, London, 1954.Google Scholar
Mack, Maynard. ‘The World of Hamlet’, Yale Review, 41, 1951–2, 502–23.Google Scholar
Macready, William Charles. The Diaries of William Charles Macready: 1831–51, ed. Toynbee, W., New York, vol. i, 1912.Google Scholar
Macready, William Charles Reminiscences, ed. Pollock, F., London, 1875.Google Scholar
Maher, Mary. Modern Hamlets and their Soliloquies, Iowa City, 1992.Google Scholar
Mallarmé, Stéphane. Selected Prose Poems, Essays, and Letters, trans. Cook, B., Baltimore, Md., 1956.Google Scholar
Mander, Raymond and Mitchenson, Joe. ‘Hamlet costumes: a correction’, Shakespeare Survey, 11, 1958, 123–4.Google Scholar
Mander, Raymond and Mitchenson, Joe. Hamlet Through the Ages: A Pictorial Record from 1709, London, 1955.Google Scholar
Marowitz, Charles. The Marowitz Shakespeare, New York, 1978.Google Scholar
Marston, John Westland. Our Recent Actors, London, 2 vols., 1888.Google Scholar
Martin, H. Remarks on Mr. John Kemble's Performance of Hamlet, London, 1802.Google Scholar
Martin, Theodore. Essays on the Drama, London, 1874.Google Scholar
Martin, Theodore. ‘An eye-witness of John Kemble’, Nineteenth Century, 1880, 276–96.Google Scholar
Martin, Theodore. Helena Faucit (Lady Martin), London, 1900.Google Scholar
Martin-Harvey, John. The Autobiography of Sir John Martin-Harvey, London, 1933.Google Scholar
Mason, Philip. The English Gentleman, New York, 1982.Google Scholar
McManaway, James G. Studies in Shakespeare, Bibliography, and Theatre, New York, 1969.Google Scholar
Merchant, W. Moelwyn. Shakespeare and the Artist, New York, 1959.Google Scholar
Meyerhold, Vsevolod. Meyerhold on Theatre, trans. Braun, E., New York, 1969.Google Scholar
Miller, Jonathan. Subsequent Performances, New York, 1986.Google Scholar
Mills, John A. ‘The modesty of nature: Charles Fechter's Hamlet’, Theatre Survey, 15, 1974, 5978.Google Scholar
Mills, John A Hamlet on Stage, Westport, Conn., 1985.Google Scholar
Mitford, Mary Russell. The Life of Mary Russell Mitford, ed. L'Estrange, A., New York, vol. ii, 1870.Google Scholar
More, Hannah. Letters of Hannah More, ed. Johnson, R. B., London, 1925.Google Scholar
Morgan, Joyce Vining. Stanislavski's Encounter with Shakespeare, Ann Arbor, Mich., 1984.Google Scholar
Morrison, Michael A. John Barrymore, Shakespearean Actor, Cambridge, 1997.Google Scholar
Munden, Joseph. Memoirs of Joseph Shepherd Munden, London, 1846.Google Scholar
Munro, John. Shakespere [sic] Allusion–Book, London, vol. i, 1932.Google Scholar
Murphy, Arthur. Life of Garrick, London, 1801.Google Scholar
Nicoll, Allardyce. ‘Passing over the stage’, Shakespeare Survey, 12, 1959, 4755.CrossRefGoogle Scholar
Noble, Adrian. ‘Interview’, Shakespeare Bulletin, Summer, 1993, 510.Google Scholar
O'Brien, Ellen J.Revision by excision: rewriting Gertrude’, Shakespeare Survey, 45, 1992, 2735.CrossRefGoogle Scholar
Odell, George C. D. Shakespeare from Betterton to Irving, New York, vol. ii, 1920.Google Scholar
Olivier, Laurence. On Acting, New York, 1986.Google Scholar
Olivier, Tarquin. My Father Laurence Olivier, London, 1992.Google Scholar
Orgel, Stephen. ‘The authentic Shakespeare’, Representations, 21, 1988, 125.CrossRefGoogle Scholar
Osanai, Kaoru. ‘Gordon Craig's production of Hamlet at the Moscow Art Theatre’, Educational Theatre Journal, 20, 1968, 586–93.CrossRefGoogle Scholar
Palmer, John. ‘Hamlet in modern dress’, Fortnightly Review, 118, November 1925, 675–83.Google Scholar
Papp, Joseph. ‘Naked’ Hamlet, London, 1969.Google Scholar
Pasternak, Boris. Selected Poems, trans. Stallworthy, J. and France, P., New York, 1982.Google Scholar
Payne, Harry. ‘Edward Gordon Craig: the revolutionary of the theatre as Hamlet’, biography, 10, 1987.Google Scholar
Pennington, Michael. ‘Hamlet’, in Players of Shakespeare, ed. Brockbank, Philip, Cambridge, 1985.Google Scholar
Pennington, Michael. Hamlet: A User's Guide, New York, 1996.Google Scholar
Pentzell, Raymond J. ‘Kemble's Hamlet Costume’, Theatre Survey, 13, 1972, 81–5.CrossRefGoogle Scholar
Peters, Catherine. The King of Inventors: A Life of Wilkie Collins, Princeton, N. J., 1991.Google Scholar
Pfister, Manfred. ‘Hamlets made in Germany, East and West’, in Shakespeare in the New Europe, eds. Hattaway, M. et al.Google Scholar
Phillpotts, Eden. ‘Irving as Hamlet’, in We Saw Him Act: A Symposium on the Art of Sir Henry Irving, London, 1939.Google Scholar
Phippen, Frances. Authentic Memoirs of Edmund Kean, London, 1814.Google Scholar
Pollock, Lady. Macready as I Knew Him, London, 1885.Google Scholar
Procter, B. W. (Barry Cornwall). The Life of Edmund Kean, London, vol. ii, 1935.Google Scholar
Raby, Peter. ‘Fair Ophelia’: A Life of Harriet Smithson Berlioz, Cambridge, 1982.Google Scholar
Redfield, William. Letters from an Actor, New York, 1966.Google Scholar
Redgrave, Michael. In My Mind's I, New York, 1983.Google Scholar
Redgrave, Michael. ‘Shakespeare and the actors’, in Talking of Shakespeare, ed. Garrett, J., New York, 1954.Google Scholar
Roach, Joseph. ‘Garrick, the Ghost and the Machine’, Theatre Journal, 34, 1982, 431–40.CrossRefGoogle Scholar
Robins, Elizabeth. ‘On Seeing Madame Bernhardt's Hamlet’, North American Review, 171, December 1900, 908–14.Google Scholar
Rocklin, Edward. ‘Hamlet’, SHAKSPER Internet, 17 May 1995.Google Scholar
Rowe, Eleanor. Hamlet: A Window on Russia, New York, 1976.Google Scholar
Russell, Charles Edward. Julia Marlowe, New York, 1926.Google Scholar
Russell, D. A.Hamlet Costumes from Garrick to Gielgud’, Shakespeare Survey, 9, 1956, 54–8.Google Scholar
Scott, Clement. Drama of Yesterday and Today, London, vol. i, 1899.Google Scholar
Scott, Clement. Some Notable Hamlets, London, 1905.Google Scholar
Scott, Walter. ‘Life of John Philip Kemble’, Quarterly Review, 34, June and September 1826, 180–96.Google Scholar
Seng, Peter J. The Vocal Songs in the Plays of Shakespeare, Cambridge, Mass., 1967.CrossRefGoogle Scholar
Shaftesbury, . Characteristics. Advice to an Author, London, vol. i, 1710.Google Scholar
Shakespeare at the Old Vic, London, 1954.Google Scholar
Shakespeariana, iv, 1887, 2940.Google Scholar
Shattuck, Charles H. The Hamlet of Edwin Booth, Chicago, 1969.Google Scholar
Shattuck, Charles H. Shakespeare on the American Stage: From the Hallams to Edwin Booth, Washington, D.C., vol. i, 1976.Google Scholar
Shattuck, Charles H. Shakespeare on the American Stage: From Booth and Barrett to Sothern and Marlowe, Washington, D.C., vol. ii, 1987.Google Scholar
Shattuck, Charles H. The Shakespeare Promptbooks, Urbana, Ill., 1965.Google Scholar
Shaw, George Bernard. Shaw on Shakespeare, ed. Wilson, E., New York, 1961.Google Scholar
Showalter, Elaine. ‘Representing Ophelia: women, madness, and the responsibilities of feminist criticism’, in Shakespeare and the Question of Theory, ed. Parker, P. and Hartman, G., London, 1991.Google Scholar
Simmons, Ernest J. English Literature and Culture in Russia, 1553–1840, New York, 1961.Google Scholar
Skinner, Otis. Footlights and Spotlights, Westport, Conn., 1972.Google Scholar
Smith, Hedrick. The Russians, New York, 1976.Google Scholar
Speaight, Robert, Nature in Shakespearean Tragedy, New York, 1962.Google Scholar
Speaight, Robert Shakespeare on the Stage: An Illustrated History of Shakespearean Performance, Boston, Mass., 1973.Google Scholar
Speaight, Robert William Poel and the Elizabethan Revival, Cambridge, Mass., 1954.Google Scholar
Spoto, Donald. Laurence Olivier, New York, 1992.Google Scholar
Sprague, Arthur Colby. Shakespeare and the Actors, Cambridge, Mass., 1944.CrossRefGoogle Scholar
Spurgeon, Caroline. Shakespeare's Imagery, London, 1935.Google Scholar
Staël, Madame de. De l'Allemagne, Paris, vol. iii, 1959.Google Scholar
Stanislavsky, Konstantin. ‘Konstantin Stanislavsky on Hamlet’, in Shakespeare in the Soviet Union, Moscow, 1966.Google Scholar
Stedman, E. C.Edwin Booth’, Atlantic Monthly, May 1866.Google Scholar
Steele, Joshua. An Essay towards Establishing the Melody and Measure of Speech, Menston, 1969.Google Scholar
Stone, George Winchester. ‘Garrick's long lost alteration of Hamlet’, PMLA, 49, 1934, 890921.CrossRefGoogle Scholar
Stone, George Winchester and George, Kahrl. David Garrick, a Critical Biography, Carbondale, 1979.Google Scholar
Stříbrný, Zdeněk. ‘Shakespearian rates of exchange in Czechoslovakia, 1945–1989’, Shakespeare Survey, 48, 1995, 163–70.Google Scholar
Taranow, Gerda. The Bernhardt Hamlet, New York, 1996.Google Scholar
Terry, Ellen. Four Lectures on Shakespeare, London, 1932.Google Scholar
Thomas, David, ed. Theatre in Europe, A Documentary History: Restoration and Georgian England, 1660–1788, Cambridge, 1989.Google Scholar
The Three-Text Hamlet: Parallel Texts of the First and Second Quartos and First Folio, ed. Bertram, P. and Kliman, B., New York, 1991.Google Scholar
Towse, J. Ranken. ‘Henry Irving’, Century Magazine, 27, March 1884, 660–9.Google Scholar
Tree, Herbert, Beerbohm. ‘Hamlet from an actor's prompt book’, Fortnightly Review, December 1895, 863–78.Google Scholar
Trewin, J. C. Five & Eighty Hamlets, New York, 1987.Google Scholar
Trewin, J. C. Shakespeare on the English Stage, 1900–1964, London, 1964.Google Scholar
Tynan, Kenneth. He that Plays the King, New York, 1950.Google Scholar
Urkowitz, Steven. ‘Back to basics: thinking about the Hamlet First Quarto’, in Hamlet First Published, ed. Clayton, Thomas.Google Scholar
Urkowitz, StevenFive women eleven ways: Changing images of Shakespearean characters in the earliest texts’, in Images of Shakespeare, ed. Habicht, , Palmer, and Pringle, .Google Scholar
Urkowitz, Steven“Well-sayd olde Mole”: burying three Hamlets in modern editions’, in Shakespeare Study Today, ed. Ziegler, G., New York, 1986.Google Scholar
Vandenhoff, George. Leaves from an Actor's Note Book, New York, 1860.Google Scholar
Vickers, Brian, ed. Shakespeare: the Critical Heritage, London, 6 vols., 1974–81.Google Scholar
Webster, Margaret. The Same Only Different, New York, 1969.Google Scholar
Webster, Margaret. Shakespeare Today, London, 1957.Google Scholar
Wells, Stanley. Royal Shakespeare, Manchester, 1976.Google Scholar
Wells, Stanley and Taylor, Gary. William Shakespeare – A Textual Companion, Oxford, 1987.CrossRefGoogle Scholar
Werstine, Paul. ‘The textual mystery of Hamlet’, Shakespeare Quarterly, 39, 1988, 126.CrossRefGoogle Scholar
Wickham, Glynne. Early English Stages, 1576–1660, London, vol. ii, section ii, 1972.Google Scholar
Wilkes, Thomas. A General View of the Stage, London, 1759.Google Scholar
William, David. ‘The Osric scene in Hamlet’, in To Nevill Coghill from Friends, ed. Lawlor, J. and Auden, W. H., London, 1966.Google Scholar
Williams, Harcourt. Four Years at the Old Vic: 1929–1933, London, 1935.Google Scholar
Williamson, Audrey. Old Vic Drama: A Twelve Years’ Study of Plays and Players, London, 1948.Google Scholar
Williamson, Claude. Readings in the Character of Hamlet, 1661–1947, London, 1950.Google Scholar
Wilson, J. Dover. Hamlet, Cambridge, 1934.Google Scholar
Wingate, Charles. Shakespeare's Heroines on the Stage, Boston, Mass., vol. ii, 1895.Google Scholar
Winter, William. Shakespeare on the Stage, New York, 1911.Google Scholar
Young, Julian Charles. A Memoir of Charles Mayne Young, New York, 1871.Google Scholar
Young, Stark. Glamour, New York, 1925.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×