The topic of this study might appear puzzling to creative artists and art worlds,1 namely painters, musicians, dancers, film-makers, playwriters, composers, all those who make artworks or work with artists, museum staff, art faculty, gallerists, collectors, art buyers and art lovers. What does international law have to do with art? And why is there a need to write a legal monograph on a topic that is self-evident? From the perspective of the aforementioned stakeholders, arts are and should remain free. Freedom is a vital condition for the realization of the creative process.