Book contents
- The Beats
- The Beats
- Copyright page
- Epigraph
- Contents
- Figures
- Preface
- Acknowledgments
- Part I Get Hip, My Soul: How It All Got Started (1944–1948)
- Part II Underground to Literary Celebrity (1948–1957)
- Part III The Beatnik Era and the Profusion of Beat Literature (1958–1962)
- Part IV Beat Politics (1962–1969)
- Chapter 11 The Women Who Said Something
- Chapter 12 Liberating Language
- Chapter 13 The Vietnam Effect
- Coda
- Notes
- Bibliography
- Index
Chapter 13 - The Vietnam Effect
from Part IV - Beat Politics (1962–1969)
Published online by Cambridge University Press: 20 February 2020
- The Beats
- The Beats
- Copyright page
- Epigraph
- Contents
- Figures
- Preface
- Acknowledgments
- Part I Get Hip, My Soul: How It All Got Started (1944–1948)
- Part II Underground to Literary Celebrity (1948–1957)
- Part III The Beatnik Era and the Profusion of Beat Literature (1958–1962)
- Part IV Beat Politics (1962–1969)
- Chapter 11 The Women Who Said Something
- Chapter 12 Liberating Language
- Chapter 13 The Vietnam Effect
- Coda
- Notes
- Bibliography
- Index
Summary
This chapter looks at the significance of the Vietnam War and its impact on Beat writing. It begins with an analysis of Ginsberg's poem “Wichita Vortex Sutra,” and then looks at the work of Ed Sanders, Tuli Kupferberg, and Bob Dylan, among others.
- Type
- Chapter
- Information
- The BeatsA Literary History, pp. 360 - 372Publisher: Cambridge University PressPrint publication year: 2020