Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-q99xh Total loading time: 0 Render date: 2024-12-23T01:31:09.019Z Has data issue: false hasContentIssue false

Select Bibliography

Published online by Cambridge University Press:  30 November 2023

Julian Rushton
Affiliation:
University of Leeds
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Berlioz, Hector. Symphonie fantastique. Facsimile of the autograph manuscript, with introduction by Hugh Macdonald (Kassel: Bärenreiter, 2017).Google Scholar
Berlioz, Hector Berlioz: Fantastic Symphony, ed. Cone, Edward T.. Norton Critical Scores (New York: Norton, 1971).Google Scholar
Berlioz, Hector Symphonie fantastique, ed. Temperley, Nicholas. New Berlioz Edition Vol. 16 (Kassel: Bärenreiter, 1972). (Miniature score by Edition Eulenburg 422.)Google Scholar
Berlioz, Hector. Lélio, ou le Retour à la vie, ed. Bloom, Peter. New Berlioz Edition Vol. 7 (Kassel: Bärenreiter, 1992).Google Scholar

Secondary Sources

Berlioz, Hector. Symphonie fantastique. Facsimile of the autograph manuscript, with introduction by Hugh Macdonald (Kassel: Bärenreiter, 2017).Google Scholar
Berlioz, Hector Berlioz: Fantastic Symphony, ed. Cone, Edward T.. Norton Critical Scores (New York: Norton, 1971).Google Scholar
Berlioz, Hector Symphonie fantastique, ed. Temperley, Nicholas. New Berlioz Edition Vol. 16 (Kassel: Bärenreiter, 1972). (Miniature score by Edition Eulenburg 422.)Google Scholar
Berlioz, Hector. Lélio, ou le Retour à la vie, ed. Bloom, Peter. New Berlioz Edition Vol. 7 (Kassel: Bärenreiter, 1992).Google Scholar
Banks, Paul. ‘Berlioz’s “Marche au supplice” and Les Francs-juges: A Re-examination’. The Musical Times 130 (January 1989): 1619.CrossRefGoogle Scholar
Banks, PaulCoherence and Diversity in the Symphonie Fantastique’. 19th-Century Music 8 (Summer 1984): 3743.CrossRefGoogle Scholar
Barzun, Jacques. Berlioz and the Romantic Century, 2nd edition (New York: Columbia University Press, 1969).Google Scholar
Bent, Ian (ed.). Music Analysis in the Nineteenth Century II: Hermeneutic Approaches (Cambridge: Cambridge University Press, 1994).Google Scholar
Berger, Christian. Phantastik als Konstruktion: Hector Berlioz’ ‘Symphonie fantastique’. Kieler Schriften zur Musikwissenschaft Vol. xxvii (Kassel: Bärenreiter, 1983).Google Scholar
Berlioz, Hector. Grand Traité d’instrumentation et d’orchestration modernes (Paris: Schonenberger, 1843).Google Scholar
Berlioz, Hector Berlioz’s Orchestration Treatise: A Translation and Commentary, trans. and annotated Hugh Macdonald (Cambridge: Cambridge University Press, 2002).Google Scholar
Berlioz, Hector Grand Traité, ed. Bloom, Peter. New Berlioz Edition Vol. 24 (Kassel: Bärenreiter, 2003).Google Scholar
Berlioz, Hector À travers chants. Études musicales, adorations, boutades et critiques (Paris: Michel Lévy frères, 1862).Google Scholar
Berlioz, Hector Annotated edition, ed. Guichard, Léon (Paris: Gründ, 1971).Google Scholar
Berlioz, Hector Annotated edition, ed. Guichard, Léon Trans. Elizabeth Csicsery-Rónay as The Art of Music and Other Essays (Bloomington: Indiana University Press, 1994).Google Scholar
Berlioz, Hector Annotated edition, ed. Guichard, Léon Mémoires d’Hector Berlioz, membre de l’Institut de France (Paris: Michel Lévy frères, 1870).Google Scholar
Berlioz, Hector. Mémoires d’Hector Berlioz, ed. Bloom, Peter (Paris: Vrin, 2019).Google Scholar
Berlioz, Hector The Memoirs of Hector Berlioz, trans. and ed. Cairns, David, 2nd revised edition (New York: Knopf, 2002).Google Scholar
Berlioz, Hector. Correspondance générale d’Hector Berlioz, gen. ed. Citron, Pierre, 8 vols. (Paris: Flammarion, 1972–95); Vol. I (ed. Citron, 1972); Vol. II (ed. Robert, Frédéric, 1975); Vol. III (ed. Citron, 1978); Vol. V (ed. Macdonald, Hugh, Lesure, François, 1989); Vol. VI (ed. Macdonald, Lesure, 1995).Google Scholar
Berlioz, Hector Nouvelles lettres de Berlioz, sa famille, ses contemperains:Hector Berlioz Correspondance générale, Vol. IX, ed. Peter, Bloom, Joël-Marie, Fauquet, Hugh, Macdonald, and Cécile, Reynaud (Paris: Actes Sud: Palazzetto Bru Zane, 2016).Google Scholar
Berlioz, Hector. Berlioz on Music: Selected Criticism 1824–1837, ed. Kolb, Katherine, trans. Samuel N. Rosenberg (New York: Oxford University Press, 2015).Google Scholar
Berlioz, Hector Critique musicale 1823–1863. Vols. 1 and 3 ed. Cohen, H. Robert and Gérard, Yves (Paris: Buchet, 1996; 2nd edition Chastel, 2001); Vol. 7 ed. Anne Bongrain and Marie-Hélène Coudroy-Saghaï (Paris: Société française de musicologie, 2013).Google Scholar
Beyls, Pascal. Estelle Fornier, premier et dernier amour de Berlioz (Grenoble: Pascal Beyls, 2003).Google Scholar
Bloom, Peter. ‘Berlioz pendant l’année de la Symphonie fantastique’. In Musique et Société: Hommages à Robert Wangermée, ed. Vanhulst, Henri and Haine, Malou (Brussels: Université de Bruxelles, 1988), 93112. Trans. as ‘Berlioz in the Year of the Symphonie fantastique’. Journal of Musicological Research 9 (1989): 67–88; revised reprint in Peter Bloom, Berlioz in Time: From Early Recognition to Lasting Renown, Eastman Studies in Music (Rochester, NY: Rochester University Press, 2022), 1–25.Google Scholar
Bockholdt, Rudolf. Berlioz Studien (Tutzing: Schneider, 1979).Google Scholar
Bockholdt, RudolfDie idée fixe der Phantastischen Symphonie’. Archiv für Musikwissenschaft 30 (1973): 190207.Google Scholar
Bonds, Mark Evan. The Beethoven Syndrome: Hearing Music as Autobiography (New York: Oxford University Press, 2020).Google Scholar
Boschot, Adolphe. L’Histoire d’un romantique, 3 vols. (Paris: Plon, 1906–13).Google Scholar
Braam, Gunther, and Jacobshagen, Arnold (ed.). Hector Berlioz in Deutschland:Texte und Dokumente zur deutschen Berlioz-Rezeption (1829–1843) (Göttingen: Hainholz, 2002).Google Scholar
Brittan, Francesca. ‘Berlioz and the Pathological Fantastic: Melancholy, Monomania, and Romantic Autobiography’. 19th-Century Music 29.3 (2006): 211–36.CrossRefGoogle Scholar
Brittan, Francesca Music and Fantasy in the Age of Berlioz (Cambridge: Cambridge University Press, 2017).CrossRefGoogle Scholar
Cairns, David. Berlioz. Vol. 1, The Making of an Artist (second revised edition, London: Allen Lane/The Penguin Press, 1999).Google Scholar
Cairns, David Berlioz. Vol. 2, Servitude and Greatness (London: Allen Lane/The Penguin Press, 1999).Google Scholar
Cairns, David Discovering Berlioz (London: Toccata Press, 2019).Google Scholar
Citron, Pierre, and Reynaud, Cécile (ed.). Dictionnaire Berlioz (Paris: Fayard, 2003).Google Scholar
Cone, Edward T. Berlioz: Fantastic Symphony (Norton Critical Score). London: Chappell, 1971.Google Scholar
Cosso, Laura. Strategie del fantastico: Berlioz et la cultura del romanticismofrancese (Alessandria: Edizione dell’Orso, 2002).Google Scholar
Dahlhaus, Carl. Nineteenth-Century Music, trans. J. Bradford Robinson (Berkeley: University of California Press, 1989).Google Scholar
Del Mar, Norman. Conducting Berlioz, ed. del Mar, Jonathan (Oxford: Clarendon Press, 1997).Google Scholar
Dömling, Wolfgang. ‘Die Symphonie fantastique und Berlioz’ Auffassung von Programmusik’. Die Musikforschung 28 (1975): 260–83.Google Scholar
Dömling, Wolfgang Hector Berlioz: Symphonie fantastique, Meisterwerke der Musik 19 (Munich: Fink, 1985).Google Scholar
Dömling, Wolfgang Hector Berlioz und seine Zeit (Laaber: Laaber-Verlag, 1986).Google Scholar
Fifield, Christopher. The German Symphony between Beethoven and Brahms: The Fall and Rise of a Genre (Farnham: Ashgate, 2015).Google Scholar
Holoman, D. Kern. Berlioz (London: Faber & Faber, 1989).Google Scholar
Holoman, D. Kern Catalogue of the Works of Hector Berlioz. New Berlioz Edition Vol. 25 (Kassel: Bärenreiter, 1987).Google Scholar
Holoman, D. Kern The Creative Process in the Autograph Musical Documents of Hector Berlioz, c.1818–1840 (Ann Arbor, MI: UMI Research Press, 1980).Google Scholar
Holoman, D. Kern The Société des Concerts du Conservatoire, 1828–1967 (Berkeley: University of California Press, 2004).Google Scholar
Horton, Julian (ed.). The Cambridge Companion to the Symphony (Cambridge: Cambridge University Press, 2013).Google Scholar
Ironside, Susan. ‘Creative Developments of the “Mal d’Isolement” in Berlioz’. Music and Letters 59 (1978): 3348.Google Scholar
Kolb, Katherine. ‘Berlioz’s Othello’. In Charlton, David and Ellis, Katharine (ed.), The Musical Voyager: Berlioz in Europe, Perspektiven der Opernforschung 14 (Frankfurt am Main: Peter Lang, 2007), 241–62.Google Scholar
Kolb, KatherineShakespeare and the Symphonie fantastique’. Berlioz Society Bulletin 203 (September 2017): 3042.Google Scholar
Kregor, Jonathan. Program Music (Cambridge: Cambridge University Press, 2015).Google Scholar
*Kursell, Julia. ‘Hearing in the Music of Hector Berlioz’. In Trippett, David and Walton, Benjamin (ed.), Nineteenth-Century Opera and the Scientific Imagination (Cambridge: Cambridge University Press, 2019), 109–33.Google Scholar
Lu, Julia, and Dratwicki, Alexandre (ed.). Le Concours du prix de Rome de musique (1803–1968) (Lyon: Symétrie: Centre de musique romantique française, 2011).Google Scholar
Macdonald, Hugh. Berlioz, The Master Musicians (London: Dent, 1982).Google Scholar
Macdonald, Hugh Berlioz Orchestral Music (London: BBC Publications, 1969).Google Scholar
Macdonald, HughBerlioz and Schumann’. In Beethoven’s Century: Essays on Composers and Themes (Rochester, NY: University of Rochester Press, 2008), 4256.Google Scholar
Macdonald, HughBerlioz’s Lost Roméo et Juliette’. In Bloom, Peter (ed.), Berlioz: Scenes from the Life and Work (Rochester, NY: University of Rochester Press, 2008), 125–37.Google Scholar
Macdonald, HughBerlioz’s Messe solennelle’. 19th-Century Music, xvi (Spring 1993): 267–85.Google Scholar
Macdonald, HughBerlioz’s Orchestration: Human or Divine’. The Musical Times 110. 1513 (March 1969): 255–8.Google Scholar
Macdonald, HughBerlioz’s Self-Borrowings’. Proceedings of the Royal Musical Association 92 (1965–6): 2744.Google Scholar
Maus, Fred Everett. ‘Intersubjectivity and Analysis: Schumann’s Essay on the Fantastic Symphony’. In Bent, Ian (ed.) Music Theory in the Age of Romanticism (Cambridge: Cambridge University Press, 1996), 125–38.Google Scholar
Monelle, Raymond. The Musical Topic: Hunt, Military and Pastoral (Bloomington: Indiana University Press, 2006).Google Scholar
Münch, Marc-Mathieu. ‘Berlioz, l’effet de vie et la Symphonie fantastique’. In Berlioz, encore et pour toujours … (Arras: Actes du cycle Hector Berlioz, 2015), 4166.Google Scholar
Raby, Peter. ‘Fair Ophelia’: The Life of Harriet Smithson Berlioz (Cambridge: Cambridge University Press, 1982).Google Scholar
Ramaut, Alban. Hector Berlioz: Compositeur romantique français (Paris: Actes Sud, 1993).Google Scholar
Ramaut, Alban (ed.). Hector Berlioz: Regards sur un dauphinois fantastique (Saint-Étienne: Publications de l’Université de Saint-Étienne, 2005).Google Scholar
Ratner, Leonard G. Romantic Music: Sound and Syntax (New York: Schirmer, 1992).Google Scholar
Rodgers, Stephen. Form, Program, and Metaphor in the Music of Berlioz (Cambridge: Cambridge University Press, 2009).Google Scholar
Rosen, Charles. The Romantic Generation (London: Harper Collins, 1996).Google Scholar
Rosen, Charles and Zerner, Henri. Romanticism and Realism: The Mythology of Nineteenth-Century Art (London: Faber and Faber, 1984).Google Scholar
Rushton, Julian. The Music of Berlioz (Oxford: Oxford University Press, 2001).Google Scholar
Rushton, Julian The Musical Language of Berlioz (Cambridge: Cambridge University Press, 1983).Google Scholar
Rushton, Julian (ed.). The Cambridge Berlioz Encyclopedia (Cambridge: Cambridge University Press, 2018).Google Scholar
Schacher, Thomas. Idee und Erscheinungsform des Dramatischen bei Hector Berlioz, Hamburger Beiträge zur Musikwissenschaft 33 (Hamburg: Verlag der Musikalienhandlung Karl Dieter Wagner, 1987).Google Scholar
Schumann, Robert. ‘“Aus dem Leben eines Künstlers”: Phantastische Symphonie in 5 Abtheilungen von Hector Berlioz’. Revised version in Gesammelte Schriften über Musik und Musiker (Leipzig: Georg Wigands Verlag, 1854), 118–51. (Originally in Neue Zeitschrift für Musik, July–August 1835; translations in Ian Bent, Music Analysis in the Nineteenth Century, and Edward T. Cone, Berlioz: Fantastic Symphony.)Google Scholar
Schumann, Robert [Signed ‘Panofka’]. ‘Ueber Berlioz und seine Compositionen’. Neue Zeitschrift für Musik 17 (27 February 1835): 67–9, 18 (3 March 1835): 71–2.Google Scholar
Temperley, Nicholas. ‘The Symphonie fantastique and Its Program’. The Musical Quarterly lvii (1971): 593608.Google Scholar
Tovey, Donald Francis. Symphonies and Other Orchestral Works (Oxford: Oxford University Press, 1981), 164–70, reprinted from Tovey’s Essays in Musical Analysis (London: Oxford University Press, 1935–9).Google Scholar
Van Rij, Inge. The Other Worlds of Hector Berlioz: Travels with the Orchestra (Cambridge: Cambridge University Press, 2015).Google Scholar
Visentini, Olga. Berlioz e il suo tempo, 2 vols. (Lucca: Libreria Musicale Italiana, 2010).Google Scholar
Vogel, Oliver. Der romantische Weg im Frühwerk von Hector Berlioz (Stuttgart: Steiner, 2003).Google Scholar
Wotton, Tom S. Berlioz: Four Works, The Musical Pilgrim (London: Oxford University Press, 1929).Google Scholar
Association nationale Hector Berlioz: www.berlioz-anhb.com.Google Scholar
The Berlioz Society (London): www.theberliozsociety.org.uk.Google Scholar
The Hector Berlioz Website (founded by Monir Tayeb and Michel Austin, 1997): www.hberlioz.com/index.html.Google Scholar
Musée Berlioz (La Côte-Saint-André): www.musee-hector-berlioz.fr.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Select Bibliography
  • Julian Rushton, University of Leeds
  • Book: Berlioz: <i>Symphonie Fantastique</i>
  • Online publication: 30 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009075138.013
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select Bibliography
  • Julian Rushton, University of Leeds
  • Book: Berlioz: <i>Symphonie Fantastique</i>
  • Online publication: 30 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009075138.013
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select Bibliography
  • Julian Rushton, University of Leeds
  • Book: Berlioz: <i>Symphonie Fantastique</i>
  • Online publication: 30 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009075138.013
Available formats
×