Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 From Mikhail Bakhtin to Maryse Condé: the Problems of Literary Polyphony
- 2 Edward Said and Assia Djebar: Counterpoint and the Practice of Comparative Literature
- 3 Glenn Gould and the Birth of the Author: Variation and Performance in Nancy Huston's Les variations Goldberg
- 4 Opera and the Limits of Representation in J. M. Coetzee's Disgrace
- Conclusion
- Notes
- Works Cited
- Index
Contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 From Mikhail Bakhtin to Maryse Condé: the Problems of Literary Polyphony
- 2 Edward Said and Assia Djebar: Counterpoint and the Practice of Comparative Literature
- 3 Glenn Gould and the Birth of the Author: Variation and Performance in Nancy Huston's Les variations Goldberg
- 4 Opera and the Limits of Representation in J. M. Coetzee's Disgrace
- Conclusion
- Notes
- Works Cited
- Index
Summary
- Type
- Chapter
- Information
- Borrowed FormsThe Music and Ethics of Transnational Fiction, pp. viPublisher: Liverpool University PressPrint publication year: 2014