Book contents
- The Cambridge Companion to J. M. Coetzee
- The Cambridge Companion to J. M. Coetzee
- Copyright page
- Contents
- Contributors
- Acknowledgements
- Chronology
- Abbreviations
- Introduction
- Part I Forms
- 1 Composition and Craft: Waiting for the Barbarians, Life & Times of Michael K
- 2 Scenes and Settings: Foe, Boyhood, Youth, Slow Man
- 3 Stories and Narration: In the Heart of the Country, The Master of Petersburg, The Childhood of Jesus
- 4 Styles: Dusklands, Age of Iron, Disgrace, The Schooldays of Jesus
- 5 Genres: Elizabeth Costello, Diary of a Bad Year, Summertime
- Part II Relations
- Part III Mediations
- Further Reading
- Index
- Series page
1 - Composition and Craft: Waiting for the Barbarians, Life & Times of Michael K
from Part I - Forms
Published online by Cambridge University Press: 26 April 2020
- The Cambridge Companion to J. M. Coetzee
- The Cambridge Companion to J. M. Coetzee
- Copyright page
- Contents
- Contributors
- Acknowledgements
- Chronology
- Abbreviations
- Introduction
- Part I Forms
- 1 Composition and Craft: Waiting for the Barbarians, Life & Times of Michael K
- 2 Scenes and Settings: Foe, Boyhood, Youth, Slow Man
- 3 Stories and Narration: In the Heart of the Country, The Master of Petersburg, The Childhood of Jesus
- 4 Styles: Dusklands, Age of Iron, Disgrace, The Schooldays of Jesus
- 5 Genres: Elizabeth Costello, Diary of a Bad Year, Summertime
- Part II Relations
- Part III Mediations
- Further Reading
- Index
- Series page
Summary
This chapter explores the genesis and development of the two novels that brought J. M. Coetzee significant international notice, Waiting for the Barbarians (1980) and Life & Times of Michael K (1983). It makes use of Coetzee’s papers which are housed at the Harry Ransom Humanities Research Center at the University of Texas at Austin, in particular Coetzee’s manuscripts and notebooks, in giving an account of his creative processes in the formative stages of his career. The chapter shows that ‘composition and craft’ in Coetzee involved a creative tension between self-discipline, organization, and rigour, and openness to the uncertainties of invention.
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- The Cambridge Companion to J. M. Coetzee , pp. 15 - 28Publisher: Cambridge University PressPrint publication year: 2020