Edward Abbey’s The Monkey Wrench Gang is a classic of politically aware American environmentalist fiction. While a literary descendant of Henry David Thoreau and a rough contemporary of figures such as Rachel Carson, Abbey’s politics are not entirely one with earlier nature writers and environmentalists. His novel is perhaps best known for bringing ecotage to the consciousness of a broad audience and inspiring such real-world actions as the political theater of groups such as Earth First. Some of the book’s success is certainly due to the degree to which it provokes critical reflection on problematic tensions in several areas central to environmentally conscious writing. One such tension is that which arises between, on the one hand, representations of environmental politics and, on the other, the politics of representations of nature. A second pertains to the question of the degree and manner in which issues of social justice intersect with environmentalist agendas. Along the way, the novel tests different models of ecological awareness, dramatizes the virtues and challenges of politically engaged grassroots environmentalism, and, perhaps especially due to its setting in the desert southwest, anticipates the increasingly urgent and globally relevant cluster of issues related to water rights, damming, and irrigation.