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176 - Iconic Characters: Overview

from Part XVIII - Shakespeare and Popular Culture

Published online by Cambridge University Press:  17 August 2019

By
Deanne Williams
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

adaptationAs You Like ItBelsey, CatherineBernhardt, SarahBlackfriars (playhouse)Bloom, HaroldBradley, A. C.Cavendish, MargaretcharacterClarke, Mary CowdenColeridge, Samuel TaylorDryden, JohnEliot, T. S.FacebookFalstafffan fictionForster, E. M.Freud, SigmundGoldberg, JonathanHamletHamlet (character)Hazlitt, WilliamHolinshed, RaphaeliconiconoclastsJameson, AnnaJohnson, SamuelKing LearKing Lear (character)Knight, G. WilsonKnights, L. C.Lady MacbethLeavis, F. R.MacbethmediaThe Merry Wives of WindsorMortimer, John HamiltonOliviaOlivier, LaurenceOpheliaOrgel, Stephenpopular cultureReformationRichard IIIRichard III (character)RomanticismRomeo and JulietSchlegel, August WilliamSinfield, AlanSlights, JessicaTwelfth NightVerdi, GiuseppeVermeule, BlakeyViolavisual cultureWest Side StoryWithnail and IYachnin, PaulYouTube
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1318 - 1322
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Belsey, Catherine. “Disrupting Sexual Difference: Meaning and Gender in the Comedies.” Alternative Shakespeares. Ed. Drakakis, John. New York: Methuen, 1985. 169–93.Google Scholar
Bloom, Harold. Shakespeare: The Invention of the Human. New York: Riverhead, 1998.Google Scholar
Bradley, A. C. Lectures on Hamlet, Othello, King Lear, Macbeth. London: Macmillan, 1909.Google Scholar
Bradley, A. C. Shakespearean Tragedy. London: Macmillan, 1904.Google Scholar
Cavendish, Margaret. CCXI Sociable Letters Written by the Thrice Noble, Illustrious, and Excellent Princess, the Lady Marchioness of Newcastle. London: 1664.Google Scholar
Clarke, Mary Cowden. The Girlhood of Shakespeare’s Heroines. London: Smith, 1850–52.Google Scholar
Coleridge, Samuel Taylor. Lectures and Notes on Shakspeare and Other English Poets. Ed. Ashe, T.. London: George Bell and Sons, 1897.Google Scholar
Dryden, John. Essay on Dramatic Poesie. London: 1668.Google Scholar
Dryden, John. The Rival Ladies. London: 1664.Google Scholar
Goldberg, Jonathan. “Shakespearean Inscriptions: The Voicing of Power.” Shakespeare and the Question of Theory. Ed. Parker, Patricia and Hartman, Geoffrey. New York: Methuen, 1985. 117–38.Google Scholar
Hazlitt, William. Characters of Shakespeare’s Plays. London: C. H. Reynell, 1817.Google Scholar
Jameson, Anna. Characteristics of Women: Moral, Poetical, and Historical. London: 1832.Google Scholar
Johnson, Samuel. Preface to Shakespeare. London: J. and R. Tonson, 1765.Google Scholar
Knight, G. Wilson. The Wheel of Fire, Interpretations of Shakespearean Tragedy. London: Methuen, 1930.Google Scholar
Knights, L. C. How Many Children Had Lady Macbeth? An Essay in the Theory and Practice of Shakespeare Criticism. Cambridge: Minority Press, 1933.Google Scholar
Knights, L. C. “The Question of Character in Shakespeare.” Further Explorations: Essays in Criticism. Stanford: Stanford UP, 1965.Google Scholar
Orgel, Stephen. The Authentic Shakespeare and Other Problems of the Early Modern Stage. New York: Routledge, 2002.Google Scholar
Orgel, Stephen. “The Comedian as the Character C.” English Comedy. Ed. Cordner, Michael, Holland, Peter, and Kerrigan, John. Cambridge: Cambridge University Press, 1994. 36–54.Google Scholar
Schlegel, August William. Lectures on the History of Literature. Ed. Frost, John. 2 vols. Philadelphia: Moss, 1878.Google Scholar
Sinfield, Alan. Faultlines: Cultural Materialism and the Politics of Dissident Reading. Berkeley: U of California P, 1992.CrossRefGoogle Scholar
Vermeule, Blakey. Why Do We Care about Literary Characters? Baltimore: Johns Hopkins UP, 2010.CrossRefGoogle Scholar
Yachnin, Paul, and Slights, Jessica, eds. Shakespeare and Character: Theory, History, Performance, and Theatrical Persons. Palgrave Shakespeare Studies. New York: Palgrave, 2009.CrossRefGoogle Scholar

Further reading

Bristol, Michael. “Shakespeare and Moral Agency.” Shakespeare and the Eighteenth Century. Ed. Sabor, Peter and Yachnin, Paul. London: Ashgate, 2008.Google Scholar
Britton, John. “A. C. Bradley and Those Children of Lady Macbeth.” Shakespeare Quarterly 12 (1961): 349–51.Google Scholar
Garber, Marjorie. Profiling Shakespeare. New York: Routledge, 2008.CrossRefGoogle Scholar
Orgel, Stephen. “What Is a Character?” Text 8 (1995): 101–08.Google Scholar

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