Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Introduction
- 230 Shakespeare’s Books
- 231 Fortunes of the First Folio
- 232 Collecting and Reading Shakespeare’s Quartos
- 233 Shakespeare Anthologies
- 234 Shakespeare in Quotation Marks
- 235 Shakespeare in Quotations in English
- 236 Shakespeare in Quotations in Spanish
- 237 Shakespeare in Quotations in French
- 238 Shakespeare in Quotations in German
- 239 Shakespeare in Quotations in Japanese
- 240 The HyperHamlet Project
- 241 Shakespeare into Fiction
- 242 Shakespeare as Protagonist
- 243 Shakespeare and Children’s Literature
- 244 Self-Help Shakespeare
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
239 - Shakespeare in Quotations in Japanese
from Part XXIV - Shakespeare and the Book
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Introduction
- 230 Shakespeare’s Books
- 231 Fortunes of the First Folio
- 232 Collecting and Reading Shakespeare’s Quartos
- 233 Shakespeare Anthologies
- 234 Shakespeare in Quotation Marks
- 235 Shakespeare in Quotations in English
- 236 Shakespeare in Quotations in Spanish
- 237 Shakespeare in Quotations in French
- 238 Shakespeare in Quotations in German
- 239 Shakespeare in Quotations in Japanese
- 240 The HyperHamlet Project
- 241 Shakespeare into Fiction
- 242 Shakespeare as Protagonist
- 243 Shakespeare and Children’s Literature
- 244 Self-Help Shakespeare
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1704 - 1706Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Hayashi, Kichiro. “Intercultural Communication: Past, Present & Future.” Intercultural Communication 13 (2010): 13–19.Google Scholar
Inoue, Hisashi. Tenpo Juninen no Shakespeare. Tokyo: Sincho, 1973. Print. Tokyo: Bunkamura, 2005. DVD-ROM.Google Scholar
Kawai, Shoichiro. Moving Passages from William Shakespeare. Tokyo: Shogakukan, 2004. Print and CD-ROM.Google Scholar
Nakano, Haruo. Learn Shakespeare’s Famous Quotations & Be Successful in Love and Work! Tokyo: Magazine House, 2002.Google Scholar
Obara, Shinji. “King Lear.” New Century’s Shakespeare. Tokyo: Avex Entertainment Co., 2009. DVD-ROM.Google Scholar
Shakespeare Searchable Quotation Database. Version 2. http://shakespeare-w.com/english/shakespeare/database.html. Accessed 20 September 2010.Google Scholar
Toyama, Shigehiko, et al., eds. The Taishūkan Dictionary of Familiar Quotations. Tokyo: Taishukan, 1984.Google Scholar
Worthen, W. B. “Performing Shakespeare in Digital Culture.” The Cambridge Companion to Shakespeare and Popular Culture. Ed. Shaughnessy, Robert. Cambridge: Cambridge University Press, 2007. 227–47.Google Scholar
Further reading
Arai, Yoshio, et al., eds. A Globe Shakespeare Encyclopedia. Tokyo: Nihon Tosho Centre, 2002.Google Scholar
Desmet, Christy. “Paying Attention in Shakespeare Parody: From Tom Stoppard to YouTube.” Shakespeare Survey 61 (2008): 227–38.Google Scholar
Newton, K. M. “Performing Literary Interpretation.” Literary Theory and Criticism: An Oxford Guide. Ed. Waugh, Patricia. Oxford: Oxford UP, 2006. 475–85.Google Scholar
Osborne, Laurie E. “A Local Habitation and a Name: Television and Shakespeare.” Shakespeare Survey 61 (2008): 213–26.Google Scholar
Sasayama, Takashi, Mulryne, J. R., and Shewring, Margaret, eds. Shakespeare and the Japanese Stage. Cambridge: Cambridge University Press, 1998.Google Scholar
Sugimoto, Yoshiko, ed. The Cambridge Companion to Modern Japanese Culture. Cambridge: Cambridge University Press, 2009.Google Scholar