The Challenges of Measuring Embodied Creativity
from Part II - Creativity in the Traditional Arts
Published online by Cambridge University Press: 15 September 2017
The human body and movement are the locus of dance and the intention is aesthetic appeal, whether it is expressions of exquisite beauty or ugliness. Creative research in dance includes the practical demands of a dance career and the imaginative potential embodied in the dancer. Dancers rely on their kinesthetic sense, also described as a somatic feeling, when they are creating. The creative experience is a merging of aesthetic awareness, imaginative engagement, and physical knowing. These are related to an affective experience that manifests in the dancers’ kinesthetic sensations and perceptions. Measuring creativity in dance necessitates an interdisciplinary approach, along with study designs that are qualitative and quantitative. Motor creativity encompasses neuroscience, physiology, and psychology; all offer insight into the complexity of non-verbal creative movement.
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