Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-11-26T17:41:14.346Z Has data issue: false hasContentIssue false

39 - Arts-Based Research for Undergraduate Students

from Part III.5 - Arts & Design

Published online by Cambridge University Press:  11 August 2022

Harald A. Mieg
Affiliation:
Humboldt-Universität zu Berlin
Elizabeth Ambos
Affiliation:
Council on Undergraduate Research, Washington DC
Angela Brew
Affiliation:
Macquarie University, Sydney
Dominique Galli
Affiliation:
Indiana University–Purdue University, Indianapolis
Judith Lehmann
Affiliation:
Universidad de Buenos Aires, Argentina
Get access

Summary

Scholarship in the arts may take several forms depending on the artistic discipline. From theatrical productions, to art exhibits, to dance performances, the culmination of the work of the art form is presented in various ways. One option that crosses all art forms is arts-based research (ABR). The incorporation of ABR can be an important scholarly approach for all art forms. The implementation of ABR with undergraduate students may take several forms, including capstone courses, senior thesis projects, or undergraduate research summer scholars’ programs. The purpose of this chapter is to provide examples and strategies for making arts-based research a viable opportunity for undergraduate students in the arts disciplines. Many of the examples in the chapter are based on my work in dance in the United States, but ABR includes all art forms and all nations.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ansloos, J. P. (2018). “To speak in our own ways about the world, without shame”: Reflections on indigenous resurgence in anti-oppressive research. In Capous-Desyllas, M. & Morgaine, K. (Eds.), Creating social change through creativity: Anti-oppressive arts-based research methodologies (pp. 118). Palgrave Macmillan.Google Scholar
Barone, T., & Eisner, E. (2012). Arts based research. Sage.Google Scholar
Chamberlain, K., McGuigan, K., Anstiss, D., & Marshall, K. (2018). A change of view: Arts-based research and psychology. Qualitative Research in Psychology, 15(2–3), 131139. https://doi.org/10.1080/14780887.2018.1456590Google Scholar
Knowles, J. G., & Cole, A. L. (Eds.) (2008). Handbook of the arts in qualitative research. Sage.Google Scholar
Leavy, P. (2009). Social research and the creative arts. An introduction. In Leavy, P. (Ed.), Method meets art: Arts‐based research practice. Guilford Press.Google Scholar
Leavy, P. (2015). Method meets art: Arts-based research practice (2nd ed.). Guilford Press.Google Scholar
Moffett, A. (2019). Arts-based research in dance. Overby, In L., Shanahan, J., & Young, Y., Undergraduate research in dance: A guide for students (pp. 5462). Routledge.Google Scholar
Overby, L. (2012). Sketches in the life of Harriet E. Wilson. Choreographer, Lynnette Overby; composer, Lauren Wells; poet, Glenis Redmond; literary historian, Gabrielle Foreman. First performed March 2012 at Mitchell Hall, University of Delaware.Google Scholar
Overby, L. (2014a). Dave the potter. Visual artist, Jonathan Green; choreographers, Lynnette Overby, Teresa Emmons, & Vincent Thomas; composer, Ralph Russell; poet, Glenis Redmond; literary historian, Gabrielle Foreman. First performed March 2014 at Mitchell Hall, University of Delaware. www.sharingourlegacy.org/dave-the-potterGoogle Scholar
Overby, L. (2014b). Field cotton. Visual artist, Jonathan Green; composer, Ralph Russell; poet, Glenis Redmond. First performed March 2014 at Mitchell Hall, University of Delaware. www.youtube.com/watch?v=4G8pz4cBDGsGoogle Scholar
Overby, L. (2014c). Dream of freedom. Visual artist, Jonathan Green; composer, Lauren Wells. First performed March 2014 at Mitchell Hall, University of Delaware. www.youtube.com/watch?v=PIXMyW0QKCk&feature=youtu.be&t=1203Google Scholar
Overby, L. (2016a). Same story – different countries. Choreographers, Lynnette Overby, A. T. Moffett, Ashley S. K. Sullivan, Lela Aisha Jones, Vincent Thomas, Tumi Nkomo, & Teresa Emmons; composers, Xiang Gao, Kesivan Nado, & Ralph Russell; poet, Glenis Redmond; Visual artist, Garth Erasmus. First performed March 2016 at Baby Grand Theatre, Wilmington, DE. Retrieved from www.sharingourlegacy.org/same-story-different-countriesGoogle Scholar
Overby, L. (2016b). Public scholarship in dance. Human Kinetics PublishersCrossRefGoogle Scholar
Overby, L. (2018). Women of consequence – Ambitious, ancillary and anonymous. Choreographers, Lynnette Overby, Lela Aisha Jones, Marion Hamermesh, Rachel Delauder, Teresa Emmons, & Tumi Nkomo; composer, Ralph Russell; poet, Glenis Redmond; literary historian, Gabrielle Foreman. First performed March 2018 at Baby Grand Theatre, Wilmington, DE.Google Scholar
Overby, L. (2019). Mary Ann Shadd Cary – Her life and legacy. Choreographers, Lynnette Overby, Teresa Emmons, Rachel Delauder, Marion Hamermesh, Desiree Cocroft, Amber Rance, & Ikira Peace; composers, Ralph Russell & Christian Wills; poets, Glenis Redmond, Christian Wills, Bebe Coker, & Rachel Delauder; literary historian, Gabrielle Foreman. First performed November 2019 at Mitchell Hall, University of Delaware.Google Scholar
Overby, L., Shanahan, J., & Young, G. (2019). Undergraduate research in dance. Routledge.Google Scholar
Redmond, G. (2019). Torch bearer. Unpublished manuscript.Google Scholar
Reshetnikov, A., Bogumil, E., Capous-Desyllas, M., & Lara, P. (2018). From visual maps to installation art: Visualizing client pathways to social services in Los Angeles. In Capous-Desyllas, M. & Morgaine, K. (Eds.), Creating social change through creativity (pp. 209226). Palgrave Macmillan.CrossRefGoogle Scholar
Saldaña, J. (Ed.). (2005). Ethnodrama: An anthology of reality theater. AltaMira Press.Google Scholar
Saldaña, J. (2008). Ethnodrama and ethnotheatre. In Knowles, J. G. & Cole, A. L., (Eds.), Handbook of the arts in qualitative research (pp. 195207). Sage.Google Scholar
Wilson, H. E. (1859). Our Nig, Sketches in the life of a free Black. C. Rand & Avery.Google Scholar
Wilson, L., & Moffett, A. T. (2017). Building bridges for dance through arts-based research. Research in Dance Education, 18(2), 135149. https://doi.org/10.1080/14647892.2017.1330328Google Scholar
Wright, A. (2014, June). Dave the potter. Presentation at the annual Council for Undergraduate Research Conference, Washington, DC. Council for Undergraduate Research Conference.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×