Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-21T14:14:54.055Z Has data issue: false hasContentIssue false

22 - Music books

from PART III - TYPES OF BOOKS AND THEIR USES

Published online by Cambridge University Press:  28 March 2012

Richard Gameson
Affiliation:
University of Durham
Get access

Summary

The first music books in Britain

The earliest reference to books of music used in the English church is in Bede’s Ecclesiastical History of the English People:

Benedict received this Abbot John and brought him to Britain in order that he might teach the monks of his monastery the mode of chanting throughout the year as it was practised at St Peter’s in Rome. Abbot John carried out the pope’s instructions and taught the cantors of the monastery the order and manner of singing and reading aloud and also committed to writing all things necessary for the celebration of festal days throughout the whole year; these writings have been preserved to this day in the monastery and copies have now been made by many others elsewhere.

The committal in writing of ‘all things necessary for the celebration of festal days’, and the making of copies from this central source for use elsewhere, suggests a perceived need to perform the liturgy in a specific way, recognised as being correct: without a written version, ‘the order and manner of singing and reading aloud’ might not be properly maintained. Within Bede’s words a paradox lies hidden, however: what was being recorded in written form might include information about texts to be sung (as incipits or full texts), and texts to be read (ditto), along with rubrics about how the liturgy was to be performed, but it was all in the medium of words alone.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Music books
  • Edited by Richard Gameson, University of Durham
  • Book: The Cambridge History of the Book in Britain
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521583459.023
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Music books
  • Edited by Richard Gameson, University of Durham
  • Book: The Cambridge History of the Book in Britain
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521583459.023
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Music books
  • Edited by Richard Gameson, University of Durham
  • Book: The Cambridge History of the Book in Britain
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521583459.023
Available formats
×