Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-g7gxr Total loading time: 0 Render date: 2024-11-12T14:06:20.839Z Has data issue: false hasContentIssue false

10 - Sensation

from PART III - MODES OF WRITING

Published online by Cambridge University Press:  28 March 2012

Kate Flint
Affiliation:
University of Southern California
Get access

Summary

On 13 November 1849, Charles Dickens witnessed the execution of Marie and Frederick Manning at the Horsemonger Road Goal in Southwark, South London. He had rented a flat with a good view for the purpose, he claimed, of observing the responses of the thirty thousand people who had gathered together to watch the occasion – and he described what he saw in a letter to The Times later that day:

I believe that a sight so inconceivably awful as the wickedness and levity of the immense crowd collected at that execution this morning could be imagined by no man, and could be presented in no heathen land under the sun. The horrors of the gibbet and of the crime which brought the wretched murderers to it faded in my mind before the atrocious bearing, looks, and language of the assembled spectators.

He describes the ‘screeching, and laughing, and yelling in strong chorus of parodies on negro melodies, with substitutions of “Mrs Manning” for “Susannah”, and the like’, and the ‘fightings, faintings, whistlings, imitations of Punch, brutal jokes, tumultuous demonstrations of indecent delight when swooning women were dragged out of the crowd by the police, with their dresses disordered, [which] gave a new zest to the general entertainment’.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Sensation
  • Edited by Kate Flint, University of Southern California
  • Book: The Cambridge History of Victorian Literature
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521846257.012
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Sensation
  • Edited by Kate Flint, University of Southern California
  • Book: The Cambridge History of Victorian Literature
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521846257.012
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Sensation
  • Edited by Kate Flint, University of Southern California
  • Book: The Cambridge History of Victorian Literature
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521846257.012
Available formats
×