Gesammelte Schriften. 7 vols. Ed. Tiedemann, Rolf and Schweppenhäuser, Hermann. Frankfurt: Suhrkamp, 1972–89.

The Arcades Project. Trans. Eiland, Howard and McLaughlin, Kevin. Cambridge, MA: Harvard University Press, 1999.

Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Trans. Zohn, Harry. London: New Left Books, 1973.

Illuminations. Ed. Arendt, Hannah. Trans. Zohn, Harry. New York: Schocken Books, 1969.

Moscow Diary. Trans. Sieburth, Richard. Ed. Smith, Gary. Cambridge, MA: Harvard University Press, 1986.

One-Way Street and Other Writings. Trans. Jephcott, Edward and Shorter, K.. London: New Left Books, 1979.

Origin of the German Tragic Drama. Trans. Osborne, John. London: New Left Books, 1977.

Reflections: Essays, Aphorisms, Autobiographical Writings. Trans. Jephcott, Edmund. Ed. Demetz, Peter. New York: Schocken, 1986.

Selected Writings1913–1926. Vol. 1. Ed. Bullock, Marcus and Jennings, Michael W.. Cambridge, MA: Harvard University Press, 1996.

Selected Writings1927–1934. Vol. 2. Trans. Livingstone, Rodneyet al. Ed. Jennings, Michael W., Eiland, Howard, and Smith, Gary. Cambridge, MA: Harvard University Press, 1999.

Selected Writings1925–1938. Vol. 3. Trans. Jephcott, Edmund, Eiland, Howardet al. Ed. Eiland, Howard and Jennings, Michael W.. Cambridge, MA: Harvard University Press, 2002.

Selected Writings1938–1940. Vol. 4. Trans. Jephcott, Edmundet al. Ed. Eiland, Howard and Jennings, Michael W.. Cambridge, MA: Harvard University Press, 2003.

Understanding Brecht. Trans. Bostock, Anna. London: New Left Books, 1973.

Adorno and Benjamin: The Complete Correspondence 1928–1940. Ed. Lonitz, Henry. Trans. Walker, Nicholas. Cambridge, MA: Harvard University Press, 1999.

The Correspondence of Walter Benjamin 1920–1940. Ed. Scholem, Gershom and Adorno, Theodor W.. Trans. Jacobson, Manfred R. and Jacobson, Evelyn M.. Chicago: University of Chicago Press, 1994.

The Correspondence of Walter Benjamin and Gershom Scholem, 1932–1940. Trans. Smith, Gary and Lefevre, André. New York: Schocken Books, 1989.

Gesammelte Briefe. 6 vols. Ed. Gödde, Christoph and Lonitz, Henri. Frankfurt: Suhrkamp, 1995–2000.

Buck-Morss, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and the Frankfurt Institute. New York: Free Press, 1977. Examines the Frankfurt School and Benjamin's relation to it from the perspective of its method of negative dialectics.Google Scholar

Gay, Peter. Weimar Culture: The Outsider as Insider. New York: Harper and Row, 1968. An introduction to the various intellectual, artistic, social, and political movements that developed during the Weimar period in Germany.Google Scholar

Jay, Martin. The Dialectical Imagination: A History of the Frankfurt School and the Institute for Social Research, 1923–1950. Berkeley: University of California Press, 1996. Good introduction to the history of the Frankfurt School and its development.Google Scholar

Laqueur, Walter Z.Young Germany: A History of the German Youth Movement. New York: Basic Books, 1962. Provides a history of the various youth movements that arose in Germany between 1896 and 1933.Google Scholar

Norton, Robert. Secret Germany: Stefan George and His Circle. Ithaca, NY: Cornell University Press, 2002. Definitive account of Stefan George and a history of the figures associated with his circle.Google Scholar

Brodersen, Momme. Walter Benjamin: A Biography. London: Verso, 1996. A full-length biography of Benjamin, useful but whets the appetite for a more complete biography with better organization.Google Scholar

Eiland, Howard, and Jennings, Michael. The Author as Producer: A Life of Walter Benjamin. Cambridge, MA: Harvard University Press, 2007. First full-length critical biography in English. Situates critical introductions to Benjamin's major works within a full account of his life.Google Scholar

Leslie, Esther. Walter Benjamin. London: Reaktion Books, 2007. First biography in English to incorporate fully the German editions of Benjamin's collected writings and letters. Links his personal history to a detailed account of his intellectual development and its social context.Google Scholar

Missac, Pierre. Walter Benjamin's Passages. Cambridge, MA: MIT Press, 1995. An account of Benjamin's life interwoven with topics and themes from his works told by someone who knew him during his final years in Paris.Google Scholar

Scholem, Gershom. Walter Benjamin: The Story of a Friendship. Philadelphia: Jewish Publication Society of America, 1981. Account of Benjamin's life through Scholem's eyes. Tends to emphasize the Jewish and Messianic aspect of Benjamin's writings.Google Scholar

Witte, Bernd. Walter Benjamin: An Intellectual Biography. Trans. Rolleston, James. Detroit: Wayne State University Press, 1991. An interpretative biography that emphasizes Benjamin's works and ideas as well as his intellectual contexts.Google Scholar

Benjamin, Andrew. Ed. Adorno and Benjamin: Problems of Modernity. London: Routledge, 1989. Collection of essays on questions relating to the concept of modernity in both Benjamin and Adorno. Essays treat the enlightenment, modernism, the postmodern, language, feminism, Baudelaire, and Jewish motifs.

Benjamin, Andrew Ed. Walter Benjamin's Philosophy: Destruction and Experience. Manchester: Clinamen Press, 2000. Collection of essays organized around the philosophical significance of Benjamin's work. Essays treat destruction, violence, tradition, experience, politics, language, time, the work of art essay.

Benjamin, Andrew Ed. Walter Benjamin and Art. London: Continuum, 2005. Collection of essays on the aesthetic (and its relation to politics), aura, music, revolution, the technological, and photography.

Benjamin, Andrew Ed. Walter Benjamin and History. London: Continuum, 2005. Collection of essays examining the image, photography, time, architecture, modernity, tradition, and the messianic in relation to Benjamin's concept of history.

Buci-Glucksmann, Christine. Baroque Reason: The Aesthetics of Modernity. London: Sage Publications, 1994. Examines the significance of a Baroque reason for the problems that arise within the representation of modernity, namely alienation, melancholy, and nostalgia. Discusses Benjamin's analysis of the Baroque in the context of Nietzsche, Adorno, Musil, Barthes, and Lacan.Google Scholar

Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge, MA: MIT Press, 1989. An inventive reconstruction of Benjamin's fragmentary last work, The Arcades Project. Published before this work became available in translation.Google Scholar

Cadava, Eduardo. Words of Light: Theses on the Photography of History. Princeton: Princeton University Press, 1997. Focuses on Benjamin's thought and writing through the prism offered by the place of photography in his work.Google Scholar

Caygill, Howard. Walter Benjamin: The Color of Experience. London: Routledge, 1998. Extensive examination of the concept of experience and especially visual experience in Benjamin's writings.Google Scholar

Cohen, Margaret. Profane Illumination: Walter Benjamin and the Paris Surrealist Revolution. Berkeley: University of California Press, 1993. Unsurpassed and comprehensive account of Benjamin and surrealism within the context of Parisian culture and history during the 1930s.Google Scholar

Eagleton, Terry. Walter Benjamin: or Towards a Revolutionary Criticism. London: New Left Books, 1981. An attempt to rescue Benjamin for contemporary Marxist criticism.Google Scholar

Fenves, Peter. Arresting Language: From Leibniz to Benjamin. Stanford: Stanford University Press, 2001. Examines how Benjamin's writings on language belong to a history in which language is understood as an interruption of continuous processes and procedures.Google Scholar

Ferris, David. Ed. Walter Benjamin: Theoretical Questions. Stanford: Stanford University Press, 1993. Collection of essays on theoretical aspects of Benjamin's works. Essays on aura, history, the poetic, presentation, language and the autobiographical, and violence, as well as his reading of Romanticism.Google Scholar

Ferris, David Ed. The Cambridge Companion to Walter Benjamin. Cambridge: Cambridge University Press, 2004. Collection of essays examining the avant-garde, art forms, language and mimesis, cultural history, modernity, psychoanalysis, Romanticism, dialectical materialism, the phantasmagorical, and the autobiographical.CrossRef

Fischer, Gerhard. “With the Sharpened Axe of Reason”: Approaches to Walter Benjamin. Oxford: Berg, 1996. Collection of essays by Australian and European critics on modernity, gender, criticism and literature, and performance and theatricality in Benjamin's writings.Google Scholar

Gilloch, Graeme. Myth and Metropolis: Walter Benjamin and the City. Cambridge: Polity Press, 1996. Focuses on the place of the city within Benjamin's thought. Explores surrealism and modernity as well as Marx and Freud in relation to Benjamin.Google Scholar

Gilloch, GraemeCritical Constellations. Cambridge: Polity Press, 2002. Thematic account of Benjamin's writings. Emphasizes the relation between fragmentation and constellation.Google Scholar

Gumbrecht, Hans Ulrich, and Marrinan, Michael. Mapping Benjamin: The Work of Art in the Digital Age. Stanford: Stanford University Press, 2003. Collection of short essays that respond to the question of Benjamin's contemporary significance for a range of disciplines in the humanities as well as some of the social sciences.Google Scholar

Hanssen, Beatrice. Walter Benjamin's Other History: Of Stones, Animals, Human Beings, and Angels. Berkeley: University of California Press, 1998. Focuses on Benjamin's Origin of the German Tragic Drama and examines the complexities of his understanding of history as developed in this work.Google Scholar

Hanssen, BeatriceEd. Walter Benjamin and The Arcades Project. London: Routledge, 2006. Collection of essays by American and British critics on issues and concepts in Benjamin's uncompleted work on the Paris Arcades.

Hanssen, Beatrice, and Benjamin, Andrew. Walter Benjamin and Romanticism. London: Continuum, 2002. Collection of essays by American, British and European critics on different aspects of Romanticism examined by Benjamin in his early formative writings.Google Scholar

Jacobs, Carol. In the Language of Walter Benjamin. Baltimore: Johns Hopkins University Press, 1999. Close readings that examine the performance of language in Benjamin's autobiographical writings as well as his essays on language and translation.Google Scholar

Jameson, Fredric. Marxism and Form: Twentieth Century Dialectical Theories of Literature. Princeton, NJ: Princeton University Press, 1971. Contains the earliest account in English of Benjamin as a Marxist critic.Google Scholar

Jennings, Michael W.Dialectical Images: Walter Benjamin's Theory of Literary Criticism. Ithaca, NY: Cornell University Press, 1987. Places Benjamin's writings on Baudelaire, the philosophy of history, experience, truth in relation to a theory of criticism.Google Scholar

Lane, Richard J.Walter Benjamin: Writing through the Catastrophe. Manchester: Manchester University Press, 2005. Examines the relation between philosophy and theology across Benjamin's writings. Analyzes this relation in the German youth movements, the George Circle, and surrealism. Also examines Benjamin's concepts of experience and the work of art as well as his textual practice.Google Scholar

Leslie, Esther. Walter Benjamin: Overpowering Conformism. London: Pluto Press, 2000. Offers a more political reading of Benjamin in the wake of the theoretical attention given to his works in the 1980s and 1990s.Google Scholar

McCole, John. Walter Benjamin and the Antinomies of Tradition. Ithaca, NY: Cornell University Press, 1993. Examines Benjamin's intellectual development while emphasizing an engagement with tradition that can be traced from his early writings. Treats Romanticism, experience, allegory, surrealism, memory, and history.Google Scholar

Mehlman, Jeffrey. Walter Benjamin for Children: An Essay on His Radio Years. Chicago: University of Chicago Press, 1993. An analysis of thirty scripts Benjamin wrote for radio broadcasts between 1929 and 1933 in the context of his larger critical concerns.Google Scholar

Nägele, Rainer. Ed. Benjamin's Ground. Detroit: Wayne State University Press, 1988. Close textual readings of major aspects of Benjamin's thought. Essays on language, Baudelaire, lyric, and the image.

Nägele, RainerTheatre, Theory, Speculation: Walter Benjamin and the Scenes of Modernity. Baltimore: Johns Hopkins University Press, 1991. Extensive analysis of Origin of the German Tragic Drama that traces the consequences of Benjamin's account of how modernity is formed within the Baroque.

Pensky, Max. Melancholy Dialectics. Amherst: University of Massachusetts Press, 1993. Extensive analysis of melancholy as a central force within Benjamin's writings. Treats modernity, allegory, criticism, and history in his thought.Google Scholar

Richter, Gerhard. Walter Benjamin and the Corpus of Autobiography. Detroit: Wayne State University Press, 2000. Examines Benjamin's autobiographical writings and their emphasis on the body and its image as a crucial site for his engagement with political questions and concerns.Google Scholar

Richter, Gerhard Ed. Benjamin's Ghosts: Interventions in Contemporary Literary and Cultural Theory. Stanford: Stanford University Press, 2002. Collection of essays that examines Benjamin's contemporary critical significance. Essays by German and American critics on cinema, image, aura, art, history, language, the tragic, The Arcades Project, and Benjamin's concept of the constellation.

Roberts, Julian. Walter Benjamin. Atlantic Highlands, NJ: Humanities Press, 1983. Short general account of Benjamin's writings.Google Scholar

Rochlitz, Rainer. The Disenchantment of Art: The Philosophy of Walter Benjamin. Trans. Todd, Jane Marie. New York: Guilford, 1996. Systematic treatment of Benjamin's thought emphasizing his philosophy of language, aesthetic concerns, and historical thought.Google Scholar

Smith, Gary, Ed. On Walter Benjamin: Critical Essays and Recollections. Cambridge, MA: MIT Press, 1988. Wide range of essays on Benjamin as well as personal recollections. Includes some important essays first published in Germany in the 1970s and early 1980s.

Smith, Gary Ed. Benjamin: Philosophy, Aesthetics, History. Chicago: University of Chicago Press, 1989. Essays by American and German authors on Benjamin. Essays focus on the concept of progress, the work of art essay, history, materialism, the messianic, and The Arcades Project.

Steinberg, Michael P. Ed. Walter Benjamin and the Demands of History. Ithaca, NY: Cornell University Press, 1996. Essays on Benjamin's understanding of history, both cultural and philosophical, as well as applications of his historical thought to modern cultural contexts.

Weber, Samuel. Mass Mediauras: Form, Technics, Media. Stanford: Stanford University Press, 2001. Locates Benjamin's writings within a transformation of artistic form and experience that marks the transition from a work-based to a media-based model in art and culture.Google Scholar

Weber, SamuelBenjamin's -abilities. Cambridge, MA: Harvard University Press, 2008. Innovative study of a series of key concepts that all share the same suffix in Benjamin's writings. Concepts discussed include impartibility, criticizability, citability, translatability, and reproducibility.Google Scholar

Weigel, Sigrid. Body- and Image-Space: Re-Reading Walter Benjamin. London: Routledge, 1996. Examines the relation of image and body as a central issue within Benjamin's work. Treats gender, allegory, and the dialectical image, as well as the relation of Foucault and Kristeva to Benjamin's writings.CrossRefGoogle Scholar

Wolin, Richard. Walter Benjamin: An Aesthetic of Redemption. Revised edition. Berkeley: University of California Press, 1994. A broad account of some of the principal questions, issues, and concepts framing Benjamin's critical development.Google Scholar