Caroline Bergvall's Medievalist Poetics: Migratory Texts and Transhistorical Methods

doi:10.1017/9781802701739

Caroline Bergvall's Medievalist Poetics

Migratory Texts and Transhistorical Methods

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Allfrey, Fran Moore, Lucy and Nevell, Richard 2024. Forging the medieval on Wikipedia. postmedieval, Vol. 15, Issue. 2, p. 549.

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Edited by Joshua Davies, King's College London, Caroline Bergvall, Queen Mary University of London

Publisher:: Amsterdam University Press
Online publication date:: February 2024
Print publication year:: 2023
Online ISBN:: 9781802701739
DOI:: https://doi.org/10.1017/9781802701739

Subjects:: Literature, Literary Texts
Series:: Arc Medievalist

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Caroline Bergvall's celebrated trilogy of interdisciplinary medievalist texts and projects - Meddle English (2011), Drift (2014), and Alisoun Sings (2019) - documents methods of reading and making that are poetically and politically alert, critically and culturally aware, linguistically attuned, and historically engaged.

Drawing on the wide-ranging body of criticism dedicated to Bergvall's work and material from Bergvall's archive, together with newly commissioned texts by scholars, theorists, linguists, translators, and poets, this book situates the trilogy in relation to key themes including mixed temporalities; interdisciplinarity and performance; art and activism; and the geopolitical, psychosexual, and social complexities of subjectivity. It follows routes laid down by the trilogy to move between the medieval past and our contemporary moment to uncover new forms of encounter and exchange.

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Contents

Frontmatter
pp i-iv
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Contents
pp v-viii
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List of Illustrations
pp ix-x
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Foreword
pp xi-xvi
- By David Wallace
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Introduction
pp 1-8
- By Caroline Bergvall, Joshua Davies
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Part 1 - Meddle English
pp 9-9
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Documents
pp 10-16
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Chapter 1 - A Veritable Dollmine
pp 17-20
- By Drew Milne
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Chapter 2 - Meddle English
pp 21-24
- By Mary Wilson
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Chapter 3 - “Let’s Do a Gertrude Stein on It”: Caroline Bergvall and Iterative Poetics
pp 25-34
- By Jacob Edmond
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Chapter 4 - Inventive Reworkings: Transformation and Translation in Caroline Bergvall’s Meddle English
pp 35-44
- By Robert Sheppard
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Chapter 5 - Midden, Trash, and Garbage: The Discourse of Debris in Bergvall’s “The Franker Tale (Deus Hic, 2)”
pp 45-56
- By Candace Barrington
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Chapter 6 - Translative Bergvall, or the Work of Translation
pp 57-64
- By Vincent Broqua
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Part 2 - Drift
pp 65-65
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Documents
pp 66-72
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Chapter 7 - All at Sea
pp 73-76
- By So Mayer
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Chapter 8 - Drift
pp 77-80
- By David Kaufmann
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Chapter 9 - Caroline Bergvall’s Drift
pp 81-82
- By Cherry Smyth
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Chapter 10 - Giving a Syntax to the Cry: Caroline Bergvall’s Drift
pp 83-94
- By Áine McMurtry
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Chapter 11 - Forensic Listening: M. NourbeSe Philip’s Zong!, Caroline Bergvall’s Drift, and the Contemporary Long Poem
pp 95-106
- By Adalaide Morris
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Chapter 12 - Drifting into the Fog: The Opacity of the Past in Caroline Bergvall’s Drift
pp 107-116
- By Sierra Lomuto
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Part 3 - Alisoun Sings
pp 117-117
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Documents
pp 118-124
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Chapter 13 - Alisoun Sings
pp 125-128
- By Greg Bem
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Chapter 14 - Collective Poesy: The Disruptive Pleasures of Caroline Bergvall’s Alisoun Sings
pp 129-132
- By Charles Theonia
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Chapter 15 - Alisounation
pp 133-136
- By Kyoo Lee
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Chapter 16 - Alisoun’s Friends: Caroline Bergvall’s Community of Alisouns
pp 137-146
- By Usha Vishnuvajjala
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Chapter 17 - Old Language is Dredged Up a New
pp 147-154
- By Tamsin Blaxter
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Chapter 18 - Alisoun after Alisoun
pp 155-162
- By Marion Turner
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Chapter 19 - “A happy combimess, simpel”: Forms of Activism and Collective Resistance in Alisoun Sings
pp 163-174
- By Georgina Colby
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Caroline Bergvall's Medievalist Poetics

Migratory Texts and Transhistorical Methods

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Book description

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Contents

Frontmatter
pp i-iv

Contents
pp v-viii

List of Illustrations
pp ix-x

Foreword
pp xi-xvi

Introduction
pp 1-8

Part 1 - Meddle English
pp 9-9

Documents
pp 10-16

Chapter 1 - A Veritable Dollmine
pp 17-20

Chapter 2 - Meddle English
pp 21-24

Chapter 3 - “Let’s Do a Gertrude Stein on It”: Caroline Bergvall and Iterative Poetics
pp 25-34

Chapter 4 - Inventive Reworkings: Transformation and Translation in Caroline Bergvall’s Meddle English
pp 35-44

Chapter 5 - Midden, Trash, and Garbage: The Discourse of Debris in Bergvall’s “The Franker Tale (Deus Hic, 2)”
pp 45-56

Chapter 6 - Translative Bergvall, or the Work of Translation
pp 57-64

Part 2 - Drift
pp 65-65

Documents
pp 66-72

Chapter 7 - All at Sea
pp 73-76

Chapter 8 - Drift
pp 77-80

Chapter 9 - Caroline Bergvall’s Drift
pp 81-82

Chapter 10 - Giving a Syntax to the Cry: Caroline Bergvall’s Drift
pp 83-94

Chapter 11 - Forensic Listening: M. NourbeSe Philip’s Zong!, Caroline Bergvall’s Drift, and the Contemporary Long Poem
pp 95-106

Chapter 12 - Drifting into the Fog: The Opacity of the Past in Caroline Bergvall’s Drift
pp 107-116

Part 3 - Alisoun Sings
pp 117-117

Documents
pp 118-124

Chapter 13 - Alisoun Sings
pp 125-128

Chapter 14 - Collective Poesy: The Disruptive Pleasures of Caroline Bergvall’s Alisoun Sings
pp 129-132

Chapter 15 - Alisounation
pp 133-136

Chapter 16 - Alisoun’s Friends: Caroline Bergvall’s Community of Alisouns
pp 137-146

Chapter 17 - Old Language is Dredged Up a New
pp 147-154

Chapter 18 - Alisoun after Alisoun
pp 155-162

Chapter 19 - “A happy combimess, simpel”: Forms of Activism and Collective Resistance in Alisoun Sings
pp 163-174

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Caroline Bergvall's Medievalist Poetics

Migratory Texts and Transhistorical Methods

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