Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-rcrh6 Total loading time: 0 Render date: 2024-11-22T12:51:55.787Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  25 April 2024

Claude Calame
Affiliation:
Ecole des Hautes Etudes en Sciences Sociales, Paris
Vanessa Casato
Affiliation:
Universita Ca'Foscari, Venezia
Simon Goldhill
Affiliation:
University of Cambridge
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Choral Tragedy
Greek Poetics and Musical Ritual
, pp. 187 - 204
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bibliography

Ahl, F., Sophocles’ Oedipus: Evidence and Self-Conviction, Ithaca, NY and London (Cornell University Press) 1991Google Scholar
Alaux, J., Origine et horizon tragiques, Saint-Denis (Presses universitaires de Vincennes) 2007CrossRefGoogle Scholar
Alexiou, M., The Ritual Lament in Greek Tradition, 2nd ed., Lanham, MD (Rowman & Littlefield) 2002Google Scholar
Aluja, R., ‘Reexamining the Lille Stesichorus: About the Theban Version of Stesich. PMGF 222b’, in Reig, M. and Riu, X. (eds.), Drama, Philosophy, Politics in Ancient Greece: Contexts and Receptions, Barcelona (University of Barcelona Press) 2014: 1537Google Scholar
Andújar, R., Coward, T. R. P. and Hadjimichael, T. A. (eds.), Paths of Songs: The Lyric Dimension of Greek Tragedy, Berlin and Boston, MA (de Gruyter) 2018CrossRefGoogle Scholar
Austin, J. L., How to Do Things with Words, 2nd ed., Cambridge, MA (Harvard University Press) 1975CrossRefGoogle Scholar
Azoulay, V. and Ismard, P., Athènes 403. Une histoire chorale, Paris (Flammarion) 2020Google Scholar
Bacon, H. H., Barbarians in Greek Tragedy, New Haven, CT (Yale University Press) 1961Google Scholar
Bacon, H. H. ‘The Chorus in Greek Life and Drama’, Arion III 3, 1994/1995: 624Google Scholar
Barrett, W. S., Euripides: Hippolytos, Oxford (Clarendon Press) 1964Google Scholar
Battezzato, L., ‘Lyric’, in Gregory, J. (ed.), A Companion to Greek Tragedy, Oxford (Blackwell) 2005: 149–66Google Scholar
Bell, C., Ritual: Perspectives and Dimensions, New York and Oxford (Oxford University Press) 1997CrossRefGoogle Scholar
Bellia, A., Il canto delle vergini locresi. La musica a Locri Epizefirii nelle fonti scritte e nella documentazione archeologica (sec. VI-III a. C.), Rome (Fabrizio Serra) 2012Google Scholar
Belloni, L., Eschilo. I, Milan (Vita e Pensiero) 1988Google Scholar
Benveniste, E., ‘La philosophie analytique et le langage’, Études philosophiques 1, 1963: 312 (reprinted in 1966: 267–76)Google Scholar
Benveniste, E. Problèmes de linguistique générale, Paris (Gallimard) 1966Google Scholar
Benveniste, E. Problèmes de linguistique générale II, Paris (Gallimard) 1974Google Scholar
Bettini, M. and Guidorizzi, G., Il mito di Edipo. Immagini e racconti dalla Grecia ad oggi, Turin (Einaudi) 2004Google Scholar
Bierl, A. F., Dionysos und die griechische Tragödie. Poetische und “metatheatralische” Aspekte im Text, Tübingen (Gunter Narr) 1991Google Scholar
Bierl, A. F. Der Chor in der alten Komödie. Ritual und Performativität, Munich and Leipzig (K. G. Saur) 2001 (trad. angl. revue par A. Hollmann, Ritual and Performativity: The Chorus of Old Comedy, Cambridge, MA and London (Harvard University Press) 2009)Google Scholar
Bierl, A. F.Literatur als Rito- und Mythopoetik. Überblicksartikel zu einem neuen Ansatz in der klassischen Philologie’, in Bierl, A., Lämmle, R. and Wesselmann, K. (eds.), Literatur und Religion I. Wege zu einer mythish-rituellen Poetik, Berlin and New York (de Gruyter) 2007: 176Google Scholar
Bierl, A. F.Choral Dance at Play: Paizein in Greek Drama, or Body Movement as Sexual Attraction Between Gender and Genre’, in Dasen, V. and Vespa, M. (eds.), Play and Games in Classical Antiquity: Definition, Transmission, Reception, Liège (Presses Universitaires de Liège) 2021: 2947CrossRefGoogle Scholar
Bollack, J., L’Œdipe roi de Sophocle. Le texte et ses interprétations, 4 vols., Lille (Presses universitaires de Lille) 1990Google Scholar
Bollack, J. Dionysos et la tragédie. Commentaire des Bacchantes d’Euripide, Paris (Bayard) 2005Google Scholar
Borutti, S., ‘Wittgenstein et l’anthropologie’, in Cerqui, D. and Maffi, I. (eds.), Mélanges en l’honneur de Mondher Kilani, Lausanne (A contrario) 2015: 921Google Scholar
Bouvier, D., ‘Quand le poète était encore un charpentier … Aux origines du concept de poésie’, in Heidmann, U. (ed.), Poétiques comparées des mythes, Lausanne (Payot) 2003: 85105Google Scholar
Bouvier, D.“Rendre l’homme meilleur!” ou quand la comédie interroge la tragédie sur sa finalité: à propos des Grenouilles d’Aristophane’, in Calame, C. (ed.), Poétique d’Aristophane et langue d’Euripide en dialogue, Lausanne (Études de Lettres) 2004: 926Google Scholar
Bowie, E., ‘Stesichorus at Athens’, in Finlass, P. J. and Kelly, A. (eds.), Stesichorus in Context, Cambridge (Cambridge University Press) 2015: 11124Google Scholar
Bremer, J. M., ‘Stesichorus: The Lille Papyrus’, in Bremer, J. M., Maria, A. van Kip, Erp Taalman and Slings, S. R. (eds.), Some Recently Found Greek Poems, Leiden, New York, Copenhagen and Cologne (E. J. Brill) 1987: 128–74CrossRefGoogle Scholar
Bremmer, J. N., ‘Body Politics: Imagining Human Sacrifice in Euripides’ Iphigeneia in Aulis’, in Staniewski, W. and Bielawski, K. (eds.), Mantic Perspectives: Oracles, Prophecy and Performance, Gardzienice, Lublin and Warsaw (Wydzial ‘Artes Liberles’ Uniwersytetu Warszawskiego) 2015: 3556Google Scholar
Briand, M., Antiquity. 500 BCE - 350 BCE, in A. Arcangeli & M. Kant, (eds), A Cultural History of Dance, vol. I, London (Bloomsbury) forthcoming.Google Scholar
Broadhead, H. D., The Persae of Aeschylus, Cambridge (Cambridge University Press) 1960Google Scholar
Bruit, L., ‘Mythe et symbole religieux dans l’Hippolyte d’Euripide. Hippolyte entre Artémis et Aphordite’, in des Bouvrie, S. (ed.), Myth and Symbol II: Symbolic Phenomena in Ancient Greek Culture, Bergen (Papers of the Norwegian Institute at Athens) 2004: 333–51Google Scholar
Brunel, P., Mythopoétique des genres, Paris (Presses Universitaires de France) 2003Google Scholar
Budelmann, F., ‘Greek Festival Choruses In and Out of Context’, in Billings, J., Budelmann, F. and MacIntosh, F. (eds.), Choruses, Ancient and Modern, Oxford (Oxford University Press) 2013: 8198CrossRefGoogle Scholar
Budelmann, F. and Phillips, T., ‘Introduction: Performance and the Lyric in Early Greece’, in Budelmann, F. and Phillips, T. (eds.), Textual Events: Performance and the Lyric in Early Greece, Oxford (Oxford University Press) 2018: 127CrossRefGoogle Scholar
Buè, F., ‘La vittoria di Apollo sulle Erinni nel contrasto musicale dell’Orestea’, Quaderni Urbinati di Cultura Classica 135, 2014: 91103Google Scholar
Bühler, K., Sprachtheorie. Die Darstellungsfunktion der Sprache, Jena (G. Fischer) 1934 (trans. from French: Théorie du langage. La fonction représentationnelle du langage, Paris (Agone) 2009)Google Scholar
Burkert, W., ‘Greek Tragedy and Sacrifical Ritual’, Greek, Roman, and Byzantine Studies 7, 1966a: 87121 (trans. from German: ‘Griechische Tragödie und Opferritual’, in Wilder Ursprung. Opferritual und Mythos bei den Griechen, Berlin (Wagenbach) 1990: 13–39; reprinted in Kleine Schriften VII, Tragica und Historica, ed. W. Rösler, Göttingen (Vandenhoeck & Ruprecht) 2007: 1–36)Google Scholar
Burkert, W., Greek Tragedy and Sacrificial Ritual, Durham, NC (Duke University Press) 1966bGoogle Scholar
Burkert, W.The Making of Homer in the Sixth Century BC: Rhapsodes versus Stesichorus’, in True, M. (et al.) (eds.), Papers on the Amasis Painter and his World, Malibu, CA (The J. Paul Getty Museum) 1987: 4362 (reprinted in Kleine Schriften I, Homerica, ed. Christoph Riedweg, Göttingen (Vandehoeck & Ruprecht) 2002: 198–217)Google Scholar
Burnett, A. P., ‘Jocasta in the West’, Classical Antiquity 7, 1998: 107–54Google Scholar
Burton, R. W. B., The Chorus in Sophocles’ Tragedies, Oxford (Clarendon Press) 1980Google Scholar
Calame, C., ‘“Mythe” et “rite” en Grèce: des catégories indigènes?’, Kernos 5, 1991: 179204 (reprinted in Sentiers transversaux. Entre poétiques grecques et politiques contemporaines, Grenoble (Jérôme Million) 2008: 43–62)CrossRefGoogle Scholar
Calame, C.La festa’, in Vegetti, M. (ed.), Introduzione alle culture antiche III, Turin (Bollati Boringhieri) 1992: 2954Google Scholar
Calame, C.Vision, Blindness and Mask: The Radicalization of the Emotions in Sophocles’ Oedipus Rex’, in Silk, M. S. (ed.), Tragedy and the Tragic: Greek Theatre and Beyond, Oxford (Clarendon Press) 1996: 1737CrossRefGoogle Scholar
Calame, C.De la poésie chorale au stasimon tragique. Pragmatique de voix féminines’, Mètis 12, 1997: 181–203 (developed from ‘From Choral Poetry to Tragic Stasimon: The Enactment of Women’s Song’, Arion 3(3), 1994/1995: 135–54)Google Scholar
Calame, C.Mûthos, lógos et histoire. Usages du passé héroïque dans la rhétorique grecque’, L’Homme 147, 1998: 127–49Google Scholar
Calame, C.Performative Aspects of the Choral Voice in Greek Tragedy: Civic Identity in Performance’, in Goldhill, S. and Osborne, R. (eds.), Performance Culture and Athenian Democracy, Cambridge (Cambridge University Press) 1999a: 125–53Google Scholar
Calame, C.Tradition et mémorial. L’origine des guerres médiques entre tragédie et historiographie’, in Mauron, V. and de Ribaupierre, C. (eds.), Le corps évanoui. Les images subites, Paris and Lausanne (Hazan) 1999b: 165–76Google Scholar
Calame, C.La tragédie attique: le masque pour mettre en scène le récit héroïque’, in Le récit en Grèce ancienne. Énonciations et représentations de poètes, 2nd ed., Paris (Belin) 2000: 139–63Google Scholar
Calame, C. Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Function, Lanham, MD, Boulder, CO, New York and Oxford (Rowman & Littlefield) 2001 (1st ed. 1997)Google Scholar
Calame, C.Interprétation et traduction des cultures. Les catégories de la pensée et du discours anthropologique’, L’Homme 163, 2002a: 5178Google Scholar
Calame, C.Offrandes à Artémis Braurônia sur l’Acropole: rites de puberté?’, in Gentili, B. and Perusino, F. (eds.), Le orse di Brauron. Un rituale di iniziazione femminile nel santuario di Artemide, Pisa (Edizioni ETS) 2002b: 4464Google Scholar
Calame, C.Deictic Ambiguity and Auto-Referentiality: Some Examples from Greek Poetics’, Arethusa 37, 2004a: 415–43 (in French as ‘Pragmatique de la fiction: quelques procédures de deixis narrative et énonciative en comparaison (poétique grecque)’, in J.-M. Adam and U. Heidmann (eds.), Sciences du texte et analyse de discours. Enjeux d’une interdisciplinarité, Geneva and Lausanne (Slatkine – Études de Lettres) 2005: 119–43)CrossRefGoogle Scholar
Calame, C.Identités d’auteur à l’exemple de la Grèce classique : signatures, énonciations, citations’, in Calame, C. and Chartier, R. (eds.), Identités d’auteur dans l’Antiquité et la tradition européenne, Grenoble (Jérôme Millon) 2004b: 1139Google Scholar
Calame, C. Masques d’autorité. Fiction et pragmatique dans la poétique grecque antique, Paris (Les Belles Lettres) 2005aGoogle Scholar
Calame, C.The Tragic Choral Group: Dramatic Roles and Social Functions’, in Buschnell, R. (ed.), A Companion to Tragedy, Malden, MA and Oxford (Blackwell) 2005b: 215–33Google Scholar
Calame, C.Identifications génériques entre marques discursives et pratiques énonciatives: pragmatique des genres “lyriques”’, in Baroni, R. and Macé, M. (eds.), Le savoir des genres, Rennes (La Licorne) 2006a: 3555Google Scholar
Calame, C.Jeux de genre et performance musicale dans le chœur de la tragédie classique: espace dramatique, espace culturel, espace civique’, in Mortier-Waldschmidt, O. (ed.), Musique et Antiquité. Actes du colloque d’Amiens, Paris (Les Belles Lettres) 2006b: 6390Google Scholar
Calame, C.Récit héroïque et pratique religieuse: le passé poétique des cités grecques classiques’, Annales. Histoire, Sciences Sociales 61, 2006c: 527–51CrossRefGoogle Scholar
Calame, C.Giochi di genere e performance musicale nel coro della tragedia classica: spazio drammatico, spazio cultuale, spazio civico’, in Perusino, F. and Colantonio, M. (eds.), Dalla lírica corale all poesia drammatica. Forme e funzioni del canto corale nella tragédia e nella commedia greca, Pisa (Edizioni ETS) 2007: 4973Google Scholar
Calame, C.Entre récit héroïque et poésie rituelle: le sujet poétique qui chante le mythe’, in Parizet, S. (ed.), Mythe et littérature (Poétiques comparatistes), Paris (SFLGC) 2008: 123–41Google Scholar
Calame, C. L’Éros dans la Grèce antique, 3rd ed., Paris (Belin) 2009aGoogle Scholar
Calame, C.Émotions et performance poétique: la “katharsis” érotique dans la poésie mélique des cités grecques’, in Borgeaud, P. and Rendu Loisel, A.-C. (eds.), Violentes émotions. Approches comparatistes, Geneva (Droz) 2009b: 2956Google Scholar
Calame, C.Fra racconto eroico e poesia rituale: il soggetto poetico che canta il mito (Pindaro, Olimpica 6)’, Quaderni Urbinati di Cultura Classica 121, 2009c: 1126Google Scholar
Calame, C.Apollo in Delphi and Delos: Poetic Performance between Paean and Dithyramb’, in Athanassaki, L., Martin, R. P. and Miller, J. F. (eds.), Apolline Politics and Poetics, Athens (European Cultural Centre of Delphi) 2009d: 169–97Google Scholar
Calame, C.Fiction énonciative et performance poétique. Voix chorales dans les Épinicies de Bacchylide’, Mètis N. S. 8, 2010a: 117–42Google Scholar
Calame, C.La pragmatique poétique des mythes grecs: fiction référentielle et performance rituelle’, in Lavocat, F. and Duprat, A. (eds.), Fiction et cultures, Paris (SFLGC) 2010b: 3356Google Scholar
Calame, C. Mythe et histoire dans l’Antiquité grecque. La création symbolique d’une colonie, 2nd ed., Paris (Les Belles Lettres) 2011aGoogle Scholar
Calame, C.The Homeric Hymns as Poetic Offerings: Musical and Ritual Relationships with the Gods’, in Faulkner, A. (ed.), The Homeric Hymns: Interpretative Essays, Oxford (Oxford University Press) 2011b: 334–57Google Scholar
Calame, C.Choral Polyphony and the Ritual Function of Tragic Songs’, in Gagné, R. and Hopman, M. G. (eds.), Choral Mediations in Greek Tragedy, Cambridge (Cambridge University Press) 2013a: 3557CrossRefGoogle Scholar
Calame, C.Soi-même par les autres: pour une poétique des identités auctoriales, rythmées et genrées (Pindare, Parthénée 2)’, in Boehringer, S. and Sebillotte-Cuchet, V. (eds.), Des femmes en action. L’individu et la fonction en Grèce antique (Mètis, Hors Série 1), Paris and Athens (Éditions de l’EHESS – Daedalus) 2013b: 2138CrossRefGoogle Scholar
Calame, C.The Dithyramb, a Dionysiac Form? Genre Rules and Cultic Contexts’, in Kowalzig, B. and Wilson, P. (eds.), Dithyramb in Context, Oxford (Oxford University Press) 2013c: 332–52Google Scholar
Calame, C.From Cultural Memory to Poetic Memory: Ancient Greek Practices of History Beyond the “Great Divide”’, Fudan Journal of the Humanities and the Social Sciences 7(4), 2014a: 639–52CrossRefGoogle Scholar
Calame, C.La tragédie et le nome citharodique; de la Grande Grèce à Athènes’, in Bellia, A. (ed.), Musica, culti e riti nell’Occidente greco, Pisa and Rome (Istituti Editoriali e Poligrafici Internazionali) 2014b: 4966Google Scholar
La tragédie grecque et le tragique: genre, génericité, pragmatique discursive’, in Monte, M. and Philippe, G. (eds.), Genres & textes. Déterminations, évolutions, confrontations, Lyon (Presses universitaires de Lyon) 2014c: 135–49CrossRefGoogle Scholar
Monte, M. and Philippe, G. Qu’est-ce que la mythologie grecque? Paris (Gallimard) 2015Google Scholar
Monte, M. and Philippe, G.The Chorus in Euripides’, in Markantonatos, A. (ed.), Brill’s Companion to Euripides, Vol. II, Leiden (E. J. Brill) 2020: 775–96Google Scholar
Calame, C., Dupont, F., Lortat-Jacob, B. and Manca, M. (eds.), La Voix actée. Pour une nouvelle ethnopoétique, Paris (Kimé) 2010Google Scholar
Capponi, M., Parole et geste dans la tragédie grecque. À la lumière des trois ‘Électre’, Neuchâtel (Éditons Alphil – Presses universitaires suisses) 2021Google Scholar
Cerbo, E., ‘Gli inni ad Eros in tragedia: struttura e funzione’, in Pretagostini, R. (ed.), Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Scritti in onore di Bruno Gentili II, Rome (GEI) 1993: 645–56Google Scholar
Cerri, G., La poetica di Platone. Una teoria della comunicazione, Lecce (Argo) 2007Google Scholar
Chalkia, I., Lieux et espace dans la tragédie d’Euripide. Essai d’analyse socio-culturelle, Thessaloniki (University of Thessaloniki) 1986Google Scholar
Cingano, E., ‘The Death of Oedipus in the Epic Tradition’, Phoenix 44, 1992: 111CrossRefGoogle Scholar
Cingano, E.Indizi di esecuzione corale in Stesicoro’, in Prestagostini, R. (ed.), Tradizione e innnovazione nella cultura greca da Omero all’ età ellenistica, Roma (Gruppo editoriale internazionale) 1993: I, 347–61Google Scholar
Cingano, E.Entre skolion et enkomion: réflexions sur le “genre” et la performance de la lyrique chorale grecque’, in Jouanna, J. and Leclant, J. (eds.), La poésie grecque antique, Paris (de Boccard) 2003: 1745Google Scholar
Citti, V., Eschilo e la lexis tragica, Amsterdam (Hakkert) 1994Google Scholar
Croally, N., ‘Tragedy’s Teaching’, in Gregory, J. (ed.), A Companion to Greek Tragedy, Oxford (Blackwell) 2005: 5570CrossRefGoogle Scholar
Csapo, E., ‘Imagining the Shape of the Choral Dance and Inventing the Cultic in Euripides’ Late Tragedies’, in Gianvittorio, L. (ed.), Choreutika: Performing and Theorising Dance in Ancient Greece, Pisa and Rome (Fabrizio Serra) 2017: 119–56Google Scholar
Csapo, E. and Slater, W. J., The Context of Ancient Drama, Ann Arbor, MI (University of Michigan Press) 1995CrossRefGoogle Scholar
Csapo, E. and Wilson, P., ‘Drama Outside Athens in the Fifth and the Fourth Centuries BC’, Trends in Classics 7, 2015: 316–95CrossRefGoogle Scholar
Curtis, P., Stesichoros’s Geryonis, Leiden and Boston, MA (E. J. Brill) 2011CrossRefGoogle Scholar
Battista D’Alessio, G., ‘Past Future and Present Past: Temporal Deixis in Greek Archaic Lyric’, Arethusa 37, 2004: 267–94Google Scholar
Battista D’Alessio, G.“The Name of the Dithyramb”: Diachronic and Diatopic Variations’, in Kowalzig, B. and Wilson, P. (eds.), Dithyramb in Context, Oxford (Oxford University Press) 2013: 113–32Google Scholar
Davies, M. and Finglass, P. J., Stesichorus: The Poems, Cambridge (Cambridge University Press) 2014Google Scholar
Dawe, R. D., Sophocles: Oedipus Rex, Cambridge (Cambridge University Press) 1982Google Scholar
des Bouvrie, S., Tragic Workings in Euripides’ Drama: The Anthropology of the Genre, Copenhagen (Museum Tusculanum Press) 2018Google Scholar
Detienne, M., Dionysos à ciel ouvert, Paris (Hachette) 1986Google Scholar
Di Benedetto, V. and Medda, E., La tragedia sulla scena. La tragedia greca in quanto spettacolo teatrale, Turin (Einaudi) 2002 (1st ed. 1997)Google Scholar
Diggle, J., Euripidis: Fabulae, Vol. 2: Supplices; Electra; Hercules; Troades; Iphigenia in Tauris; Ion, Oxford (Oxford University Press) 1981Google Scholar
Diggle, J. Euripidis: Fabulae, Tomus I, Oxford (Clarendon Press) 1984Google Scholar
Di Marco, M., ‘I méle di Eschilo e Frinico (Ar. Ran. 1264–1328)’, in Rodighiero, A. and Scattolin, P. (eds.), ‘… un enorme individuo, dotato di polmono soprannaturali’ Funzioni, interpretazioni e rinascite del coro drammatico greco, Verona (Fiorini) 2011: 3761Google Scholar
Dodds, E. R., ‘On Misunderstanding the Oedipus Rex’, Greece & Rome 13, 1966: 3749 (reprinted in The Ancient Concept of Progress and Other Essays on Greek Literature and Belief, Oxford (Clarendon Press) 1973: 64–77)CrossRefGoogle Scholar
Dover, K., Aristophanes: Frogs, Oxford (Clarendon Press) 1993Google Scholar
Ducrot, O., ‘Illocutoire et performatif’, Linguistique et sémiologie 4, 1977: 1753 (reprinted in Dire et ne pas dire. Principes de sémantique linguistique, Paris (Minuit) 1980: 279–305)Google Scholar
Dué, C., The Captive Woman’s Lament in Greek Tragedy, Austin (University of Texas Press) 2006Google Scholar
Dupont, F., L’insignifiance tragique. Les Choéphores d’Eschyle, Électre de Sophocle, Électre d’Euripide, Paris (Gallimard) 2001Google Scholar
Dupont, F. Aristote ou le vampire du théâtre occidental, Paris (Aubier) 2007Google Scholar
Easterling, P. E., ‘Tragedy and Ritual: “Cry ‘Woe, Woe’ But May the Good Prevail”’, Mètis 3, 1988: 87109Google Scholar
Easterling, P. E.Euripides in the Theatre’, Pallas 37, 1991: 4957CrossRefGoogle Scholar
Easterling, P. E.A Show for Dionysos’, in Easterling, P. E. (ed.), The Cambridge Companion to Greek Tragedy, Cambridge (Cambridge University Press) 1997: 36–53 (trans. from French, ‘Un spectacle pour Dionysos’, Europe 837/838, 1999: 6–28)CrossRefGoogle Scholar
Eco, U., Lector in fabula. La cooperazione interpretativa nei testi narrativi, Milan (Bompiani) 1979Google Scholar
Else, G. F., ‘The Origin of TRAGOIDIA’, Hermes 85, 1957: 1746Google Scholar
Ercoles, M., ‘Tra monodia e coralità: aspetti drammatici de la “performance” di Stesicoro’, Dionysus ex machina 3, 2012: 122Google Scholar
Ercoles, M. Stesicoro: le testimonanze antiche, Bologna (Pàtron) 2013Google Scholar
Ercoles, M. and Fiorentini, L., ‘Giocasta tra Stesicoro (PMGF 222 (b)) ed Euripide (Fenicie)’, Zeitschrift für Papyrologie und Epigraphik 179, 2011: 2134Google Scholar
Fanfani, G., ‘What Melos for Troy? Blending of Lyric Genres in the First Stasimon of Euripides’ Trojan Women’, in Andújar, R., Coward, T. R. P. and Hadjimichael, T. A. (eds.), Paths of Songs: The Lyric Dimension of Greek Tragedy, Berlin and Boston, MA (de Gruyter) 2018: 239–63Google Scholar
Fearn, D., ‘Athens and the Empire: The Contextual Flexibility of Dithyramb, and Its Imperialist Ramifications’, in Kowalzig, B. and Wilson, P. (eds.), Dithyramb in Context, Oxford (Oxford University Press) 2013: 133–52Google Scholar
Fileni, M. G., ‘L’amebeo lirico-epirrematico in docmi e giambi nella tragedia greca’, in Perusino, F. and Colantonio, M. (eds.), Dalla lirica corale alla poesia drammatica. Forme e funzioni del canto corale nella tragedia e nella commedia greca, Pisa (Edizioni ETS) 2007: 129–57Google Scholar
Finglass, P. J., ‘Dancing with Stesichorus’, in Gianvittorio, L. (ed.), Choreutika: Performing and Theorising Dance in Ancient Greece, Pisa and Rome (Fabrizio Serra) 2017: 6789Google Scholar
Finglass, P. J.Stesichorus and Greek Tragedy’, in Andújar, R., Coward, T. R. P. and Hadjimichael, T. A. (eds.), Paths of Songs: The Lyric Dimension of Greek Tragedy, Berlin and Boston, MA (de Gruyter) 2018: 1937CrossRefGoogle Scholar
Foley, H., Ritual Irony: Poetry and Sacrifice in Euripides, Ithaca, NY and London (Cornell University Press) 1985Google Scholar
Foley, H. Female Acts in Greek Tragedy, Princeton, NJ (Princeton University Press) 2001Google Scholar
Foley, H.Choral Identity in Greek Tragedy’, Classical Philology 98, 2003: 130CrossRefGoogle Scholar
Freud, S., Cinq leçons sur la psychanalyse, Paris (Payot) 1926 (original ed. 1910; reprinted in Freud, S., Strachey, J. and Freud, A., The Standard Edition of the Complete Psychological Works of Sigmund Freud, London (Vintage) 2001)Google Scholar
Freud, S. Introduction à la psychanalyse, Paris (Payot) 1962 (original ed. 1917)Google Scholar
Friedrich, R., ‘Everything to Do with Dionyso? Ritualism, the Dionysiac, and the Tragic’, in Silk, M. S. (ed.), Tragedy and the Tragic: Greek Theatre and Beyond, Oxford (Clarendon Press) 1996: 257–83Google Scholar
Frontisi-Ducroux, F., Le dieu-masque. Une figure du Dionysos d’Athènes, Paris and Rome (La Découverte – École française de Rome) 1991Google Scholar
Furley, W. D., ‘Hymns in Euripidean Tragedy’, in Cropp, M., Lee, K. and Sansone, D. (eds.), Euripides and Tragic Theatre in the Late Fifth Century, Urbana, IL (Illinois Classical Studies 24–25) 1999/2000: 183–97Google Scholar
Furley, W. D. and Bremer, J. M., Greek Hymns, 2 vols., Tübingen (Mohr Siebeck) 2001Google Scholar
Garvie, A. F., Aeschylus: Persae, Oxford (Oxford University Press) 2009Google Scholar
Gastaldi, S., ‘Paideia/muthologia’, in Vegetti, M. (ed.), Platone. La Repubblica II. Libri II e III, Naples (Bibliopolis) 1998: 333–92Google Scholar
Genette, G., Fiction et diction précédé de Introduction à l’architexte, Paris (Seuil) 2004 (original eds. 1979 and 1991)Google Scholar
Gentili, B., Poesia e pubblico nella Grecia antica. Da Omero al V secolo, Rome and Bari (Laterza) 1984 (4th ed. Milan (Feltrinelli) 2006, mise à jour)Google Scholar
Gentili, B.Il coro tragico nella teoria degli antichi’, Dioniso 55, 1984/1985: 1735Google Scholar
Gentili, B. (et al.), Pindaro. Le Pitiche, Milan (Mondadori) 1995Google Scholar
Gentili, B. and Giannini, P., ‘Preistoria e formazione dell’esametro’, Quaderni Urbinati di Cultura Classica 26, 1977: 751 (reprinted in M. Fantuzzi and R. Pretagostini (eds.), Struttura e storia dell’esametro greco, Rome (Gruppo Editoriale Internazionale) 1995/1996: II, 11–62)CrossRefGoogle Scholar
Gentili, B. and Lomiento, L., Metrica e ritmica. Storia delle forme poetiche nella Grecia antica, Milan (Mondadori) 2003Google Scholar
Giannachi, F. G., Edipo Re. I Canti. Sofocle, Pisa and Rome (Fabrizio Serra) 2009Google Scholar
Gianvittorio, L., ‘A Dance of Death: Evidence about the Tragic Dance of Mourning’, in Gianvittorio, L. (ed.), Choreutika: Performing and Theorising Dance in Ancient Greece, Pisa and Rome (Fabrizio Serra) 2017: 90118Google Scholar
Gianvittorio, L. (ed.), Choreutika: Performing and Theorising Dance in Ancient Greece, Pisa and Rome (Fabrizio Serra) 2017Google Scholar
Gianvittorio-Ungar, L. and Schlapbach, K. (eds.), Choreonarratives: Dancing Stories in Greek and Roman Antiquity and Beyond, Leiden and Boston, MA (E. J. Brill) 2021CrossRefGoogle Scholar
Girard, R., La Violence et le Sacré, Paris (Grasset) 1972 (éd. poche 1980)Google Scholar
Goethe, J. W., Noten und Abhandlungen zum besseren Verständnis des west-östlichen Divans, Stuttgart (Cottaische Buchhandlung) 1819 (reprinted in Goethes Werke II, Gedichte und Epen II, ed. Erich Trunz, Hamburg (Wegner) 1949)Google Scholar
Goff, B. E., The Noose of Words: Readings of Desire, Violence, and Language in Euripides’ Hippolytos, Cambridge (Cambridge University Press) 1990CrossRefGoogle Scholar
Goldhill, S., Reading Greek Tragedy, Cambridge (Cambridge University Press) 1986CrossRefGoogle Scholar
Goldhill, S.The Great Dionysia and Civic Ideology’, The Journal of Hellenic Studies 107: 5876, 1987CrossRefGoogle Scholar
Goldhill, S.The Great Dionysia and Civic Ideology’, in Winkler, J. J. and Zeitlin, F. I. (eds.), Nothing to Do with Dionysos? Athenian Drama in Its Social Context, Princeton, NJ (Princeton University Press) 1990: 97129Google Scholar
Goldhill, S.Representing Democracy: Women at the Great Dionysia’, in Osborne, R. and Hornblower, S. (eds.), Ritual, Finance, Politics: Athenian Democratic Accounts Presented to David Lewis, Oxford (Clarendon Press) 1994: 347–69Google Scholar
Goldhill, S.Collectivity and Otherness: The Authority of the Tragic Chorus, Response to Gould’, in Silk, M. S. (ed.), Tragedy and the Tragic: Greek Theatre and Beyond, Oxford (Clarendon Press) 1996: 244–56Google Scholar
Goldhill, S.The Audience of Athenian Tragedy’, in Easterling, P. E. (ed.), A Cambridge Companion to Greek Tragedy, Cambridge (Cambridge University Press) 1997: 5468CrossRefGoogle Scholar
Goldhill, S.Civic Ideology and the Problem of Difference: The Politics of Aeschylean Tragedy, Once Again’, The Journal of Hellenic Studies 120, 2000: 3456CrossRefGoogle Scholar
Goldhill, S. Sophocles and the Language of Tragedy, Oxford (Oxford University Press) 2012CrossRefGoogle Scholar
Goldhill, S.Choreography: The Lyric Voice of Sophoclean Tragedy’, in Gagné, R. and Hopman, M. G. (eds.), Choral Mediations in Greek Tragedy, Cambridge (Cambridge University Press) 2013a: 100–29Google Scholar
Goldhill, S.The Greek Chorus: Our German Eyes’, in Billings, J., Budelmann, F. and MacIntosh, F. (eds.), Choruses, Ancient and Modern, Oxford (Oxford University Press) 2013b: 3551CrossRefGoogle Scholar
Goldhill, S. and Osborne, R. (eds.), Performance Culture and Athenian Democracy, Cambridge (Cambridge University Press) 1999: 125–53Google Scholar
Gostoli, A., ‘Il nomos citarodico nella culture greca arcaica’, in Prestagostini, R. (ed.), Tradizione e innnovazione nella cultura greca da Omero all’ età ellenistica, Rome (Gruppo editoriale internazionale) 1993: I, 167–78Google Scholar
Gould, J., ‘Tragedy and Collective Experience’, in Silk, M. S. (ed.), Tragedy and the Tragic: Greek Theatre and Beyond, Oxford (Clarendon Press) 1996: 217–43 (reprinted in Myth, Ritual Memory, and Exchange, Oxford (Oxford University Press) 2001: 378–404)Google Scholar
Graf, F., ‘Drama and Ritual: Evolution and Convergences’, in Medda, E., Pattoni, M. P. and Mirto, M. S. (eds.), Komoidotragoidia. Intersezioni del tragico e del comico nel teatro del V secolo a. C., Pisa (Edizioni della Normale) 2007: 103–18Google Scholar
Grethlein, J., ‘The Hermeneutics and Poetics of Memory in Aeschylus’ Persae’, Arethusa 40, 2007: 363–96CrossRefGoogle Scholar
Groeneboom, P., Aischylos’ Perser II. Kommentar, Göttingen (Vandenhoeck & Ruprecht) 1960Google Scholar
Groneberg, M., ‘La mimésis: aspects ludiques et poétiques’, Études de Lettres 306, 2018: 145–67Google Scholar
Gruber, M. A., Der Chor in den Tragödien des Aischylos. Affekt und Reaktion, Tübingen (Gunter Narr) 2008Google Scholar
Hall, E., Inventing the Barbarian: Greek Self-Definition through Tragedy, Oxford (Oxford University Press) 1989Google Scholar
Hall, E. Aeschylus: Persians, Warminster (Aris and Phillips) 1996Google Scholar
Harrison, J. E., Themis: A Study in the Social Origins of Greek Religion, 2nd ed., Cambridge (Cambridge University Press) 1927Google Scholar
Haslam, M. W., ‘Stesichorean Metre’, Quaderni Urbinati di Cultura Classica 17, 1974: 757CrossRefGoogle Scholar
Haslam, M. W.The Versification of the New Stesichorus’, Greek, Roman and Byzantine Studies 19, 1979: 2957Google Scholar
Hegel, G. W. F., Vorlesungen über die Ästhetik, 2nd ed., ed. Hotho, H. G., Berlin (Verlag von Duncker und Humbolt) 1842 (trad. fr. par Charles Bénard, Paris (Librairie générale française) 1997)Google Scholar
Heinich, N. and Schaeffer, J., Art, création, fiction. Entre sociologie et philosophie, Nîmes (Jacqueline Chambon) 2004Google Scholar
Henderson, J., ‘Women and the Athenian Dramatic Festivals’, Transactions of the American Philological Association 121, 1991: 133–48Google Scholar
Henrichs, A., ‘Why Should I Dance?: Choral Self-Referentiality in Greek Tragedy’, Arion III 3, 1994/1995: 56111Google Scholar
Henrichs, A.Dancing in Athens, Dancing on Delos: Some Patterns of Choral Projection in Euripides’, Philologus 140, 1996: 4862CrossRefGoogle Scholar
Henrichs, A.Drama and Dromena: Bloodshed, Violence, and Sacrificial Metaphor in Euripides’, Harvard Studies in Classical Philology 100, 2000: 173–88CrossRefGoogle Scholar
Herington, J., Poetry into Drama: Early Tragedy and the Greek Poetic Tradition, Berkeley and Los Angeles, CA and London (University of California Press) 1985Google Scholar
Holst-Warhaft, G., Dangerous Voices: Women’s Laments and Greek Literature, London (Routledge) 1992CrossRefGoogle Scholar
Hopman, G. M., ‘Layered Stories in Aeschylus’ Persians’, in Grethlein, J. and Rengakos, A. (eds.), Narratology and Interpretation: The Content of Narrative Form in Ancient Literature, Berlin and New York (de Gruyter) 2009: 357–76Google Scholar
Hopman, G. M.Chorus, Conflict, Closure in Aeschylus’ Persians’, in Gagné, R. and Hopman, M. G. (eds.), Choral Mediations in Greek Tragedy, Cambridge (Cambridge University Press) 2013: 5877CrossRefGoogle Scholar
Hose, M., Studien zum Chor bei Euripides, 2 vols., Suttgart (Teubner) 1990CrossRefGoogle Scholar
Hölscher, U., ‘Wie soll ich noch tanzen? Über ein Wort des sophokleischen Chores’, in Köhler, E. (ed.), Sprachen der Lyrik. Festschrift für Hugo Friedrich, Frankfurt am Main (Klostermann) 1975: 376–93Google Scholar
Hurwit, J. M., The Athenian Acropolis: History, Mythology, and Archaeology from the Neolithic Era to the Present, Cambridge (Cambridge University Press) 1999Google Scholar
Impero, O., Parabasi di Aristofane, Acarnesi Cavalieri Vespe Uccelli, Bari (Adriatica) 2004Google Scholar
Irigoin, J., ‘Construction métrique et jeux de sonorités dans la parodos des Perses’, in P. Ghiron-Bistagne (et al.), Les Perses d’Eschyle, Montpellier (GITA) 1992/1993: 314Google Scholar
Jackson, L. C. M. M., The Chorus of Drama in the Fourth Century BCE: Presence and Representation, Oxford (Oxford University Press) 2020Google Scholar
Judet de La Combe, P., ‘Entre philosophie et philologie. Définitions et refus du tragique’, in Morenilla, C. and Zimmermann, B. (eds.), Das Tragische (Drama 9), Stuttgart and Weimar (Metzler) 2000: 97107CrossRefGoogle Scholar
Judet de La Combe, P. Les tragédies grecques sont-elles tragiques? Théâtre et théorie, Paris (Bayard) 2010Google Scholar
Käppel, L., Paian. Studien zur Geschichte einer Gattung, Berlin and New York (de Gruyter) 1992CrossRefGoogle Scholar
Kaimio, M., The Chorus of Greek Drama within the Light of the Person and Number Used, Helsinki (Societas scientiarum Fennica) 1970Google Scholar
Klimis, S., Le statut du mythe dans la Poétique d’Aristote. Les fondements philosophiques de la tragédie, Brussels (Ousia) 1997Google Scholar
Kolb, F., ‘Polis und Theater’, in Seeck, G. A. (ed.), Das griechische Drama, Darmstadt (Wissenschaftliche Buchgesellschaft) 1979: 505–43Google Scholar
Kowalzig, B., Singing for the Gods: Performance of Myth and Ritual in Archaic and Classical Greece, Oxford (Oxford University Press) 2007aCrossRefGoogle Scholar
Kowalzig, B.“And Now All the World Shall Dance!” (Eur. Bacch. 114): Dionysus’ Choroi between Drama and Ritual’, in Csapo, E. and Miller, M. C. (eds.), The Origins of Theater in Ancient Greece and Beyond. From Ritual to Drama, Cambridge (Cambridge University Press) 2007b: 221–51Google Scholar
Kowalzig, B. and Wilson, P., ‘Introduction: The World of Dithyramb’, in Kowalzig, B., and Wilson, P. (eds.), Dithyramb in Context, Oxford (Oxford University Press) 2013: 127Google Scholar
Kranz, W., Stasimon. Untersuchungen zu Form und Gehalt der griechischen Tragödie, Berlin (Weidmann) 1933Google Scholar
Kühner, R. and Gerth, B., Ausführliche Grammatik der griechischen Sprache II. Satzlehre I, Hannover and Leipzig (Hahn) 1898Google Scholar
Laplanche, J. and Pontalis, J. B., Vocabulaire de la psychanalyse, Paris (Presses universitaires de France) 1982Google Scholar
Lavocat, F., Fait et fiction. Pour une frontière, Paris (Seuil) 2016Google Scholar
Lesky, A., Die tragische Dichtung der Hellenen, 3rd ed., Göttingen (Vandenhoeck & Ruprecht) 1972Google Scholar
Lesky, A., Greek Tragic Poetry, New Haven, CT (Yale University Press) 1983Google Scholar
Ley, G., The Theatricality of Greek Tragedy: Playing Space and the Chorus, Chicago, IL and London (University of Chicago Press) 2007CrossRefGoogle Scholar
Lissarrague, F., Un flot d’images: une esthétique du banquet grec, Paris (Adam Biro) 1987Google Scholar
Lloyd-Jones, H., The Justice of Zeus, Berkeley, Los Angeles and London (University of California Press) 1971Google Scholar
Lobo, A. L., ‘Freud face à l’Antiquité grecque: le cas du Complexe d’Œdipe’, Anabases 8, 2008: 151–85Google Scholar
Longo, O., ‘The Theater of the Polis’, in Winkler, J. J. and Zeitlin, F. I. (eds.), Nothing to Do with Dionysos? Athenian Drama in Its Social Context, Princeton, NJ (Princeton University Press) 1990: 1219Google Scholar
Loraux, N., Façons tragiques de tuer une femme, Paris (Hachette) 1985Google Scholar
Loraux, N. Les mères en deuil, Paris (Seuil) 1990Google Scholar
Loraux, N. Mothers in Mourning, Ithaca, NY (Cornell University Press) 1998Google Scholar
Loraux, N. La voix endeuillée. Essai sur la tragédie grecque, Paris (Gallimard) 1999Google Scholar
Loscalzo, D., Il pubblico a teatro nella Grecia antica, Roma (Bulzoni) 2008Google Scholar
Lucas, D. W., Aristotle: Poetics, Oxford (Clarendon Press) 1968CrossRefGoogle Scholar
Maehler, H., Die Lieder des Bacchylides II. Die Dithyramben und Fragmente, Leiden, New York and Cologne (Brill) 1997Google Scholar
March, J., ‘Euripides the Misogynist’, in Powell, A. (ed.), Euripides, Women, and Sexuality, London and New York (Routledge) 1990: 3275CrossRefGoogle Scholar
Marrou, H., Histoire de l’éducation dans l’Antiquité I. Le monde grec, 6th ed., Paris (Seuil) 1964Google Scholar
Marx, W., Le tombeau d’Œdipe. Pour une tragédie sans tragique, Paris (Minuit) 2012Google Scholar
Mastronarde, D. J., ‘Il coro euripideo: autorità e integrazione’, Quaderni Urbinati di Cultura Classica 89, 1998: 5580CrossRefGoogle Scholar
Matthey, A., ‘De la megíste mousiké (Phédon 61a 3) à la tragodía alethestáte (Lois 817 b4-c2)’, in Reig, M. and Riu, X. (eds.), Drama, Philosophy, Politics in Ancient Greece. Contexts and Receptions, Barcelona (University of Barcelona Press) 2014: 175–92Google Scholar
Medda, E., Eschilo Agamennone. Edizione critica, traduzione e commento, 2 vols., Roma (Bardi Edizioni) 2017Google Scholar
Medda, E., ‘Ifigenia all’altare. Il sacrificio di Aulide fra testo et iconografia (Aesch. Ag. 231–242)’, Eikasmos 23, 2012: 87114Google Scholar
Most, G. W., ‘Generating Genres: The Idea of the Tragic’, in Depew, M. and Obbink, D. (eds.), Matrices of Genre: Authors, Canons, and Society, Cambridge, MA and London (Harvard University Press) 2000: 1535Google Scholar
Müller, F., ‘Vers armés et “perte de fiole”: transactions tragi-comiques de mots et d’objets dans les Grenouilles d’Aristophane’, in Calame, C. (ed.), Poétique d’Aristophane et langue d’Euripide en dialogue, Lausanne (Études de Lettres) 2004: 2757Google Scholar
Murnagham, S., ‘Women in Groups: Aeschylus’s Suppliants and the Female Choruses of Greek Tragedy’, in Pedrick, V. and Oberhelman, S. M. (eds.), The Soul of Tragedy: Essays on Athenian Drama, Chicago, IL and London (University of Chicago Press) 2008: 183–98Google Scholar
Murnagham, S.Choroi Achoroi: The Athenian Politics of the Tragic Choral Identity’, in Carter, D. M. (ed.), Why Athens? A Reappraisal of Tragic Politics, Oxford (Oxford University Press) 2011: 245–67Google Scholar
Murnagham, S.The Euripidean Chorus’, in McClure, L. K. (ed.), A Companion to Euripides, Malden, MA, Oxford and Chichester (Wiley Blackwell) 2017: 412–27Google Scholar
Murray, P., Plato on Poetry, Cambridge (Cambridge University Press) 1996Google Scholar
Naerebout, F. G., ‘Moving in Unison: The Greek Chorus in Performance’, in Gianvittorio, L. (ed.), Choreutika: Performing and Theorising Dance in Ancient Greece, Pisa and Rome (Fabrizio Serra) 2017: 3966Google Scholar
Nagy, G., Pindar’s Homer: The Lyric Possession of an Epic Past, Baltimore, MD and London (Johns Hopkins University Press) 1990CrossRefGoogle Scholar
Nagy, G.Transformations of Choral Lyric Traditions in the Context of Athenian State Theater’, Arion III 3, 1994/1995: 4155Google Scholar
Nagy, G. Homer the Preclassical, Berkeley, Los Angeles and London (University of California Press) 2010Google Scholar
Neschke, A., ‘L’Orestie de Stésichore et la tradition littéraire du mythe dans les Atrides avant Eschyle’, Antiquité Classique 55, 1986: 283301CrossRefGoogle Scholar
Nietzsche, F., Die Geburt der Tragödie aus dem Geiste der Musik, Leipzig (E. W. Fritzsch) 1872 (reprinted in Colli, G. and Montinari, M., Sämtliche Werke. Kritische Studienausgabe, Berlin (de Gruyter) 1980: I, 9–156)Google Scholar
Noel, A., ‘L’arc, la lyre et le laurier d’Apollon: de l’attribut emblématique à l’objet théâtral’, Gaia 17, 2014: 105–28CrossRefGoogle Scholar
Nooter, S., When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy, Cambridge (Cambridge University Press) 2012CrossRefGoogle Scholar
Osborne, R., ‘Competitive Festivals and the Polis: A Context for Dramatic Festivals at Athens’, in Sommerstein, A. H., Halliwell, S., Henderson, J. and Zimmermann, B. (eds.), Tragedy, Comedy and the Polis, Bari (Levante) 1993: 2138Google Scholar
Owen, A. S., Euripides: Ion, Oxford (Oxford University Press) 1939Google Scholar
Padel, R., ‘Making Space Speak’, in Winkler, J. J. and Zeitlin, F. I. (eds.), Nothing to Do with Dionysos? Athenian Drama in Its Social Context, Princeton, NJ (Princeton University Press) 1990: 336–65Google Scholar
Panteli, T., ‘Les chants de l’Hellade: les fêtes grecques dans les parties chorales d’Euripide’, in Milliat-Pilot, I. (ed.), Texte du Monde – Monde du texte, Grenoble (Jérôme Millon) 2010: 183210Google Scholar
Parker, R., Athenian Religion: A History, Oxford (Clarendon Press) 1996CrossRefGoogle Scholar
Parker, R. Polytheism and Society at Athens, Oxford (Oxford University Press) 2005Google Scholar
Parker, R.Aeschylus’ Gods: Drama, Cult, Theology’, in Eschyle à l’aube du théâtre occidental. Entretiens Hardt 55, Vandœuvres and Geneva (Fondation Hardt) 2009: 127–64Google Scholar
Peponi, A., ‘Dithyramb in Greek Thought: The Problem of Choral Mimesis’, in Kowalzig, B. and Wilson, P. (eds.), Dithyramb in Context, Oxford (Oxford University Press) 2013: 353–67Google Scholar
Pickard-Cambridge, A. W., Dithyramb, Tragedy and Comedy, 2nd ed., revised by T. B. L. Webster, Oxford (Clarendon Press) 1962Google Scholar
Pickard-Cambridge, A. W. The Dramatic Festivals of Athens, 2nd ed., revised by J. Gould and D. M. Lewis, Oxford (Clarendon Press) 1968Google Scholar
Pirenne-Delforge, V., ‘Les Charites à Athènes et dans l’île de Cos’, Kernos 9, 1996: 195214Google Scholar
Pironti, G., Entre ciel et guerre. Figures d’Aphrodite en Grèce ancienne, Liège (CIERGA) 2007CrossRefGoogle Scholar
Porter, J., The Invention of Dionysus: An Essay on the Birth of Tragedy, Stanford, CA (Stanford University Press) 2000Google Scholar
Power, T., The Culture of Kitharôdia, Washington, DC and Cambridge, MA (Center for Hellenic Studies, Harvard University Press) 2010Google Scholar
Power, T.Kyklops Kitharoidos: Dithyramb and Nomos in Play’, in Kowalzig, B. and Wilson, P. (eds.), Dithyramb in Context, Oxford (Oxford University Press) 2013: 237–56Google Scholar
Prins, Y., ‘The Power of the Speech Act: Aeschylus’ Furies and Their Binding Song’, Arethusa 24, 1991: 177–95Google Scholar
Pucci, L., ‘Osservazioni critico-esegetiche su alcuni frammenti dell’Orestea di Stesicoro (Frr. 210, 211, 212 Davies/172, 173, 174 Davies-Finglass)’, Seminari Romani di Cultura Greca 4, 2015: 1540Google Scholar
Pucci, P., Oedipus and the Fabrication of the Father: Oedipus Tyrannus in Modern Criticism and Philosophy, Baltimore, MD and London (Johns Hopkins University Press) 1992Google Scholar
Pucci, P. Euripide’s Revolution under Cover: An Essay, Ithaca, NY and London (Cornell University Press) 2016Google Scholar
Rabinowitz, N. S., Greek Tragedy, Malden, MA, Oxford and Carlton (Blackwell) 2008CrossRefGoogle Scholar
Rappaport, R. A., Ritual and Religion in the Making of the Humanity, Cambridge (Cambridge University Press) 1999CrossRefGoogle Scholar
Rehm, R., Understanding Greek Tragic Theatre, London (Routledge) 1992Google Scholar
Ricœur, P., Temps et récit. Tome I, Paris (Seuil) 1983Google Scholar
Roberts, D. H., ‘Parting Words: Final Lines in Sophocles and Euripides’, Classical Quarterly 81, 1987: 5164CrossRefGoogle Scholar
Rodighiero, A., Generi lirico-corali nella produzione drammatica di Sofocle, Göttingen (Narr Verlag) 2012Google Scholar
Rodighiero, A. La tragedia greca, Bologna (Il Mulino) 2013Google Scholar
Rodighiero, A. ‘How Sophocles Begins: Reshaping Lyric Genres in Tragic Choruses’, in Andújar, R., Coward, T. R. P. and Hadjimichael, T. A. (eds), Paths of Songs: The Lyric Dimension of Greek Tragedy, Berlin and Boston, MA (de Gruyter) 2018: 137–62Google Scholar
Rutherford, I., ‘Apollo on Ivy: The Tragic Paean’, Arion III 3, 1994/1995: 112–35Google Scholar
Saïd, S., La faute tragique, Paris (La Découverte) 1978Google Scholar
Saïd, S.Tragédie et renversement, l’exemple des Perses’, Mètis 3, 1988: 321–41Google Scholar
Saïd, S.Tragedy and Politics’, in Boedeker, D. and Raaflaub, K. A. (eds.), Democracy, Empire and the Arts in Fith Century Athens, Cambridge, MA and London (Harvard University Press) 1998: 275–95Google Scholar
Saïd, S.Entre l’artisan et le politique. Le statut social des poètes tragiques dans la démocratie athénienne’, in Woronoff, M., Follet, S. and Jouanna, J. (eds.), Dieux, héros et médecins grecs. Hommage à Fernand Robert, Besançon (Presses universitaires Franc-Comtoises) 2001: 6596Google Scholar
Sansone, D., ‘The Third Stasimon of the Oedipus Tyrannos’, Classical Philolology 70, 1975: 110–17CrossRefGoogle Scholar
Scattolin, P., ‘Aristotele e il coro tragico (Poetica 12, 18)’, in Rodighiero, A. and Scattolin, P. (eds.), ‘… un enorme individuo, dotato di polmono soprannaturali’ Funzioni, interpretazioni e rinascite del coro drammatico greco, Verona (Fiorini) 2011: 161216Google Scholar
Schachter, A., Cults of Boiotia 1: Acheloos to Hera, Bulletin of the Institute of Classical Studies, Suppl. 38(1), 1981Google Scholar
Schechner, R., Performance Studies: An Introduction, 2nd ed., New York and London (Routledge) 2006Google Scholar
von Schelling, F. W. J., Philosophie der Kunst. Sämtliche Werke I, Abt., Bd. 5, Stuttgart (Cotta) 1859: 353–736 (trad. fr. par C. Sulzer and A. Pernet, Philosophie de l’art, Grenoble (Jérôme Million) 1999)Google Scholar
Schiller, F., ‘Über die tragische Kunst’, Neue Thalia 1, 1792: 176228 (reprinted in Sämtliche Werke in 5 Bänden, V, Philosophische Schriften, vermischte Schriften, München (Winkler) 1968: 372–93)Google Scholar
Schiller, F. Die Braut von Messina, in S. Seidel (ed.), Schillers Werke. Nationalausgabe X, Weimar (Publisher) 1980: 5125 (original ed. 1803)Google Scholar
Schlegel, A. W., Vorlesungen über dramatische Kunst und Literatur I, in Böcking, E. (ed.), Sämtliche Werke V, Leipzig (Weidmann) 1846 (original ed. 1809)Google Scholar
Scullion, S., ‘Tradition and Invention in Euripidean Aetiology’, in M. J. Cropp, K. Lee and D. Sansone (eds.), Euripides and Tragic Theatre in the Late Fifth Century, Urbana and Chicago, IL (Illinois Classical Studies 24/25) 1999/2000: 217–33Google Scholar
Scullion, S.“Nothing to Do with Dionysus”: Tragedy Misconceived as Ritual’, Classical Quarterly 52, 2002: 102–37CrossRefGoogle Scholar
Scullion, S.Tragedy and Religion: The Problem of Origins’, in Gregory, J. (ed.), A Companion to Greek Tragedy, Oxford (Blackwell) 2005: 2341CrossRefGoogle Scholar
Seaford, R., ‘The Tragic Wedding’, Journal of Hellenic Studies 107, 1987: 106–30CrossRefGoogle Scholar
Seaford, R. Reciprocity and Ritual: Homer and Tragedy in the Developing City-State, Oxford (Clarendon Press) 1994CrossRefGoogle Scholar
Seaford, R.Something to Do with Dionysos: Tragedy and the Dionysiac, Response to Friedrich’, in Silk, M. S. (ed.), Tragedy and the Tragic: Greek Theatre and Beyond, Oxford (Clarendon Press) 1996: 284–94Google Scholar
Segal, C. P., ‘The Tragedy of Hippolytos: The Waters of Ocean and the Untouched Meadow’, Harvard Studies in Classical Philology 70, 1965: 117–69CrossRefGoogle Scholar
Segal, C. P. Tragedy and Civilization: An Interpretation of Sophocles, Cambridge, MA and London (Harvard University Press) 1981Google Scholar
Segal, C. P.Theatre, Ritual, and Commemoration in Euripides’ Hippolytus’, Ramus 17, 1988: 52–74 ;(reprinted in Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba, Durham, NC and London (Duke University Press) 1993: 110–35)Google Scholar
Segal, C. P. Sophocles’ Tragic World: Divinity, Nature, Society, Cambridge, MA and London (Harvard University Press) 1995CrossRefGoogle Scholar
Segal, C. P.Catharsis, Audience, and Closure in Greek Tragedy’, in Silk, M. S. (ed.), Tragedy and the Tragic: Greek Theatre and Beyond, Oxford (Clarendon Press) 1996: 149–72Google Scholar
Sidwell, K., ‘The Argument of the Second Stasimon of Oedipus Tyrannus’, Journal of Hellenic Studies 112, 1992: 106–22CrossRefGoogle Scholar
Silk, M. S., ‘Style, Voice and Authority in the Choruses of Greek Drama’, in Riemer, P. and Zimmermannn, B. (eds.), Der Chor im antiken und modernen Drama (Drama 7), Stuttgart and Weimar (Metzler) 1998: 126Google Scholar
Silk, M. S. and Stern, J., Nietzsche on Tragedy, Cambridge (Cambridge University Press) 1981Google Scholar
Sommerstein, A. H., Aeschylus: Eumenides, Cambridge (Cambridge University Press) 1989Google Scholar
Sommerstein, A. H. Aeschylus: Oresteia, Cambridge, MA and London (Publisher) 2008Google Scholar
Sommerstein, A. H.Notes on Euripides’ Hippolytos’, Bulletin of the Institute of Classical Studies 35, 1988: 2341CrossRefGoogle Scholar
Sourvinou-Inwood, C., Tragedy and Athenian Religion, Lanham, MD, Boulder, CO, New York and Oxford (Lexington Books) 2003Google Scholar
Spineto, N., Dionisos a teatro. Il contesto festivo del dramna greco, Rome (‘L’Erma’ di Bretschnieder) 2005Google Scholar
Steiner, D. T., Choral Constructions in Greek Culture: The Idea of the Chorus in the Poetry, Art and Social Practices of the Archaic and Early Classical Period, Cambridge and New York (Cambridge University Press) 2021CrossRefGoogle Scholar
Stoessl, F., Die Vorgeschichte des griechischen Theaters, Darmstadt (Wissenschaftiliche Buchgesellschaft) 1987Google Scholar
Swift, L. A., The Hidden Chorus: Echoes of Genre in Tragic Lyric, Oxford and New York (Oxford University Press) 2010CrossRefGoogle Scholar
Swift, L. A.Conflicting identities in the Euripidean Chorus’, in Gagné, R. and Hopman, M. G. (eds.), Choral Mediations in Greek Tragedy, Cambridge (Cambridge University Press) 2013: 130–54Google Scholar
Swift, L. A.Stesichorus on Stage’, in Finglass, P. J. and Kelly, A. (eds.), Stesichorus in Context, Cambridge (Cambridge University Press) 2015: 8397Google Scholar
Szondi, P., Versuch über das Tragische, Frankfurt am Main (Insel-Verlag) 1961 (reprinted in Schriften, Frankfurt am Main (Suhrkamp) 1978: 149–260; trad. fr. par Jean-Louis Besson et al., Paris (Circé) 2003)Google Scholar
Taddei, A., ‘Ifigenia e il Coro nella Ifigenia tra i Tauri. Destini rituali incrociati’, Lexis 33, 2015: 150–67Google Scholar
Taddei, A.Vergognarsi davanti al propio dio. Il coro nel terzo stasimo dello Ione di Euripide’, Quaderni Urbinati di Cultura Classica 142, 2016: 4764Google Scholar
Tambiah, S. J., ‘A Performative Approach to Ritual’, in Culture, Thought and Social Action: An Anthropological Perspective, Cambridge, MA and London (Harvard University Press) 1985: 123–66 (original ed. 1979)CrossRefGoogle Scholar
Taplin, O., The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy, Oxford (Clarendon Press) 1977Google Scholar
Trieschnigg, C. P., Dances with Girls: The Identity of the Chorus in Aeschylus’ Seven Against Thebes, Nijmegen (UB Nijmegen) 2009 (Ph.D.)Google Scholar
Turner, V., From Ritual to Theatre: The Human Seriousness of Play, New York (PAJ Publications) 1982Google Scholar
Vanden Broeck-Parant, J., ‘Topographie sacrée et structure narrative chez Pausanias: du Dipylon à l’Académie’, Kernos 28, 2015: 155–73Google Scholar
Vernant, J. and Vidal-Naquet, P., Mythe et tragédie en Grèce ancienne, Paris (Maspero) 1972 (reprinted in Myth and Tragedy in Ancient Greece, trans. J. Lloyd, New York (Publisher) 1988)Google Scholar
Vernant, J. and Vidal-Naquet, P. Myth and Tragedy in Ancient Greece, trans J. Lloyd, Hoboken, NJ (Prentice Hall) 1981Google Scholar
Vernant, J. and Vidal-Naquet, P. Mythe et tragédie en Grèce ancienne II, Paris (La Découverte) 1986 (reprinted in Myth and Tragedy in Ancient Greece, trans. J. Lloyd, New York (Publisher) 1988)Google Scholar
Vidal-Naquet, P., Le miroir brisé. Tragédie athénienne et politique, Paris (Les Belles Lettres) 2001Google Scholar
Visvardi, E., Emotion in Action: Thucydides and the Tragic Chorus, Leiden and Boston, MA (E. J. Brill) 2015CrossRefGoogle Scholar
Voelke, P., Un théâtre de la marge. Aspects figuratifs et configurationnels du drame satyrique dans l’Athènes classique, Bari (Levante) 2001Google Scholar
Webster, T. B. L., The Greek Chorus, London (Methuen) 1970Google Scholar
Weiss, N., ‘Noise, Music, Speech: The Representation of Lament in Greek Tragedy’, American Journal of Philology 138(2), 2017: 243–66CrossRefGoogle Scholar
Weiss, N. The Music of Tragedy: Performance and Imagination in Euripidean Theater, Berkeley (University of California Press) 2018aGoogle Scholar
Performing the Wedding Song in Euripides’ Iphigenia in Aulis’, in Andújar, R., Coward, T. R. P. and Hadjimichael, T. A. (eds), Paths of Songs: The Lyric Dimension of Greek Tragedy, Berlin and Boston, MA (de Gruyter) 2018b: 315–41CrossRefGoogle Scholar
Wellenbach, M. C., ‘Herodotus’ Tragic Choruses’, Trends in Classics 8, 2016: 1732CrossRefGoogle Scholar
West, M. L., ‘Stesichorus’, Classical Quarterly 65, 1971: 302–14Google Scholar
West, M. L.Epic, Lyric, and Lyric Epic’, Finlass, P. J. and Kelly, A. (eds.), Stesichorus in Context, Cambridge (Cambridge University Press) 2015: 6380CrossRefGoogle Scholar
Wiles, D., Tragedy in Athens: Performance Space and Theatrical Meaning, Cambridge (Cambridge University Press) 1997CrossRefGoogle Scholar
Wiles, D. Mask and Performances in Greek Tragedy: From Ancient Festival to Modern Experimentation, Cambridge (Cambridge University Press) 2007Google Scholar
Wilson, P. J., The Athenian Institution of the Khoregia: The Chorus, the City and the Stage, Cambridge (Cambridge University Press) 2000Google Scholar
Winnington-Ingram, R. P., ‘Zeus in the Persae’, Journal of Hellenic Studies 93, 1973: 210–19 (reprinted in Studies in Aeschylus, Cambridge (Cambridge University Press) 1983: 1–15)CrossRefGoogle Scholar
Zeitlin, F. I., ‘The Motif of the Corrupted Sacrifice in Aeschylus’ Oresteia’, Transactions and Proceedings of the American Philological Association 85, 1965: 463508CrossRefGoogle Scholar
Zeitlin, F. I.The Power of Aphrodite: Eros and the Boundaries of the Self in the Hippolytus’, in Burian, P. (ed.), Directions in Euripidean Criticism: A Collection of Essays, Durham, NC (Duke University Press) 1985: 52110 and 198–207 (reprinted in Playing the Other: Gender and Society in Classical Greek Literature, Chicago, IL and London (University of Chicago Press) 1996: 219–84)Google Scholar
Zeitlin, F. I.Staging Dionysus between Thebes and Athens’, in Carpenter, T. and Faraone, C. A. (eds.), Masks of Dionysus, Ithaca, NY and London (Cornell University Press) 1993: 147–82Google Scholar
Zimmermann, B., Die Griechische Tragödie, Stuttgart (Kröner) 2018Google Scholar
Zografou, A., Chemins d’Hécate. Portes, routes, carrefours et autres figures de l’entre-deux (Kernos Suppl. 24) Liège (CIERGA) 2010CrossRefGoogle Scholar
Bury, R. G., Plato: Laws, Volume II, Books 7–12, Cambridge, MA (Harvard University Press) 1926Google Scholar
Campbell, D. A., Greek Lyric, Volume II: Anacreon, Anacreontea, Choral Lyric from Olympus to Alcman, Cambridge, MA (Harvard University Press) 1988Google Scholar
Campbell, D. A., Greek Lyric, Volume IV: Bacchylides, Corinna, and Others, Cambridge, MA (Harvard University Press) 1992Google Scholar
Davies, M. and Finglass, P. J., Stesichorus: The Poems, Cambridge (Cambridge University Press) 2014Google Scholar
Henderson, J. Aristophanes: Clouds, Wasps, Peace, Cambridge, MA (Harvard University Press) 1992Google Scholar
Kovacs, D., Euripides: Children of Heracles, Hippolytus, Andromache, Hecuba, Cambridge, MA (Harvard University Press) 1995Google Scholar
Lloyd-Jones, H., Sophocles: Ajax. Electra. Oedipus Tyrannus, Cambridge, MA (Harvard University Press) 1994Google Scholar
Race, W. H., Pindar: Nemean Odes. Isthmian Odes. Fragments, Cambridge, MA (Harvard University Press) 1997Google Scholar
Sommerstein, A. H., Aeschylus: Oresteia: Agamemnon. Libation-bearers. Eumenides, Cambridge, MA (Harvard University Press) 2009Google Scholar
Sommerstein, A. H., Aeschylus: Persians, Seven Against Thebes, Suppliants, Prometheus Bound, Cambridge, MA (Harvard University Press) 2008Google Scholar
Translations used in the English edition:Google Scholar
Benveniste, E., Problems in General Linguistic, trans. M. E. Meek, Miami (Miami University Press) 1971Google Scholar
Freud, S., Strachey, J. and Freud, A., The Standard Edition of the Complete Psychological Works of Sigmund Freud, London (Vintage) 2001Google Scholar
Hegel, G. W. F., Aesthetics: Lectures on Fine Art, trans. T. M. Knox, 2 vols., Oxford (Clarendon Press) 1975Google Scholar
Nietzsche, F., The Birth of Tragedy and Other Writings, ed. Geuss, R. and Speirs, R., trans. R. Speirs, Cambridge (Cambridge University Press) 1999Google Scholar
Schelling, F. W. J., The Philosophy of Art, ed., trans. and intro. Scott, D. W., Minneapolis (University of Minnesota Press) 1989Google Scholar
Schiller, F., Essays Æsthetical and Philosophical, including the Dissertation on the ‘Spiritual Connexion between the Spiritual and the Animal in Man’, London (George Bell and Sons) 1905Google Scholar
Szondi, P., An Essay on the Tragic, trans. P. Fleming, Stanford, CA (Stanford University Press) 2002Google Scholar
Bury, R. G., Plato: Laws, Volume II, Books 7–12, Cambridge, MA (Harvard University Press) 1926Google Scholar
Campbell, D. A., Greek Lyric, Volume II: Anacreon, Anacreontea, Choral Lyric from Olympus to Alcman, Cambridge, MA (Harvard University Press) 1988Google Scholar
Campbell, D. A., Greek Lyric, Volume IV: Bacchylides, Corinna, and Others, Cambridge, MA (Harvard University Press) 1992Google Scholar
Davies, M. and Finglass, P. J., Stesichorus: The Poems, Cambridge (Cambridge University Press) 2014Google Scholar
Henderson, J. Aristophanes: Clouds, Wasps, Peace, Cambridge, MA (Harvard University Press) 1992Google Scholar
Kovacs, D., Euripides: Children of Heracles, Hippolytus, Andromache, Hecuba, Cambridge, MA (Harvard University Press) 1995Google Scholar
Lloyd-Jones, H., Sophocles: Ajax. Electra. Oedipus Tyrannus, Cambridge, MA (Harvard University Press) 1994Google Scholar
Race, W. H., Pindar: Nemean Odes. Isthmian Odes. Fragments, Cambridge, MA (Harvard University Press) 1997Google Scholar
Sommerstein, A. H., Aeschylus: Oresteia: Agamemnon. Libation-bearers. Eumenides, Cambridge, MA (Harvard University Press) 2009Google Scholar
Sommerstein, A. H., Aeschylus: Persians, Seven Against Thebes, Suppliants, Prometheus Bound, Cambridge, MA (Harvard University Press) 2008Google Scholar
Translations used in the English edition:Google Scholar
Benveniste, E., Problems in General Linguistic, trans. M. E. Meek, Miami (Miami University Press) 1971Google Scholar
Freud, S., Strachey, J. and Freud, A., The Standard Edition of the Complete Psychological Works of Sigmund Freud, London (Vintage) 2001Google Scholar
Hegel, G. W. F., Aesthetics: Lectures on Fine Art, trans. T. M. Knox, 2 vols., Oxford (Clarendon Press) 1975Google Scholar
Nietzsche, F., The Birth of Tragedy and Other Writings, ed. Geuss, R. and Speirs, R., trans. R. Speirs, Cambridge (Cambridge University Press) 1999Google Scholar
Schelling, F. W. J., The Philosophy of Art, ed., trans. and intro. Scott, D. W., Minneapolis (University of Minnesota Press) 1989Google Scholar
Schiller, F., Essays Æsthetical and Philosophical, including the Dissertation on the ‘Spiritual Connexion between the Spiritual and the Animal in Man’, London (George Bell and Sons) 1905Google Scholar
Szondi, P., An Essay on the Tragic, trans. P. Fleming, Stanford, CA (Stanford University Press) 2002Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Claude Calame, Ecole des Hautes Etudes en Sciences Sociales, Paris
  • Translated by Vanessa Casato, Universita Ca'Foscari, Venezia
  • Preface by Simon Goldhill, University of Cambridge
  • Book: Choral Tragedy
  • Online publication: 25 April 2024
  • Chapter DOI: https://doi.org/10.1017/9781009029421.010
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Claude Calame, Ecole des Hautes Etudes en Sciences Sociales, Paris
  • Translated by Vanessa Casato, Universita Ca'Foscari, Venezia
  • Preface by Simon Goldhill, University of Cambridge
  • Book: Choral Tragedy
  • Online publication: 25 April 2024
  • Chapter DOI: https://doi.org/10.1017/9781009029421.010
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Claude Calame, Ecole des Hautes Etudes en Sciences Sociales, Paris
  • Translated by Vanessa Casato, Universita Ca'Foscari, Venezia
  • Preface by Simon Goldhill, University of Cambridge
  • Book: Choral Tragedy
  • Online publication: 25 April 2024
  • Chapter DOI: https://doi.org/10.1017/9781009029421.010
Available formats
×