Book contents
- Frontmatter
- Contents
- Acknowledgments
- Note on the translation
- Introduction
- 1 Iskander's transparent allegory: Rabbits and Boa Constrictors
- 2 Beyond picaresque: Erofeev's Moscow–Petushki
- 3 Satire and the autobiographical mode: Limonov's It's Me, Eddie
- 4 The family chronicle revisited: Dovlatov's Ours
- 5 Dystopia redux: Voinovich and Moscow 2042
- Conclusion
- Notes
- Select bibliography
- Index
- CAMBRIDGE STUDIES IN RUSSIAN LITERATURE
Frontmatter
Published online by Cambridge University Press: 10 September 2009
- Frontmatter
- Contents
- Acknowledgments
- Note on the translation
- Introduction
- 1 Iskander's transparent allegory: Rabbits and Boa Constrictors
- 2 Beyond picaresque: Erofeev's Moscow–Petushki
- 3 Satire and the autobiographical mode: Limonov's It's Me, Eddie
- 4 The family chronicle revisited: Dovlatov's Ours
- 5 Dystopia redux: Voinovich and Moscow 2042
- Conclusion
- Notes
- Select bibliography
- Index
- CAMBRIDGE STUDIES IN RUSSIAN LITERATURE
Summary
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- Type
- Chapter
- Information
- Contemporary Russian SatireA Genre Study, pp. i - viiiPublisher: Cambridge University PressPrint publication year: 1996