Book contents
- Elisabeth Lutyens and Edward Clark
- Music in Context
- Elisabeth Lutyens and Edward Clark
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Preface
- Acknowledgements
- Introduction
- 1 Conducting Personae
- 2 Composing Influence
- 3 Crafting Music
- 4 Collaborating to Control
- 5 Completing the Lives
- Afterword
- Bibliography
- Main Archives
- Index
Introduction
Published online by Cambridge University Press: 05 October 2023
- Elisabeth Lutyens and Edward Clark
- Music in Context
- Elisabeth Lutyens and Edward Clark
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Preface
- Acknowledgements
- Introduction
- 1 Conducting Personae
- 2 Composing Influence
- 3 Crafting Music
- 4 Collaborating to Control
- 5 Completing the Lives
- Afterword
- Bibliography
- Main Archives
- Index
Summary
Elisabeth Lutyens and Edward Clark’s work and lives in music have been subject to strong opinions. This Introduction’s epigraph contains two examples and another couple of crucial judgements appeared in a major book on music of their time, Francis Routh’s Contemporary Music in Britain of 1972. Edward Clark is there portrayed as ‘an enlightened champion of contemporary music through the medium of radio performances’, while Lutyens is an ‘English derivative […]’ of Schoenberg and Webern; at best, she is ‘[p]rominent among those who have worked within the Schoenberg tradition’.3
- Type
- Chapter
- Information
- Elisabeth Lutyens and Edward ClarkThe Orchestration of Progress in British Twentieth-Century Music, pp. 1 - 27Publisher: Cambridge University PressPrint publication year: 2023