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1 - The national community goes to war

Published online by Cambridge University Press:  05 June 2012

Leonard V. Smith
Affiliation:
Oberlin College, Ohio
Stéphane Audoin-Rouzeau
Affiliation:
Université de Picardie Jules Verne, Amiens
Annette Becker
Affiliation:
Université de Paris X
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Summary

In The Old Regime and the French Revolution (1856), Alexis de Tocqueville described the French as a people “talented enough at anything, but who excel only at war. They adore chance, force, success, flash and noise, more than true glory. More capable of heroism than virtue, of genius more than good sense, they are suited more to conceiving immense plans than to completing great enterprises.” Up to a point, Tocqueville knew his compatriots well. Over the course of the nineteenth century, France had gone to war many times and, in general, had fared poorly at it. The French had mainly themselves to blame. The century began in a blaze of Napoleonic glory, followed by complete national defeat in 1815. Not that this prevented the French from erecting to Napoleon their greatest military monument, the Arc du Triomphe, an unusual tribute to a defeated commander. Some victories came at mid-century, against the Russians in the Crimean War of 1853–6, and against the Habsburg Monarchy in Italy in 1859. Yet these were classic nineteenth-century “limited” wars, in which France ventured and gained relatively little. But the “immense plan” of Emperor Napoleon III (allegedly the illegitimate nephew of Napoleon Bonaparte) to install his protégé, Archduke Maximilian (the brother of Habsburg Emperor Francis Joseph), as emperor of Mexico in 1861 ended in utter failure. France had nothing to show for it but the famous 1867 painting by Édouard Manet of Maximilian's execution by Mexican patriots.

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Publisher: Cambridge University Press
Print publication year: 2003

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