Chapter 28 considers Persian influences on Goethe and the reception of his work in modern Iran, the first Persian translations of Goethe having appeared in the 1920s. The chapter emphasises the importance of Middle Eastern sources – especially the Persian poet Hafez – for Goethe’s writing. It then divides the Persian reception of Goethe into three phases. In the first, his status as a world great was the focus; in the second, his writings were portrayed as a reflection of either Persian poetry or Islam, while the recent third phase takes Goethe on his own terms.