Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-89wxm Total loading time: 0 Render date: 2024-07-06T08:17:33.594Z Has data issue: false hasContentIssue false

42 - Escalator

from The Digital Now

Published online by Cambridge University Press:  12 June 2019

Megan M. Carpenter
Affiliation:
Megan Carpenter is Dean of the University of New Hampshire School of Law. Her research interests include intellectual property, with a particular focus on entrepreneurship, branding, and the arts.
Claudy Op den Kamp
Affiliation:
Bournemouth University
Dan Hunter
Affiliation:
Swinburne Law School, Australia
Get access

Summary

GREAT TECHNOLOGICAL DEVELOPMENTS create a universe. The invention of the escalator was, literally, groundbreaking. It expanded our concept of space and time— and, accordingly, redefined the possibilities for commerce.

For those within the intellectual property system, the escalator is famous for its association with the phenomenon of “trademark genericide.” Trademark genericide occurs when trademarks become so famous that they cease to identify the source of goods or services in the minds of consumers and instead become names for the goods themselves. “Escalator” is right up there with “aspirin,” “cellophane,” and “kitty litter” as an example of a brand that morphed into its product. And it's true that the intellectual property story of the escalator is, in part, how Charles Seeberger's brand of moving staircases grew to symbolize the thing itself. But the larger story is about the cultural phenomenon, an invention that transformed the way we interact with the world. How people move. How sales are made. How the built world is constructed. Before the escalator was invented, commerce and transportation were largely one-dimensional. Stairs and elevators were for the committed and purposeful, their limitations constraining vertical expansion, above and below ground. Stairs require patience and effort. Elevators have a unique, precise, and tightly constrained mission. The invention of the escalator changed everything: suddenly, a constant flow of people could ascend into the air, or descend to the depths. The escalator modified architecture itself, creating fluid transitions into spaces above and below. Now, in commerce and transportation, neither the sky nor the ground would be the limit.

The first conceptual articulation of an escalator was “An Improvement in Stairs,” described in an 1859 US patent issued to Nathan Ames. Ames was an inventor with several patents, including a railroad switch, aprintingpress, and a combination knife, fork, and spoon. Ames’ patent made claim over an endless belt of steps revolving around three mechanical wheels that could be powered by hand, weights, or steam.

This version of the moving stairway didn't gain much momentum, however, and was never built.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Escalator
    • By Megan M. Carpenter, Megan Carpenter is Dean of the University of New Hampshire School of Law. Her research interests include intellectual property, with a particular focus on entrepreneurship, branding, and the arts.
  • Edited by Claudy Op den Kamp, Bournemouth University, Dan Hunter
  • Book: A History of Intellectual Property in 50 Objects
  • Online publication: 12 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108325806.043
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Escalator
    • By Megan M. Carpenter, Megan Carpenter is Dean of the University of New Hampshire School of Law. Her research interests include intellectual property, with a particular focus on entrepreneurship, branding, and the arts.
  • Edited by Claudy Op den Kamp, Bournemouth University, Dan Hunter
  • Book: A History of Intellectual Property in 50 Objects
  • Online publication: 12 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108325806.043
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Escalator
    • By Megan M. Carpenter, Megan Carpenter is Dean of the University of New Hampshire School of Law. Her research interests include intellectual property, with a particular focus on entrepreneurship, branding, and the arts.
  • Edited by Claudy Op den Kamp, Bournemouth University, Dan Hunter
  • Book: A History of Intellectual Property in 50 Objects
  • Online publication: 12 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108325806.043
Available formats
×