Book contents
- Frontmatter
- Dedication
- Contents
- Foreword
- Preface
- Acknowledgments
- PART ONE The Conductor's Mind
- PART TWO The Conductor's Skills
- PART THREE The Conductor's Hands
- PART FOUR The Conductor and the Musicians
- PART FIVE The Conductor and the Instruments
- PART SIX The Conductor, the Composer, and the Score
- PART SEVEN The Conductor and the Audience
- PART EIGHT The Conductor and “the Business”
- 39 Career and Agents
- 40 Critics
- 41 Gender
- 42 Guest Conducting
- 43 Orchestra Managements
- 44 Recording
- 45 Travel and Packing
- PART NINE Inside the Conductor
- Suggested Reading
- Musical Example Credits
- A Note on the Illustrations
- Index of Conductors
45 - Travel and Packing
from PART EIGHT - The Conductor and “the Business”
Published online by Cambridge University Press: 05 September 2013
- Frontmatter
- Dedication
- Contents
- Foreword
- Preface
- Acknowledgments
- PART ONE The Conductor's Mind
- PART TWO The Conductor's Skills
- PART THREE The Conductor's Hands
- PART FOUR The Conductor and the Musicians
- PART FIVE The Conductor and the Instruments
- PART SIX The Conductor, the Composer, and the Score
- PART SEVEN The Conductor and the Audience
- PART EIGHT The Conductor and “the Business”
- 39 Career and Agents
- 40 Critics
- 41 Gender
- 42 Guest Conducting
- 43 Orchestra Managements
- 44 Recording
- 45 Travel and Packing
- PART NINE Inside the Conductor
- Suggested Reading
- Musical Example Credits
- A Note on the Illustrations
- Index of Conductors
Summary
A conductor checked in at the St. Pancras Hotel, London, and was given a room overlooking one of the station platforms. After a very boozy dinner he went to sleep but was constantly awakened by the sound of trains. At about two in the morning he called reception and asked what time the hotel arrived at Edinburgh.
Traveling is part of a conductor's life. The novelty wears off, but the pleasure of visiting pleasant places and conducting good orchestras continues. Every traveling musician has his own routine. Here are some suggestions, many of which will be familiar to regular travelers:
Make sure in advance that your passport and visas are up-to-date. Most agents take care of this, but it's always worth checking. Book your flights early; you may get cheaper rates, important if you're paying for your own transport.
When your journey involves changing planes, allow at least two hours' layover time. I've proved again and again that this is a good idea. Even if there are no delays, I'd rather be bored than worried. Try to stick to one airline as much as possible, so you can earn air miles for future flights and upgrades.
When there's a big time difference, arrive a couple of days before rehearsals start (if your schedule allows). Jet lag varies from person to person but typically lasts one day per hour of time difference, so if you travel from London to New York you may need five days to adjust.
- Type
- Chapter
- Information
- Inside Conducting , pp. 228 - 231Publisher: Boydell & BrewerPrint publication year: 2013