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  • Cited by 2
Publisher:
Cambridge University Press
Online publication date:
June 2012
Print publication year:
2011
Online ISBN:
9780511902710

Book description

Denis Donoghue has been a key figure in Irish studies and an important public intellectual in Ireland, the UK and US throughout his career. These essays represent the best of his writing and operate in conversation with one another. He probes the questions of Irish national and cultural identity that underlie the finest achievements of Irish writing in all genres. Together, the essays form an unusually lively and far-reaching study of three crucial Irish writers – Swift, Yeats and Joyce – together with other voices including Mangan, Beckett, Trevor, McGahern and Doyle. Donoghue's forceful arguments, deep engagement with the critical tradition, buoyant prose and extensive learning are all exemplified in this collection. This book is essential reading for all those interested in Irish literature and culture and its far-reaching effects on the world.

Reviews

‘It is a pleasure to read criticism and cultural analysis of this elevated kind … [Donoghue] is silver-tongued in capturing ideas, unlocking literary meanings and honouring the imagination.’

Source: The Times Literary Supplement

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Contents

Select bibliography
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Doyle, Roddy, Brownbread and War (London: Secker and Warburg, 1992).
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Doyle, Roddy, Paddy Clarke Ha Ha Ha (London: Martin Secker and Warburg, 1993, reprinted New York: Penguin Books, 1995).
Doyle, Roddy, The Snapper (London: Martin Secker and Warburg, 1990, reprinted Penguin Books, 1992).
Eagleton, Terry, Heathcliff and the Great Hunger: Studies in Irish Culture (London: Verso, 1995).
Eliot, George, The Writings of George Eliot: Essays and Leaves from a Note-Book (Boston and New York: Houghton Mifflin, 1909).
Eliot, T. S., After Strange Gods: A Primer of Modern Heresy (New York: Harcourt, Brace, and Company, 1934).
Eliot, T. S., Collected Poems1909–1962 (New York: Harcourt, Brace, and Company, 1963).
Eliot, T. S., On Poetry and Poets (New York: Farrar, Straus, and Cudahy, 1957).
Eliot, T. S., Selected Essays: New Edition (New York: Harcourt, Brace, and World, 1964).
Eliot, T. S., Selected Prose, ed. Kermode, Frank (London: Faber and Faber, 1975).
Eliot, T. S., The Use of Poetry and the Use of Criticism: Studies in the Relation of Criticism to Poetry in England (London: Faber and Faber, 1950 reprint).
Eliot, T. S., “A Commentary,”The Criterion, Vol. 14, No. 57 (July 1935).
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Ellmann, Richard, Eminent Domain: Yeats among Wilde, Joyce, Pound, Eliot, and Auden (New York: Oxford University Press, 1967).
Ellmann, Richard, The Identity of Yeats (New York: Oxford University Press, second edition, 1964).
Emerson, Ralph Waldo, Representative Men (Boston and New York: Houghton Mifflin, 1930 reprint).
Empson, William, Some Versions of Pastoral (London: Chatto and Windus, 1962).
Empson, William, The Structure of Complex Words (London: Chatto and Windus, 1971).
Foster, R. F., W. B. Yeats: A Life, Vol. I: The Apprentice Mage 1865–1914 (Oxford University Press, 1997).
Frye, Northrop, Anatomy of Criticism: Four Essays (Princeton University Press, 1957).
Frye, Northrop, “The Four Forms of Prose Fiction,”The Hudson Review, Vol. 2, No. 4 (Winter 1950).
Frye, Northrop, The Gonne-Yeats Letters 1893–1938: Always Your Friend, ed. White, Anna MacBride and Jeffares, A. Norman (London: Hutchinson, 1992).
Griffin, Dustin H., Satires against Man: The Poems of Rochester (Berkeley: University of California Press, 1973).
Grossman, Allen, The Long Schoolroom: Lessons in the Bitter Logic of the Poetic Principle (Ann Arbor: University of Michigan Press, 1997).
Grossman, Allen, Poetic Knowledge in the Early Yeats: A Study of “The Wind among the Reeds” (Charlottesville: University Press of Virginia, 1969).
Hall, James and Steinmann, Martin (eds.), The Permanence of Yeats (New York: Macmillan, 1950).
Harding, D. W., Experience into Words (New York: Horizon Press, 1964).
Harper, George Mills, The Making of Yeats's “A Vision”: A Study of the Automatic Script (2 vols., London: Macmillan, 1987).
Hazlitt, William, Works, ed. Howe, P. P. (21 vols., London: Dent, 1930–1934).
Hood, Connie K., “The Remaking of A Vision,” in Yeats: An Annual of Critical and Textual Studies, ed. Finneran, Richard J. (publishers vary, 1983–1999, Vol. 1, 1983).
Hopkins, Gerard Manley, The Letters of Gerard Manley Hopkins to Robert Bridges, ed. Abbott, Claude Colleer (London: Oxford University Press, 1935).
Howe, Susan, “Melville's Marginalia,”The American Poetry Review, Vol. 22, No. 1 (January–February, 1993).
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Hume, David, A Treatise of Human Nature, ed. Green, T. H. and Grose, T. H. (London: Aalen, 1964 reprint).
Hutson, Lorna, “An Earlier Perspective,” The Times Literary Supplement, May 30, 2003.
James, Henry, The Art of the Novel: Critical Prefaces (Boston: Northeastern University Press, 1984 reprint).
James, Henry, Letters, Vol. 1: 1843–1875, ed. Edel, Leon (Cambridge, Mass.: Belknap Press of Harvard University Press, 1975).
James, Henry, The Portrait of a Lady, ed. Bamberg, Robert D. (New York: W. W. Norton, 1975 reprint).
Jeffares, A. Norman, A New Commentary on the Poems of W. B. Yeats (London: Macmillan, 1984).
Jeffares, A. Norman, Yeats: A New Biography (London: Continuum, 2001).
Jeffares, A. Norman and Cross, K. G. W. (eds.), In Excited Reverie (New York: Macmillan, 1965).
Jolas, Eugene, “The Revolution of Language and James Joyce,” in Our Exagmination Round His Factification for Incamination of Work in Progress (London: Faber and Faber, second impression, 1961).
Joyce, James, Finnegans Wake (New York: Viking Press, 1939: London: Faber and Faber, 1939).
Joyce, James, Occasional, Critical, and Political Writing, ed. Barry, Kevin (Oxford University Press, 2000).
Joyce, James, A Portrait of the Artist as a Young Man, ed. Gabler, Hans Walter with Hettche, Walter (New York: Garland, 1993).
Joyce, James, Ulysses, ed. Gabler, Hans Walter with Steppe, Wolfhard and Melchior, Claus (3 vols., New York: Garland, 1984).
Joyce, James, Ulysses, ed. Gabler, Hans Walter with Steppe, Wolfhard and Melchior, Claus (New York: Random House, 1986).
,Julian of Norwich, Revelations of Divine Love (London: Methuen, thirteenth edition, 1952).
Kaiser, Walter, Praisers of Folly: Erasmus, Rabelais, Shakespeare (Cambridge, Mass: Harvard University Press, 1963).
Kelly, J. M., The Irish Constitution, ed. Hogan, Gerard and Whyte, Gerry (London: Butterworths, third edition, 1994).
Kenner, Hugh, Joyce's Voices (Berkeley: University of California Press, 1978).
Kenner, Hugh, The Poetry of Ezra Pound (Norfolk, Conn.: New Directions, reprinted 1974).
Kenner, Hugh, The Pound Era (Berkeley: University of California Press, 1971).
Kenner, Hugh, Samuel Beckett: A Critical Study (Berkeley: University of California Press, new edition, 1967).
Kenner, Hugh, “The Sacred Book of the Arts,” in Unterecker, John (ed.), Yeats: A Collection of Critical Essays (Englewood Cliffs, NJ: Prentice-Hall, 1963).
Kenner, Hugh, “Words in the Dark,” in Rieu, E. V. (ed.), Essays by Divers Hands Being the Transactions of the Royal Society of Literature: New Series, Vol. XXIX (London: Oxford University Press, 1958).
Kermode, Frank, Shakespeare's Language (New York: Farrar, Straus, Giroux, 2000).
Kierkegaard, Søren, The Concept of Irony, trans. Capel, Lee M. (Bloomington: Indiana University Press, 1971).
Knowlson, James, “Pipes and Tubes,” in Beja, Morris, Gontarski, S. E., and Astier, Pierre (eds.), Samuel Beckett: Humanistic Perspectives (Columbus: Ohio State University Press, 1983).
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Kristeva, Julia, Nations without Nationalism, trans. Roudiez, Leon S. (New York: Columbia University Press, 1993).
Leavis, F. R., The Common Pursuit (London: Chatto and Windus, 1952).
Leavis, F. R., “Joyce and the ‘Revolution of the Word’,” in For Continuity (Cambridge: The Minority Press, 1933).
Leavis, F. R., “Milton's Verse,”Scrutiny, Vol. 2, No. 2 (September 1933).
Lloyd, David, Anomalous States: Irish Writing and the Post-Colonial Moment (Dublin: Lilliput Press, 1993).
Lloyd, David, Nationalism and Minor Literature: James Clarence Mangan and the Emergence of Irish Cultural Nationalism (Berkeley: University of California Press, 1987).
Locke, John, An Essay Concerning Human Understanding, ed. Nidditch, Peter H. (Oxford: Clarendon Press, 1975).
Lyons, F. S. L., Charles Stewart Parnell (New York: Oxford University Press, 1977).
MacCabe, Colin, James Joyce and the Revolution of the Word (London: Palgrave Macmillan, second edition, 2003).
McGahern, John, All Will Be Well: A Memoir (New York: Knopf, 2006).
McGahern, John, Amongst Women (London: Faber and Faber, 1991).
McGahern, John, The Barracks (London: Faber and Faber, 1963).
McGahern, John, Collected Stories (London: Faber and Faber, 1992).
McGahern, John, That They May Face the Rising Sun (London: Faber and Faber, 2002).
McGahern, John, “What Is My Language?”Irish University Review, Vol. 35, No. 1 (Spring/Summer 2005).
McGee, Thomas D'Arcy, Poems (Boston: Sadler, 1869).
Mangan, James Clarence, Collected Prose: Prose 1840–1882 and Correspondence, ed. Chuto, Jacques et al. (Dublin: Irish Academic Press, 2002).
Mangan, James Clarence, Selected Writings, ed. Ryder, Sean (University College Dublin Press, 2004).
Marcus, Phillip L., Yeats and Artistic Power (New York University Press, 1992).
Moore, George, Hail and Farewell (2 vols., New York: Appleton, 1925 reprint).
Moore, George, Parnell and His Country (London: Swan Sonnenschein, Lowrey, 1887).
Murphy, William M., Prodigal Father: The Life of John Butler Yeats 1839–1922 (Ithaca and London: Cornell University Press, 1978).
Nolan, Emer, James Joyce and Nationalism (London: Routledge, 1995).
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Vendler, Helen, Our Secret Discipline: Yeats and Lyric Form (Cambridge, Mass.: Belknap Press of Harvard University Press, 2007).
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Yeats, W. B., Autobiographies, ed. O'Donnell, William H. and Archibald, Douglas N. (New York: Scribner, 1999).
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Yeats, W. B., The Cutting of an Agate (New York: Macmillan, 1912).
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Yeats, W. B., Mythologies (London: Macmillan, 1959).
Yeats, W. B., Mythologies, ed. Gould, Warwick and Toomey, Deirdre (New York: Palgrave Macmillan, 2005).
Yeats, W. B., Plays and Controversies (New York: Macmillan, 1924).
Yeats, W. B., The Poems, ed. Albright, Daniel (London: Dent, 1994).
Yeats, W. B., Uncollected Prose, Vol. 1: First Reviews and Articles 1886–1896, ed. Frayne, John P. (New York: Columbia University Press, 1970).
Yeats, W. B., The Variorum Edition of the Plays, ed. Alspach, Russell K. (London: Macmillan, 1966).
Yeats, W. B., The Variorum Edition of the Poems, ed. Allt, Peter and Alspach, Russell K. (London: Macmillan, 1957).
Yeats, W. B., A Vision (London: Macmillan, second edition 1937, corrected 1962).
Yeats, W. B., A Vision: The Original 1925 Version, ed. Paul, Catherine E. and Harper, Margaret Mills (New York: Scribner, 2008).
Yeats, W. B., A Critical Edition of “A Vision” (1925), ed. Harper, George Mills and Hood, Walter Kelly (New York: Palgrave Macmillan, 1978).
Yeats, W. B., Words for Music Perhaps and Other Poems: Manuscript Materials, ed. Clark, David R. (Ithaca and London: Cornell University Press, 1999).
Yeats, W. B., Yeats's “Vision” Papers, Vol. I: The Automatic Script: 5 November 1917–18 June 1918, ed. Adams, Steve L., Frieling, Barbara J., and Sprayberry, Sandra L. (London: Macmillan, 1992).
Yeats, W. B., Yeats's “Vision” Papers, Vol. II: The Automatic Script: 25 June 1918–29 March 1920, ed. Adams, Steve L., Frieling, Barbara J., and Sprayberry, Sandra L. (London: Macmillan, 1992).
Yeats, W. B., Yeats's “Vision” Papers, Vol. III: Sleep and Dream Notebooks, Vision Notebooks 1 and 2, Card File, ed. Martinich, Robert Anthony and Harper, Margaret Mills (London: Macmillan, 1992).
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