Book contents
- Frontmatter
- Contents
- Figures
- Notes on the Contributors
- Introduction
- Part 1a Mapping Cinematic Journeys: Chronotopes of Journeys
- 1 Global Visions: Around-the-World Travel and Visual Culture in Early Modernity
- 2 Brief Encounters: The Railway Station on Film
- 3 Diasporic Dreams and Shattered Desires: Displacement, Identity and Tradition in Heaven on Earth
- 4 Chronotopic Ghosts and Quiet Men: José Luis Guerín’s Innisfree
- 5 Memories, Notebooks, Roads: The Essayistic Journey in Time and Space
- Part 1b Expanding Europe: Interstitial Production and Border-crossing in Eastern European Cinema
- 6 Shadows of Unforgotten Ancestors: Representations of Estonian Mass Deportations of the 1940s in In the Crosswind and Body Memory
- 7 The Holocaust and the Cinematic Landscapes of Postmemory in Lithuania, Hungary and Ukraine
- 8 Hesitant Journeys: Fugitive and Migrant Narratives in the New Romanian Cinema
- 9 Women on the Road: Representing Female Mobility in Contemporary Hungarian–Romanian Co-productions
- Part 2a Form and Narrative in Journey Genres
- 10 The Sense of an Ending: Music, Time and Romance in Before Sunrise
- 11 Moving in Circles: Kinetic Elite and Kinetic Proletariat in ‘End of the World’ Films
- 12 Gothic Journeys: Travel and Transportation in the Films of Terence Fisher
- 13 Transnational Productions and Regional Funding: Bordercrossing, European Locations and the Case of Contemporary Horror
- Part 2b The Politics of the Road Movie
- 14 Colonialism in Latin American Road Movies
- 15 Spaces of Failure: The Gendering of Neoliberal Mobilities in the US Indie Road Movie
- 16 Sic transit: The Serial Killer Road Movie
- Index
Part 2a - Form and Narrative in Journey Genres
Published online by Cambridge University Press: 06 May 2021
- Frontmatter
- Contents
- Figures
- Notes on the Contributors
- Introduction
- Part 1a Mapping Cinematic Journeys: Chronotopes of Journeys
- 1 Global Visions: Around-the-World Travel and Visual Culture in Early Modernity
- 2 Brief Encounters: The Railway Station on Film
- 3 Diasporic Dreams and Shattered Desires: Displacement, Identity and Tradition in Heaven on Earth
- 4 Chronotopic Ghosts and Quiet Men: José Luis Guerín’s Innisfree
- 5 Memories, Notebooks, Roads: The Essayistic Journey in Time and Space
- Part 1b Expanding Europe: Interstitial Production and Border-crossing in Eastern European Cinema
- 6 Shadows of Unforgotten Ancestors: Representations of Estonian Mass Deportations of the 1940s in In the Crosswind and Body Memory
- 7 The Holocaust and the Cinematic Landscapes of Postmemory in Lithuania, Hungary and Ukraine
- 8 Hesitant Journeys: Fugitive and Migrant Narratives in the New Romanian Cinema
- 9 Women on the Road: Representing Female Mobility in Contemporary Hungarian–Romanian Co-productions
- Part 2a Form and Narrative in Journey Genres
- 10 The Sense of an Ending: Music, Time and Romance in Before Sunrise
- 11 Moving in Circles: Kinetic Elite and Kinetic Proletariat in ‘End of the World’ Films
- 12 Gothic Journeys: Travel and Transportation in the Films of Terence Fisher
- 13 Transnational Productions and Regional Funding: Bordercrossing, European Locations and the Case of Contemporary Horror
- Part 2b The Politics of the Road Movie
- 14 Colonialism in Latin American Road Movies
- 15 Spaces of Failure: The Gendering of Neoliberal Mobilities in the US Indie Road Movie
- 16 Sic transit: The Serial Killer Road Movie
- Index
- Type
- Chapter
- Information
- Journeys on ScreenTheory, Ethics, Aesthetics, pp. 165 - 166Publisher: Edinburgh University PressPrint publication year: 2018