Perhaps one of the most curious fashions of all time is the luxury fur piece of the late fifteenth and sixteenth century. In its simplest form, this was the pelt of a marten or sable worn draped over the wearer's shoulders or arm, or carried in the hand. At its most extravagant, the animal's skin featured a jeweled head, and often paws, of gold or crystal, and the whole was generally attached by a ring on the muzzle to a chain and worn on a girdle.

The first known mention of this luxurious item occurs in 1467 in the inventory of Charles the Bold, Duke of Burgundy: “a marten for putting around the neck, the head and feet of gold with ruby eyes, with diamonds on the muzzle and paws;” but no pictorial evidence exists as early as this citation, and no other written or visual examples appear until a Milanese document, dated February 1489, records an ungarnished sable worn by Isabella d'Aragon, Duchess

of Milan. (A summary of documentary references to these items follows this article.)

In terms of the fashion's development, both the visual and the written record suggest a northern Italian origin for zibellini—that is, sables—as the Italians referred to them. The vogue began with simple, ungarnished pelts, as noted in a document of 1490 in which Isabella d'Este writes to Giorgio Brognolo, her agent in Venice,“Wishing for a beautiful sable lining for a sbernia, we would like you to buy eighty pelts of the most excellent quality, even if you should look everywhere in Venice, and see if you can find us one to be held by hand, with the bone in the head, as we wrote to you earlier, even if it should cost 10 ducati, as long as it is beautiful, we don't mind the cost.”