Book contents
- Frontmatter
- Contents
- Illustrations
- Preface
- Introduction
- Chapter 1 The Cauldron of God's Wrath
- Chapter 2 Bishops of Rome
- Chapter 3 Conversion of the Wild Men
- Chapter 4 Feudalism emerges
- Chapter 5 Land and Folk
- Chapter 6 The Village (1)
- Chapter 7 The Village (2)
- Chapter 8 Village Dance and Song
- Chapter 9 Nature and Superstition
- Chapter 10 Popes and Prelates
- Chapter 11 Rector and Vicar
- Chapter 12 The Making of a Priest
- Chapter 13 Church statistics
- Chapter 14 The Shepherd
- Chapter 15 The Flock (1)
- Chapter 16 The Flock (2)
- Chapter 17 The Silver Lining
- Chapter 18 Dante's Commedia
- Chapter 19 The Royal Court
- Chapter 20 Chivalry
- Chapter 21 Chaucer and Malory
- Chapter 22 The Monastery
- Chapter 23 Cloister Life
- Chapter 24 The Town
- Chapter 25 Home Life
- Chapter 26 Trade and Travel
- Chapter 27 Just Price and Usury
- Chapter 28 The Ghetto (1)
- Chapter 29 The Ghetto (2)
- Chapter 30 Justice and Police
- Chapter 31 From School to University
- Chapter 32 Scholastics and Bible
- Chapter 33 Science
- Chapter 34 Medicine
- Chapter 35 Freethought and Inquisition
- Chapter 36 The Papal Schism
- Chapter 37 The Lollards
- Chapter 38 The Black Death
- Chapter 39 The Hundred Years' War
- Chapter 40 The Mystics
- Chapter 41 The Peasant Saint
- Chapter 42 Artist Life
- Chapter 43 Literary Life
- Chapter 44 Sports and Theatre
- Chapter 45 Women's Life
- Chapter 46 Marriage and Divorce
- Chapter 47 The Old and the New
- Chapter 48 More and Utopia
- Chapter 49 The Fight for the Bible
- Chapter 50 The Open Bible
- Chapter 51 Peasant and Highbrow
- Chapter 52 The Bursting of the Dykes
- Notes
- Index
- Plate section
Chapter 43 - Literary Life
Published online by Cambridge University Press: 05 July 2011
- Frontmatter
- Contents
- Illustrations
- Preface
- Introduction
- Chapter 1 The Cauldron of God's Wrath
- Chapter 2 Bishops of Rome
- Chapter 3 Conversion of the Wild Men
- Chapter 4 Feudalism emerges
- Chapter 5 Land and Folk
- Chapter 6 The Village (1)
- Chapter 7 The Village (2)
- Chapter 8 Village Dance and Song
- Chapter 9 Nature and Superstition
- Chapter 10 Popes and Prelates
- Chapter 11 Rector and Vicar
- Chapter 12 The Making of a Priest
- Chapter 13 Church statistics
- Chapter 14 The Shepherd
- Chapter 15 The Flock (1)
- Chapter 16 The Flock (2)
- Chapter 17 The Silver Lining
- Chapter 18 Dante's Commedia
- Chapter 19 The Royal Court
- Chapter 20 Chivalry
- Chapter 21 Chaucer and Malory
- Chapter 22 The Monastery
- Chapter 23 Cloister Life
- Chapter 24 The Town
- Chapter 25 Home Life
- Chapter 26 Trade and Travel
- Chapter 27 Just Price and Usury
- Chapter 28 The Ghetto (1)
- Chapter 29 The Ghetto (2)
- Chapter 30 Justice and Police
- Chapter 31 From School to University
- Chapter 32 Scholastics and Bible
- Chapter 33 Science
- Chapter 34 Medicine
- Chapter 35 Freethought and Inquisition
- Chapter 36 The Papal Schism
- Chapter 37 The Lollards
- Chapter 38 The Black Death
- Chapter 39 The Hundred Years' War
- Chapter 40 The Mystics
- Chapter 41 The Peasant Saint
- Chapter 42 Artist Life
- Chapter 43 Literary Life
- Chapter 44 Sports and Theatre
- Chapter 45 Women's Life
- Chapter 46 Marriage and Divorce
- Chapter 47 The Old and the New
- Chapter 48 More and Utopia
- Chapter 49 The Fight for the Bible
- Chapter 50 The Open Bible
- Chapter 51 Peasant and Highbrow
- Chapter 52 The Bursting of the Dykes
- Notes
- Index
- Plate section
Summary
The conditions of medieval authorship were in one important I particular far less radically different from modern conditions than were those of the artist's life. We have seen how those enormous buildings needed strict discipline and co-operation: how the task strained every nerve, and therefore there was something of the same emphasis upon realities as in warfare. Again, the privations were shared by all alike; even the mastermason was only a craftsman with the wages of a modern mechanic; and, lastly, we have seen that the fame was rather collective than individual. When we read in a chronicle that such and such an abbot “made” a magnificent missal or pulpit or altar-piece, that simply means that the abbot ordered and paid, and that the men who actually did the work received little or nothing beyond the common artisan's wages. The whole, therefore, was a great lesson in collectivism. It was William Morris's study of medieval architecture which helped to make a socialist of him.
In literature, on the other hand, there was as much individualism as the theories of Church and State permitted anywhere. It is true that there was then, as there is in every day, a certain tyranny of custom; the troubadours and the minnesänger followed certain conventions, many of which seem artificial to us. But this was only an exaggeration of what we see even in modern times.
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- Medieval PanoramaThe English Scene from Conquest to Reformation, pp. 573 - 589Publisher: Cambridge University PressPrint publication year: 2010First published in: 1938