Conrad’s novels engage in a critique of imperialism, but the precise nature of that critique persists as a source of debate among scholars. This chapter argues that three of Conrad’s novels – Lord Jim, Nostromo, and Victory – level an increasingly sharp critique at a system of capitalism and imperialism based on the modern corporation. In the novels, an opposition develops between an idealized British model of family-based capitalism and a corporate capitalism corrupted by investor ownership. In this dichotomy, the novels associate the family-based system of capitalism with the positivity of material value, meaning, character, and emotion that stands in contrast to the utter waste – the “nothing” of Victory’s end – left in the wake of an invisible and ever-changing network of social relations temporarily connected within the speculative structure of investor ownership and the new imperialism.