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3 - Why and How Others Matter

Published online by Cambridge University Press:  27 March 2010

Alan Paskow
Affiliation:
St Mary's College, Maryland
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Summary

So far in this book I have in several places implicitly or explicitly challenged two interrelated, fundamentally Cartesian propositions: (a) that knowledge of the world is exclusively gained through our cognition of all sorts of things (such as plants or animals or people) from a neutral, detached, “third-person” standpoint and, therefore, (b) whatever is revealed to us from a first-person standpoint that is not observable for others (such as my feeling of anxiety) is not of interest in helping us to understand what is most fundamental to – the essence or nature of – anything at all, including us humans. Thus, Descartes's privileging the third-person perspective for gaining knowledge has serious implications for what he identifies as “the real world.” His methodological assumption is not just idiosyncratic to him or his disciples and followers, it is also to a great extent ours, having greatly shaped what we Westerners now denominate “common sense.” Continuing in the same anti-Cartesian vein that I have pursued all along and taking my inspiration from Heidegger, I now try to delineate from an ontological perspective (but only insofar as it is necessary to shed light on the nature of artistically rendered fictions) who people (“the others”) are for us, not as they are supposed to be according to traditional philosophical and even everyday thinking – complicated, conscious and self-conscious, mammals by whom we are often “greatly affected” and who are nevertheless “quite separate from us” and thus “out there” beyond us – but as we respond to them from our truest and deepest selves, thus including in our account those troublesome, “merely subjective,” but fundamental feelings and concerns as well as the ontological significance suggested by their existence.

Type
Chapter
Information
The Paradoxes of Art
A Phenomenological Investigation
, pp. 123 - 157
Publisher: Cambridge University Press
Print publication year: 2004

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  • Why and How Others Matter
  • Alan Paskow, St Mary's College, Maryland
  • Book: The Paradoxes of Art
  • Online publication: 27 March 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511616280.004
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  • Why and How Others Matter
  • Alan Paskow, St Mary's College, Maryland
  • Book: The Paradoxes of Art
  • Online publication: 27 March 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511616280.004
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Why and How Others Matter
  • Alan Paskow, St Mary's College, Maryland
  • Book: The Paradoxes of Art
  • Online publication: 27 March 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511616280.004
Available formats
×