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Published online by Cambridge University Press: 27 March 2010
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- The Paradoxes of ArtA Phenomenological Investigation, pp. 251 - 256Publisher: Cambridge University PressPrint publication year: 2004
References
Aldrich, Virgil. Philosophy of Art. Englewood Cliffs, N.J.: Prentice-Hall, 1963
Alpers, Svetlana. The Art of Describing. Chicago: The University of Chicago Press, 1983
Anscombe, G. E. M. “The Intentionality of Sensation: A Grammatical Feature.” In The Collected Papers of G. E. M. Anscombe: Volume II, Metaphysics and the Philosophy of Mind. Minneapolis: University of Minnesota Press, 1981
Aquinas, Thomas. Summa Theologica. Westminster, Md.: Christian Classics, 1981
Aristotle. De Anima, Hugh Lawson-Trancred (translator). Princeton, N.J.: Princeton University Press, 1984
Aristotle Metaphysics, Hippocrates G. Apostle (translator). Princeton, N.J.: Princeton University Press, 1984
Aristotle. Poetics, Richard Janko (translator). Indianapolis, Ind., and Cambridge: Hackett Publishing, 1987
Bachelard, Gaston. The Poetics of Space, Maria Jolas (translator). Boston, Mass.: Beacon Press, 1969
Bailey, Anthony. Vermeer: A View of Delft. New York: Henry Holt, 2001
Barth, John. The Floating Opera and The End of the Road. New York: Anchor Press, 1988
Beardsley, Monroe C. Aesthetics: Problems in the Philosophy of Criticism, 2nd ed. Indianapolis, Ind.: Hackett Publishing, 1981
Berenson, Bernard. The Florentine Painters of the Renaissance. New York: G. P. Putnam's Sons, 1899
Bleich, David. Subjective Criticism. Baltimore: The Johns Hopkins University Press, 1978
Boruah, Bijoy H. Fiction and Emotion: A Study in Aesthetics and the Philosophy of Mind. Oxford: Clarendon Press, 1988
. “Cuts and Bonds: Husserl's Systematic Investigation of Representation.” Philosophy Today, Suppl. 43 (1999)CrossRefGoogle Scholar
Caputo, John. Deconstruction in a Nutshell. New York: Fordham University Press, 1997
. “On Kendall Walton's Mimesis as Make-Believe, ” Philosophy and Phenomenological Research, volume 51 (1991)CrossRefGoogle Scholar
Carroll, Noël Philosophy of Horror or Paradoxes of the Heart. London: Routledge, 1990
Chevalier, Tracy. Girl with a Pearl Earring. New York: Dutton, 1999
Coleridge, Samuel Taylor. Biographia Literaria, Chapter 14. Cambridge: Cambridge University Press, 1920
Crittenden, Charles. Unreality: The Metaphysics of Fictional Objects. Ithaca and London: Cornell University Press, 1991
Derrida, Jacques. Acts of Literature, Geoffrey Bennington and Rachel Bowlby (translators). London and New York: Routledge, 1992
Derrida, Jacques Limited Incorporated. Samuel Weber (translator). Evanston, Ill.: Northwestern University Press, 1988
Derrida, Jacques “Restitutions of the Truth in Pointing [Pointure].” In The Truth in Painting, Geoffrey Bennington and Ian McLeod (translators). Chicago and London: The University of Chicago Press, 1987
Derrida, Jacques Margins of Philosophy, Alan Bass (translator). Brighton, England: Harvester Press, 1982
Derrida, Jacques “Signature, Event, Context,” Samuel Weber and Jeffrey Mehlman (translators). Glyph 1 (1977)
Descartes, René. Discourse on Method, Donald Cress (translator). Indianapolis, Ind.: Bobbs-Merrill, 1960
Descartes, René Meditations on First Philosophy, Donald Cress (translator). Indianapolis, Ind.: Bobbs-Merrill, 1951
Deutsch, Eliot, and Ron Bontekoe (editors). A Companion to World Philosophies. Oxford: Blackwell Publishers, 1997. (Goldberg, Stephen J., “Chinese Aesthetics,” chapter 15; Gerow, Edwin, “Indian Aesthetics,” chapter 21; Nasr, Seyyed Hossein, “Islamic Aesthetics,” Chapter 33.)
Dewey, John. Art as Experience. In Volume 10 of the Late Works of John Dewey. Carbondale: Southern Illinois University Press, 1987
Dickie, George. Art and the Aesthetic: An Institutional Analysis. Ithaca, N.Y.: Cornell University Press, 1974
Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences (translator not cited; in French: Les Mots et les choses). New York: Vintage Books, 1973
Freedberg, David. The Power of Images: Studies in the History and Theory of Response. Chicago and London: The University of Chicago Press, 1989
Freud, Sigmund. The Ego and the Id, James Strachey (translator). New York: Norton, 1962 (originally published in 1923)
Freud, Sigmund On Metapsychology, James Strachey (translator). Harmondsworth: Penguin, 1984
Gadamer, Hans-Georg. Truth and Method, 2nd ed., rev., William Glen-Doepel (original translation revised by Joel Weinsheimer and Donald G. Marshall). New York: Continuum Publishing, 1994
Geertz, Clifford. Local Knowledge. Boston: Basic Books, 1983
. “Serenity and Ritual: [Giorgio] Morandi's Moral World.” International Herald Tribune, 3–4 November 2001Google Scholar
Glendinning, Simon. On Being with Others: Heidegger, Derrida, Wittgenstein. London and New York: Routledge, 1998
Gombrich, Ernst. Art and Illusion: A Study in the Psychology of Pictorial Representation. Bollinger series 35, volume 5. Princeton, N.J.: Princeton University Press, 1960
Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols, 2nd ed. Indianapolis, Ind.: Hackett Publishing, 1976
Hacking, Ian. The Social Construction of What? Cambridge, Mass.: Harvard University Press, 1999
Hegel, G. W. F. The Phenomenology of Spirit. A. V. Miller (translator). Oxford and New York: Oxford University Press, 1977
Heidegger, Martin. “The Origin of the Work of Art.” In Poetry, Language, Thought, Albert Hofstadter (translator). New York: Harper and Row, 1971
Heidegger, Martin Being and Time. John Macquarrie and Edward Robinson (translators). London and Southhampton: SMC Press, 1962
Hjort, Mette, and Sue Laver (editors). Emotion and the Arts. Oxford and New York: Oxford University Press, 1997
Holland, Norman. Readings and Feelings: An Introduction to Subjective Criticism. Urbana, Ill.: National Council of Teachers of English, 1975
Hopkins, Rob. Review of Mimesis as Make-Believe: On the Foundations of the Representational Arts by Kendall Walton, Philosophical Books, volume XXIII (April, 1992)
Hume, David. “Of the Standard of Taste,” Essays, Moral, Political, and Literary, Part I. Indianapolis, Ind.: Liberty Classics, 1987 (originally published in 1742)
Husserl, Edmund, Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy. Revised edition in two parts: Part 1 translated by F. Kersten, The Hague: M. Nijhoff, 1980; Part 2 translated by Richard Rojcewicz and Andre Schuwer, Dordrecht, the Netherlands: Kluwer, 1989
Husserl, Edmund Phantasie, Bildbewusstsein, Errinerung [Fantasy, Depictive Consciousness, Memory] (1885–1925), Husserliana XXIII, Edward Marbach (editor). The Hague: Martinus Nijhoff, 1980
Husserl, Edmund On the Phenomenology of the Consciousness of Internal Time, John Brough (translator). Dordrecht, The Netherlands: Kluwer, 1991
James, William. The Principles of Psychology. Cambridge, Mass.: Harvard University Press, 1981
Kant, Immanuel. Critique of Judgment, Werner S. Pluhar (translator). Indianapolis, Ind.: Hackett Publishing, 1987
. “Art Among the Ruins,” The New York Review of Books, volume XⅬVIII, no. 11
Lamarque, Peter. “Fiction and Reality.” In Philosophy and Fiction: Essays in Literary Aesthetics. Aberdeen: Aberdeen University Press, 1983
“How Can We Fear and Pity Fictions?” British Journal of Aesthetics, volume 21 (1981)CrossRefGoogle Scholar
Lamarque, Peter Fictional Points of View. Ithaca, N.Y.: Cornell University Press, 1996
Levinson, Jerrold. “Emotion in Response to Art: A Survey of the Terrain.” In Emotion and the Arts, Mette Hjort and Sue Laver (editors). Oxford and New York: Oxford University Press, 1997
Levinson, Jerrold “Making Believe.” In The Pleasures of Aesthetics: Philosophical Essays. Ithaca, N.Y.: Cornell University Press, 1996
Lewis, C. S. The Abolition of Man. New York: Macmillan, 1965
Lewis, David. “Truth in Fiction.” Reprinted in Philosophical Papers, volume I. New York: Oxford University Press, 1983
Man, Paul de. Blindness and Insight. Minneapolis: University of Minnesota Press, 1983
Mann, Thomas. The Magic Mountain, John E. Woods (translator). New York: Knopf, 1995
Margolis, Joseph. Art and Philosophy. Brighton, England: Harvester Press, 1980
. “Feelings and Fictions.” Journal of Aesthetics and Art Criticism, volume 43 (1985)CrossRefGoogle Scholar
Melville, Herman. Moby-Dick. Chicago: Northwestern University Press, 1988
Montias, John Michael. Vermeer and His Milieu. Princeton, N.J.: Princeton University Press, 1989
Oatley, Keith, and Mitra Gholamain. “Emotions and Identifications: Connections between Readers and Fiction.” In Emotion and the Arts, Mette Hjort and Sue Laver (editors). Oxford and New York: Oxford University Press, 1997
Panofsky, Erwin. Meaning in the Visual Arts. Garden City, N.Y.: Doubleday Anchor Books, 1955
Parsons, Terence. Nonexistent Objects. New Haven, Conn.: Yale University Press, 1980
. “Phenomenological Reflections on the Self and the Other–as Real, as Fictional.” Man and World, volume 27 (1994)CrossRefGoogle Scholar
“What is Aesthetic Catharsis?” The Journal of Aesthetics and Art Criticism, volume 42 (1983)CrossRefGoogle Scholar
. “Therapeutic Interpretations: Rorty's Pragmatic Hopes and Fears.” Annual Catholic Philosophical Association Proceedings, volume ⅬXII (1999)Google Scholar
Plato. Phaedrus. Alexander Nehemas and Paul Woodruff (translators). Indianapolis, Ind., and Cambridge: Hackett Publishing, 1995
Plato The Republic of Plato. F. M. Cornford (translator). London and New York: Oxford University Press, 1945
Plato Symposium. Alexander Nehamas and Paul Woodruff (translators). Indianapolis, Ind., and Cambridge: Hackett Publishing, 1989
, and . “How Can We Be Moved by the Fate of Anna Karenina?” Proceedings of the Aristotelian Society, suppl. volume 49 (1975)Google Scholar
Rauch, Leo, and David Sherman. Hegel's Phenomenology of Self-Consciousness: Text and Commentary. Albany: State University of New York Press, 1999
Riegl, Aloïs. Das holländische Gruppenporträt. Wien WUV-Verlag, 1997 (originally published in 1902)
Rorty, Richard. “The Pragmatist's Progress.” In Interpretation and Overinterpretation. Cambridge: Cambridge University Press, 1992
“Fiction, Emotion, and ‘Belief,’ a Reply to Eva Schaper.” British Journal of Aesthetics, volume 19 (1979)CrossRefGoogle Scholar
Russell, Bertrand. “On Scientific Methods in Philosophy.” In Mysticism and Logic and Other Essays, 2nd ed. New York: Barnes and Noble, 1971
Sacks, Oliver. The Man Who Mistook His Wife for a Hat and Other Clinical Tales. New York: Summit Books, 1985
Salomon, Nanette. “Vermeer and the Balance of Destiny.” In Essays in Northern European Art Presented to Egbert Haverkamp Begemann. Doornspijk: Davaco Press, 1983
Schama, Simon. The Embarrassment of Riches. New York: Alfred A. Knopf, 1987
Schiller, Friedrich. On the Aesthetic Education of Man. Oxford: Charendon Press, 1982
Shakespeare, William. Hamlet. New York: W. W. Norton and Company, 1996
Shakespeare, William Macbeth. New York: Cambridge University Press, 1997
Shustermann, Richard. Pragmatist Aesthetics: Living Beauty, Rethinking Art. Oxford, England, and Cambridge, Mass.: Blackwell Publishers, 1992
Stolnitz, Jerome. Aesthetics and the Philosophy of Art Criticism. Boston: Houghton Mifflin Company, 1960
. “Depiction, Perception, and Imagination: Responses to Richard Wollheim.” The Journal of Aesethics and Art Criticisms, volume 60 (2002)Google Scholar
Walton, Kendall “Spelunking, Simulation, and Slime: On Being Moved by Fiction.” In Emotion and the Arts, Mette Hjort and Sue Laver (editors). Oxford and New York: Oxford University Press, 1997
Walton, Kendall Mimesis as Make-Believe: On the Foundations of the Representational Arts. Cambridge, Mass., and London: Harvard University Press, 1990
Weber, J. M. Gregor. “Vermeer's Use of the Picture within a Picture: A New Approach.” Vermeer Studies, Ivan Gaskell and Michiel Jonker (editors). Washington, D.C.: The National Gallery of Art; distributed by Yale University Press, New Haven and London, 1998
. “How Can We Be Moved by the Fate of Anna Karenina?” Proceedings of the Aristotelian Society, suppl. volume 49 (1975)Google Scholar
White, Hayden. “Literary Theory and Historical Writing.” In Figural Realism: Studies in the Mimesis Effect. Baltimore and London: The Johns Hopkins University Press, 1999
Wittgenstein, Ludwig. Lectures and Conversations on Aesthetics, Psychology and Religious Belief, Cyril Barrett (editor). Berkeley and Los Angeles: University of California Press, n.d
Wittgenstein, Ludwig Philosophical Investigations, G. E. M Anscombe (translator). Oxford: Blackwell Publishers, 1958
Wollheim, Richard. Painting as an Art. Princeton, N.J.: Princeton University Press, 1987
Wolterstorff, Nicholas. Works and Worlds of Art. New York: Oxford University Press, 1980
Woolf, Virginia. Mrs. Dalloway. San Diego, Calif.: Jovanovich, 1985
Yanal, Robert J. Paradoxes of Emotion and Fiction. University Park: The Pennsylvania State University Press, 1999
Young, Julian. Heidegger's Philosophy of Art. Cambridge: Cambridge University Press, 2001
“Emotion and Fictional Beings.” The Journal of Aesthetics and Art Criticism, volume 54 (1996)CrossRefGoogle Scholar
Aldrich, Virgil. Philosophy of Art. Englewood Cliffs, N.J.: Prentice-Hall, 1963
Alpers, Svetlana. The Art of Describing. Chicago: The University of Chicago Press, 1983
Anscombe, G. E. M. “The Intentionality of Sensation: A Grammatical Feature.” In The Collected Papers of G. E. M. Anscombe: Volume II, Metaphysics and the Philosophy of Mind. Minneapolis: University of Minnesota Press, 1981
Aquinas, Thomas. Summa Theologica. Westminster, Md.: Christian Classics, 1981
Aristotle. De Anima, Hugh Lawson-Trancred (translator). Princeton, N.J.: Princeton University Press, 1984
Aristotle Metaphysics, Hippocrates G. Apostle (translator). Princeton, N.J.: Princeton University Press, 1984
Aristotle. Poetics, Richard Janko (translator). Indianapolis, Ind., and Cambridge: Hackett Publishing, 1987
Bachelard, Gaston. The Poetics of Space, Maria Jolas (translator). Boston, Mass.: Beacon Press, 1969
Bailey, Anthony. Vermeer: A View of Delft. New York: Henry Holt, 2001
Barth, John. The Floating Opera and The End of the Road. New York: Anchor Press, 1988
Beardsley, Monroe C. Aesthetics: Problems in the Philosophy of Criticism, 2nd ed. Indianapolis, Ind.: Hackett Publishing, 1981
Berenson, Bernard. The Florentine Painters of the Renaissance. New York: G. P. Putnam's Sons, 1899
Bleich, David. Subjective Criticism. Baltimore: The Johns Hopkins University Press, 1978
Boruah, Bijoy H. Fiction and Emotion: A Study in Aesthetics and the Philosophy of Mind. Oxford: Clarendon Press, 1988
. “Cuts and Bonds: Husserl's Systematic Investigation of Representation.” Philosophy Today, Suppl. 43 (1999)CrossRefGoogle Scholar
Caputo, John. Deconstruction in a Nutshell. New York: Fordham University Press, 1997
. “On Kendall Walton's Mimesis as Make-Believe, ” Philosophy and Phenomenological Research, volume 51 (1991)CrossRefGoogle Scholar
Carroll, Noël Philosophy of Horror or Paradoxes of the Heart. London: Routledge, 1990
Chevalier, Tracy. Girl with a Pearl Earring. New York: Dutton, 1999
Coleridge, Samuel Taylor. Biographia Literaria, Chapter 14. Cambridge: Cambridge University Press, 1920
Crittenden, Charles. Unreality: The Metaphysics of Fictional Objects. Ithaca and London: Cornell University Press, 1991
Derrida, Jacques. Acts of Literature, Geoffrey Bennington and Rachel Bowlby (translators). London and New York: Routledge, 1992
Derrida, Jacques Limited Incorporated. Samuel Weber (translator). Evanston, Ill.: Northwestern University Press, 1988
Derrida, Jacques “Restitutions of the Truth in Pointing [Pointure].” In The Truth in Painting, Geoffrey Bennington and Ian McLeod (translators). Chicago and London: The University of Chicago Press, 1987
Derrida, Jacques Margins of Philosophy, Alan Bass (translator). Brighton, England: Harvester Press, 1982
Derrida, Jacques “Signature, Event, Context,” Samuel Weber and Jeffrey Mehlman (translators). Glyph 1 (1977)
Descartes, René. Discourse on Method, Donald Cress (translator). Indianapolis, Ind.: Bobbs-Merrill, 1960
Descartes, René Meditations on First Philosophy, Donald Cress (translator). Indianapolis, Ind.: Bobbs-Merrill, 1951
Deutsch, Eliot, and Ron Bontekoe (editors). A Companion to World Philosophies. Oxford: Blackwell Publishers, 1997. (Goldberg, Stephen J., “Chinese Aesthetics,” chapter 15; Gerow, Edwin, “Indian Aesthetics,” chapter 21; Nasr, Seyyed Hossein, “Islamic Aesthetics,” Chapter 33.)
Dewey, John. Art as Experience. In Volume 10 of the Late Works of John Dewey. Carbondale: Southern Illinois University Press, 1987
Dickie, George. Art and the Aesthetic: An Institutional Analysis. Ithaca, N.Y.: Cornell University Press, 1974
Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences (translator not cited; in French: Les Mots et les choses). New York: Vintage Books, 1973
Freedberg, David. The Power of Images: Studies in the History and Theory of Response. Chicago and London: The University of Chicago Press, 1989
Freud, Sigmund. The Ego and the Id, James Strachey (translator). New York: Norton, 1962 (originally published in 1923)
Freud, Sigmund On Metapsychology, James Strachey (translator). Harmondsworth: Penguin, 1984
Gadamer, Hans-Georg. Truth and Method, 2nd ed., rev., William Glen-Doepel (original translation revised by Joel Weinsheimer and Donald G. Marshall). New York: Continuum Publishing, 1994
Geertz, Clifford. Local Knowledge. Boston: Basic Books, 1983
. “Serenity and Ritual: [Giorgio] Morandi's Moral World.” International Herald Tribune, 3–4 November 2001Google Scholar
Glendinning, Simon. On Being with Others: Heidegger, Derrida, Wittgenstein. London and New York: Routledge, 1998
Gombrich, Ernst. Art and Illusion: A Study in the Psychology of Pictorial Representation. Bollinger series 35, volume 5. Princeton, N.J.: Princeton University Press, 1960
Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols, 2nd ed. Indianapolis, Ind.: Hackett Publishing, 1976
Hacking, Ian. The Social Construction of What? Cambridge, Mass.: Harvard University Press, 1999
Hegel, G. W. F. The Phenomenology of Spirit. A. V. Miller (translator). Oxford and New York: Oxford University Press, 1977
Heidegger, Martin. “The Origin of the Work of Art.” In Poetry, Language, Thought, Albert Hofstadter (translator). New York: Harper and Row, 1971
Heidegger, Martin Being and Time. John Macquarrie and Edward Robinson (translators). London and Southhampton: SMC Press, 1962
Hjort, Mette, and Sue Laver (editors). Emotion and the Arts. Oxford and New York: Oxford University Press, 1997
Holland, Norman. Readings and Feelings: An Introduction to Subjective Criticism. Urbana, Ill.: National Council of Teachers of English, 1975
Hopkins, Rob. Review of Mimesis as Make-Believe: On the Foundations of the Representational Arts by Kendall Walton, Philosophical Books, volume XXIII (April, 1992)
Hume, David. “Of the Standard of Taste,” Essays, Moral, Political, and Literary, Part I. Indianapolis, Ind.: Liberty Classics, 1987 (originally published in 1742)
Husserl, Edmund, Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy. Revised edition in two parts: Part 1 translated by F. Kersten, The Hague: M. Nijhoff, 1980; Part 2 translated by Richard Rojcewicz and Andre Schuwer, Dordrecht, the Netherlands: Kluwer, 1989
Husserl, Edmund Phantasie, Bildbewusstsein, Errinerung [Fantasy, Depictive Consciousness, Memory] (1885–1925), Husserliana XXIII, Edward Marbach (editor). The Hague: Martinus Nijhoff, 1980
Husserl, Edmund On the Phenomenology of the Consciousness of Internal Time, John Brough (translator). Dordrecht, The Netherlands: Kluwer, 1991
James, William. The Principles of Psychology. Cambridge, Mass.: Harvard University Press, 1981
Kant, Immanuel. Critique of Judgment, Werner S. Pluhar (translator). Indianapolis, Ind.: Hackett Publishing, 1987
. “Art Among the Ruins,” The New York Review of Books, volume XⅬVIII, no. 11
Lamarque, Peter. “Fiction and Reality.” In Philosophy and Fiction: Essays in Literary Aesthetics. Aberdeen: Aberdeen University Press, 1983
“How Can We Fear and Pity Fictions?” British Journal of Aesthetics, volume 21 (1981)CrossRefGoogle Scholar
Lamarque, Peter Fictional Points of View. Ithaca, N.Y.: Cornell University Press, 1996
Levinson, Jerrold. “Emotion in Response to Art: A Survey of the Terrain.” In Emotion and the Arts, Mette Hjort and Sue Laver (editors). Oxford and New York: Oxford University Press, 1997
Levinson, Jerrold “Making Believe.” In The Pleasures of Aesthetics: Philosophical Essays. Ithaca, N.Y.: Cornell University Press, 1996
Lewis, C. S. The Abolition of Man. New York: Macmillan, 1965
Lewis, David. “Truth in Fiction.” Reprinted in Philosophical Papers, volume I. New York: Oxford University Press, 1983
Man, Paul de. Blindness and Insight. Minneapolis: University of Minnesota Press, 1983
Mann, Thomas. The Magic Mountain, John E. Woods (translator). New York: Knopf, 1995
Margolis, Joseph. Art and Philosophy. Brighton, England: Harvester Press, 1980
. “Feelings and Fictions.” Journal of Aesthetics and Art Criticism, volume 43 (1985)CrossRefGoogle Scholar
Melville, Herman. Moby-Dick. Chicago: Northwestern University Press, 1988
Montias, John Michael. Vermeer and His Milieu. Princeton, N.J.: Princeton University Press, 1989
Oatley, Keith, and Mitra Gholamain. “Emotions and Identifications: Connections between Readers and Fiction.” In Emotion and the Arts, Mette Hjort and Sue Laver (editors). Oxford and New York: Oxford University Press, 1997
Panofsky, Erwin. Meaning in the Visual Arts. Garden City, N.Y.: Doubleday Anchor Books, 1955
Parsons, Terence. Nonexistent Objects. New Haven, Conn.: Yale University Press, 1980
. “Phenomenological Reflections on the Self and the Other–as Real, as Fictional.” Man and World, volume 27 (1994)CrossRefGoogle Scholar
“What is Aesthetic Catharsis?” The Journal of Aesthetics and Art Criticism, volume 42 (1983)CrossRefGoogle Scholar
. “Therapeutic Interpretations: Rorty's Pragmatic Hopes and Fears.” Annual Catholic Philosophical Association Proceedings, volume ⅬXII (1999)Google Scholar
Plato. Phaedrus. Alexander Nehemas and Paul Woodruff (translators). Indianapolis, Ind., and Cambridge: Hackett Publishing, 1995
Plato The Republic of Plato. F. M. Cornford (translator). London and New York: Oxford University Press, 1945
Plato Symposium. Alexander Nehamas and Paul Woodruff (translators). Indianapolis, Ind., and Cambridge: Hackett Publishing, 1989
, and . “How Can We Be Moved by the Fate of Anna Karenina?” Proceedings of the Aristotelian Society, suppl. volume 49 (1975)Google Scholar
Rauch, Leo, and David Sherman. Hegel's Phenomenology of Self-Consciousness: Text and Commentary. Albany: State University of New York Press, 1999
Riegl, Aloïs. Das holländische Gruppenporträt. Wien WUV-Verlag, 1997 (originally published in 1902)
Rorty, Richard. “The Pragmatist's Progress.” In Interpretation and Overinterpretation. Cambridge: Cambridge University Press, 1992
“Fiction, Emotion, and ‘Belief,’ a Reply to Eva Schaper.” British Journal of Aesthetics, volume 19 (1979)CrossRefGoogle Scholar
Russell, Bertrand. “On Scientific Methods in Philosophy.” In Mysticism and Logic and Other Essays, 2nd ed. New York: Barnes and Noble, 1971
Sacks, Oliver. The Man Who Mistook His Wife for a Hat and Other Clinical Tales. New York: Summit Books, 1985
Salomon, Nanette. “Vermeer and the Balance of Destiny.” In Essays in Northern European Art Presented to Egbert Haverkamp Begemann. Doornspijk: Davaco Press, 1983
Schama, Simon. The Embarrassment of Riches. New York: Alfred A. Knopf, 1987
Schiller, Friedrich. On the Aesthetic Education of Man. Oxford: Charendon Press, 1982
Shakespeare, William. Hamlet. New York: W. W. Norton and Company, 1996
Shakespeare, William Macbeth. New York: Cambridge University Press, 1997
Shustermann, Richard. Pragmatist Aesthetics: Living Beauty, Rethinking Art. Oxford, England, and Cambridge, Mass.: Blackwell Publishers, 1992
Stolnitz, Jerome. Aesthetics and the Philosophy of Art Criticism. Boston: Houghton Mifflin Company, 1960
. “Depiction, Perception, and Imagination: Responses to Richard Wollheim.” The Journal of Aesethics and Art Criticisms, volume 60 (2002)Google Scholar
Walton, Kendall “Spelunking, Simulation, and Slime: On Being Moved by Fiction.” In Emotion and the Arts, Mette Hjort and Sue Laver (editors). Oxford and New York: Oxford University Press, 1997
Walton, Kendall Mimesis as Make-Believe: On the Foundations of the Representational Arts. Cambridge, Mass., and London: Harvard University Press, 1990
Weber, J. M. Gregor. “Vermeer's Use of the Picture within a Picture: A New Approach.” Vermeer Studies, Ivan Gaskell and Michiel Jonker (editors). Washington, D.C.: The National Gallery of Art; distributed by Yale University Press, New Haven and London, 1998
. “How Can We Be Moved by the Fate of Anna Karenina?” Proceedings of the Aristotelian Society, suppl. volume 49 (1975)Google Scholar
White, Hayden. “Literary Theory and Historical Writing.” In Figural Realism: Studies in the Mimesis Effect. Baltimore and London: The Johns Hopkins University Press, 1999
Wittgenstein, Ludwig. Lectures and Conversations on Aesthetics, Psychology and Religious Belief, Cyril Barrett (editor). Berkeley and Los Angeles: University of California Press, n.d
Wittgenstein, Ludwig Philosophical Investigations, G. E. M Anscombe (translator). Oxford: Blackwell Publishers, 1958
Wollheim, Richard. Painting as an Art. Princeton, N.J.: Princeton University Press, 1987
Wolterstorff, Nicholas. Works and Worlds of Art. New York: Oxford University Press, 1980
Woolf, Virginia. Mrs. Dalloway. San Diego, Calif.: Jovanovich, 1985
Yanal, Robert J. Paradoxes of Emotion and Fiction. University Park: The Pennsylvania State University Press, 1999
Young, Julian. Heidegger's Philosophy of Art. Cambridge: Cambridge University Press, 2001
“Emotion and Fictional Beings.” The Journal of Aesthetics and Art Criticism, volume 54 (1996)CrossRefGoogle Scholar