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Conclusion

Published online by Cambridge University Press:  12 August 2009

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Summary

Like many recent readings of Wordsworth, my reading has attempted to render him a more interactive and less imposing poetic presence. Practitioners of high literary history, like the early Geoffrey Hartman, and even deeply formal critics of the Demanian school, seem now to need correction; we feel that Wordsworth's poetry should somehow be described as (in my broad terms) poetry that a person might write. A person, that is, instead of a personification of either language or literary history itself. I have used Walter Scott's eminently worldly figure to help me pivot into an ambitious history of Wordsworth's accomplishment.

Pairing Wordsworth with Scott (pairing any writer with Scott) has the beneficial effect of insisting on an at least partly practical vocabulary. There are two important differences, though, between my discussions of these two writers, and I want to use these differences as a way of generating a concluding perspective. First: in discussing Wordsworth's writing I have talked much less about the worldly calculation and strategy that formed a major focus in all four of the other chapters. Secondly, I have implicitly described Scott's accomplishment as of a different order than that of Wordsworth. Exploration of these two subjects – making them explicit instead of implicit – turns out to be the same task, formulated by the second; it is the recovery of the distinction between Scott and Wordsworth.

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Publisher: Cambridge University Press
Print publication year: 1993

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  • Conclusion
  • Peter T. Murphy
  • Book: Poetry as an Occupation and an Art in Britain, 1760–1830
  • Online publication: 12 August 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511519062.007
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  • Conclusion
  • Peter T. Murphy
  • Book: Poetry as an Occupation and an Art in Britain, 1760–1830
  • Online publication: 12 August 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511519062.007
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Conclusion
  • Peter T. Murphy
  • Book: Poetry as an Occupation and an Art in Britain, 1760–1830
  • Online publication: 12 August 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511519062.007
Available formats
×