Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Permissions
- Introduction: ‘Slow Tide on Tide of History’: Poetry by Women in Ireland, 1870–1970
- A Note on the Texts
- Elizabeth Varian (1821–1851–1896)
- Emily Hickey (1845–1881–1924)
- A Rose
- Restitution
- A Gift
- To a Master in Paradise
- Why, If All Poets Crown Their Loves With Verse
- In a Swiss Wood
- To the Czar Nicholas II
- A Choice
- Ox-Eyed Daisies
- Aftermath
- Katharine Tynan (1858–1885–1931)
- Dora Sigerson Shorter (1866–1893–1918)
- Eva Gore-Booth (1870–1898–1926)
- Emily Lawless (1845–1902–1913)
- Susan L. Mitchell (1866–1906–1926)
- Alice Milligan (1866–1908–1953)
- Winifred M. Letts (1881–1913–1972)
- Eileen Shanahan (1901–[1921]–1979)
- Mary Devenport O'Neill (1879–1929–1967)
- Blanaid Salkeld (1880–1933–1959)
- Sheila Wingfield (1906–1938–1992)
- Freda Laughton (1907–1945–?)
- Rhoda Coghill 1903–1948–2000
- Appendix 1: Irish Women Poets 1870–1970
- Appendix 2: Chronology
- Select Bibliography
- Index of Titles and First Lines
In a Swiss Wood
from Emily Hickey (1845–1881–1924)
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Permissions
- Introduction: ‘Slow Tide on Tide of History’: Poetry by Women in Ireland, 1870–1970
- A Note on the Texts
- Elizabeth Varian (1821–1851–1896)
- Emily Hickey (1845–1881–1924)
- A Rose
- Restitution
- A Gift
- To a Master in Paradise
- Why, If All Poets Crown Their Loves With Verse
- In a Swiss Wood
- To the Czar Nicholas II
- A Choice
- Ox-Eyed Daisies
- Aftermath
- Katharine Tynan (1858–1885–1931)
- Dora Sigerson Shorter (1866–1893–1918)
- Eva Gore-Booth (1870–1898–1926)
- Emily Lawless (1845–1902–1913)
- Susan L. Mitchell (1866–1906–1926)
- Alice Milligan (1866–1908–1953)
- Winifred M. Letts (1881–1913–1972)
- Eileen Shanahan (1901–[1921]–1979)
- Mary Devenport O'Neill (1879–1929–1967)
- Blanaid Salkeld (1880–1933–1959)
- Sheila Wingfield (1906–1938–1992)
- Freda Laughton (1907–1945–?)
- Rhoda Coghill 1903–1948–2000
- Appendix 1: Irish Women Poets 1870–1970
- Appendix 2: Chronology
- Select Bibliography
- Index of Titles and First Lines
Summary
I sat and watched the water fall
Adown the gray rocks rough and tall,
Which Nature there did robe and crown
With marvellous wealth of green and brown.
A small white butterfly did flit
Across the rainbowed breast of it.
One up on high, one down below,
I saw two monkshood clusters grow.
The long fair grasstufts which the sun
In southering glory looked upon
Lay soft and delicate, like the hair
Of little maidens kneeling there;
And the high mountains caught the glow
On crests of everlasting snow.
The whortleberries on the bank
Beside me of the sunshine drank,
That flushed their green to living red;
And on the happy air was shed
The sunkissed pinetrees’ quickening scent;
Its fragrance through and through me went.
The little ants moved busily
O'er shed pine–needles close to me;
And now and then the human folk
Passed by; I knew not if they spoke
Or no, because the water sang
So loud, and bonny bell–flowers rang;
And budding grasses at my feet
Thrilled as they felt the live air beat
In rhythmic rapture all around,
A glory of sense and light and sound.
Through voiceful peace and restful stir
There Nature drew me so to her,
That, were it but for once, I vaunt
I knew not either wish or want.
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- Information
- Poetry by Women in IrelandA Critical Anthology 1870–1970, pp. 76 - 77Publisher: Liverpool University PressPrint publication year: 2012