Producing Women's Poetry, 1600–1730: Text and Paratext, Manuscript and Print

Gillian Wright

doi:10.1017/CBO9781139795463

References

Select bibliography

Manuscripts

British and Irish repositories

Bodleian Library, Oxford. MSS Eng. poet. e. 31 (Octavia Walsh), Eng. th. c. 25 (Heneage Finch)

British Library, London. Additional MSS 10037 (Jane Seager), 21621 (Jane Barker), 41161 (Ann Fanshawe), 78440 and 78441 (Mary Evelyn), Lansdowne MS 740 (Anne Southwell), RP 343 (Octavia Walsh)

Cardiff Central Library. MS 2.1073 (Katherine Philips)

Lichfield Cathedral Library. MS 2 (William Kingsmill)

Magdalen College, Oxford. MS 343 (Jane Barker)

National Archives, London. PRO SP/98/23 (John Molesworth)

National Library of Wales. MSS 775B, 776B (Katherine Philips, ‘Tutin MS’, ‘Rosania MS’)

Northamptonshire Record Office. MS Finch Hatton 283 (Anne Finch)

Worcester College, Oxford. MSS 6.13 (Katherine Philips, ‘Clarke MS’)

North American repositories

Folger Shakespeare Library, Washington. MSS N.b.3 (Anne Finch), V.a.104 (Mary Wroth), V.a.166 (Elizabeth Lucy/Martha Eyre), V.b.198 (Anne Southwell), V.b.231 (Katherine Philips)

Harvard College Library. Houghton MS Am 1007.1 (Anne Bradstreet)

Huntington Library, San Marino. MS HM 600 (Mary Wroth)

Newberry Library, Chicago. Case MS fY 1565.W 95 (Mary Wroth)

University of Texas at Austin. Pre-1700 MS 151 (Katherine Philips, ‘Dering MS’)

Wellesley College, Massachusetts. Wellesley College MS (Anne Finch)

Yale University Library. Osborn MS b.408 (Anne Wharton)

Early printed texts

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Producing Women's Poetry, 1600–1730

Text and Paratext, Manuscript and Print

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Contents

Producing Women’s Poetry, 1600–1730 - Half title page
pp i-i

Frontispiece
pp ii-ii

Producing Women’s Poetry, 1600–1730 - Title page
pp iii-iii

Copyright page
pp iv-iv

Table of contents
pp v-v

Illustrations
pp vi-vi

Acknowledgements
pp vii-viii

Textual conventions
pp ix-ix

Abbreviations
pp x-x

Introduction
pp 1-26

Chapter 1 - The resources of manuscript: Anne Southwell, readership and literary property
pp 27-56

Chapter 2 - The material muse: Anne Bradstreet in manuscript and print
pp 57-96

Chapter 3 - The extraordinary Katherine Philips
pp 97-145

Chapter 4 - The anxieties of agency: compilation, publicity and judgement in Anne Finch’s poetry
pp 146-191

Chapter 5 - Publishing Marinda: Robert Molesworth, Mary Monck and Caroline of Ansbach
pp 192-238

Conclusion: producing women’s poetry
pp 239-253

Select bibliography
pp 254-268

Index
pp 269-274