Chapter One argues that Vyvyan Holland forged a textual relationship with his father Oscar Wilde while collaborating with early Wilde scholars in the editing of Wilde’s letters and extended his father’s practice of importing sexually dissident content from abroad while translating works by the French modernist Julien (or Julian) Green. Following Wilde’s trials, his sons were separated from their mother and from one another and shuttled between various boarding schools abroad, an experience Holland described as deeply traumatic and lonely. His existence was devastated by the effects of late-Victorian sexual legislation, which divided him from his family. But, when he came of age, he found community with a network of men who loved Wilde and loved books, locating himself amidst other forms of relationality and affection. This chapter asserts that Holland modeled his own cosmopolitan aesthetic on his father’s, remaining similarly detached from and skeptical of English moral sensibilities, and focuses on how the translation of queer modernist texts allowed him to obliquely continue his father’s queer cosmopolitan project. Holland was able to find his way back to his father through textual acts, acts of cosmopolitan collaboration and translation, and by generating an alternative familial bond with early Wilde scholars.