Book contents
- Rhetoric and Innovation in Hellenistic Art
- Rhetoric and Innovation in Hellenistic Art
- Copyright page
- Dedication
- Contents
- Illustrations
- Preface
- Abbreviations and Translations
- Chapter One Rhetoric, Innovation, and the Courts
- Chapter Two Narrative in the Telephos Frieze
- Chapter Three Personification in the Archelaos Relief
- Chapter Four Ekphrasis in Sosos’s Unswept Room Mosaic
- Chapter Five Conclusion
- Notes
- Bibliography
- Index
- Plate Section (PDF Only)
Chapter One - Rhetoric, Innovation, and the Courts
Published online by Cambridge University Press: 16 May 2020
- Rhetoric and Innovation in Hellenistic Art
- Rhetoric and Innovation in Hellenistic Art
- Copyright page
- Dedication
- Contents
- Illustrations
- Preface
- Abbreviations and Translations
- Chapter One Rhetoric, Innovation, and the Courts
- Chapter Two Narrative in the Telephos Frieze
- Chapter Three Personification in the Archelaos Relief
- Chapter Four Ekphrasis in Sosos’s Unswept Room Mosaic
- Chapter Five Conclusion
- Notes
- Bibliography
- Index
- Plate Section (PDF Only)
Summary
Today Hellenistic art is celebrated for its innovation. To get a sense of how it differs from the Greek art of previous eras, we only need to compare two well-known artworks that are separated by centuries but united in medium: the Classical frieze from the Parthenon in Athens (Fig. 1.1) and the Hellenistic Telephos Frieze from the Great Altar at Pergamon (Fig. 1.2).
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- Rhetoric and Innovation in Hellenistic Art , pp. 1 - 30Publisher: Cambridge University PressPrint publication year: 2020