This chapter examines some of the ways in which Lowell’s poetry engages with the US presidency and with the legacies of individual presidents. With the exception of John F. Kennedy, Lowell was critical of those who held office during his lifetime – and even his feelings about Kennedy were ambivalent. However, Lowell – himself from political stock – also felt an affinity with those in power. His poetry, especially in History, documents his own forays into the public world of campaigning and specifically his relationships with Eugene McCarthy and Robert Kennedy. Through its simultaneous expressions of fascination and revulsion when it comes to the exercise of power, Lowell’s poetry also confronts some of the moral conundrums of American history. The essay concludes with a brief discussion of presidential speech-making and what this might have to do with lyric poetry.