This chapter explores Blake’s vocation to a public role and his exploration of creativity and conformity in his engagement with the Bible, literature and art. In his engagement with Milton and the Bible, Blake carved out for himself a creative space in his use of both, and criticised their shortcomings, while recognising the significance of what he had taken from them.In wrestling with Milton’s texts, Blake pioneered an interpretative method for any who sought a more creative and contemporary relationship with the tradition they received. Similarly, engaging with the Bible’s major themes informed his critique of the contemporary church and politics and enabled him to criticise other, to him, less palatable biblical themes, as well as pointing to a different kind of society. In so doing, Blake brought out the latent meaning of the words of the Bible, exposing the shortcomings of the biblical texts while preserving their truths. A crucial part of this hermeneutical process is the way in which Blake regarded boundaries and constraints as the necessary complement to inspiration and imagination, both crucial components of Blake’s art and his understanding of human life.