Book contents
- Schubert's Late Music
- Schubert's Late Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Tables
- Contributors
- Book part
- Introduction: Schubert's late style and current musical scholarship
- Part I Reception histories
- Part II The late instrumental music (1): hermeneutics and performance
- Part III The late instrumental music (2): meaning and genre
- Part IV Defining late style
- 15 The ‘problem of solitude’ and critique in song: Schubert's loneliness
- 16 Music of the orphaned self? Schubert and concepts of late style
- 17 Bounded finitude and boundless infinitude: Schubert's contradictions at the ‘final barrier’
- 18 Invocations of memory in Schubert's last songs
- 19 ‘The prerogative of late style’: thoughts on the expressive world of Schubert's late works
- 20 Singing against late style: the problem of performance history
- Select bibliography
- Index
19 - ‘The prerogative of late style’: thoughts on the expressive world of Schubert's late works
from Part IV - Defining late style
Published online by Cambridge University Press: 05 April 2016
Book contents
- Schubert's Late Music
- Schubert's Late Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Tables
- Contributors
- Book part
- Introduction: Schubert's late style and current musical scholarship
- Part I Reception histories
- Part II The late instrumental music (1): hermeneutics and performance
- Part III The late instrumental music (2): meaning and genre
- Part IV Defining late style
- 15 The ‘problem of solitude’ and critique in song: Schubert's loneliness
- 16 Music of the orphaned self? Schubert and concepts of late style
- 17 Bounded finitude and boundless infinitude: Schubert's contradictions at the ‘final barrier’
- 18 Invocations of memory in Schubert's last songs
- 19 ‘The prerogative of late style’: thoughts on the expressive world of Schubert's late works
- 20 Singing against late style: the problem of performance history
- Select bibliography
- Index
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- Schubert's Late MusicHistory, Theory, Style, pp. 404 - 425Publisher: Cambridge University PressPrint publication year: 2016