Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction
- 1 Temporal Deconstructions: Narrating the Ruins of Time
- 2 ‘They peer at my dark land’: The Ethics of Storytelling in Twenty-First-Century Scottish Women’s Writing
- 3 ‘Connected to time’: Ali Smith’s Anachronistic ScottishCosmopolitanism
- 4 Democracy and the Indyref Novel
- 5 Shifting Grounds: Writers of Colour in Twenty-First- Century Scottish Literature
- 6 Mapping Escape: Geography and Genre
- 7 ‘Whom do you belong to, loch?’ Ownership, Belonging and Transience in the Writings of Kathleen Jamie
- 8 Misty Islands and Hidden Bridges
- 9 The Scots Language is a Science Fiction Project
- 10 Convivial Correctives to Metrovincial Prejudice: Kevin MacNeil’s The Stornoway Way and Suhayl Saadi’s Psychoraag
- 11 Scottish Audio- and Film-Poetry: Writing, Sounding, Imaging Twenty-First-Century Scotland
- 12 Post-National Polyphonies: Communities in absentia on the Contemporary Scottish Stage
- 13 Where Words and Images Collide: Will Maclean’s Intertextual Collaborations
- 14 Erasure and Reinstatement: Gray the Artist, Across Space and Form
- 15 Transforming Cultural Memory: The Shifting Boundaries of Post-Devolutionary Scottish Literature
- Notes on Contributors
- Index
Frontmatter
Published online by Cambridge University Press: 21 November 2024
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction
- 1 Temporal Deconstructions: Narrating the Ruins of Time
- 2 ‘They peer at my dark land’: The Ethics of Storytelling in Twenty-First-Century Scottish Women’s Writing
- 3 ‘Connected to time’: Ali Smith’s Anachronistic ScottishCosmopolitanism
- 4 Democracy and the Indyref Novel
- 5 Shifting Grounds: Writers of Colour in Twenty-First- Century Scottish Literature
- 6 Mapping Escape: Geography and Genre
- 7 ‘Whom do you belong to, loch?’ Ownership, Belonging and Transience in the Writings of Kathleen Jamie
- 8 Misty Islands and Hidden Bridges
- 9 The Scots Language is a Science Fiction Project
- 10 Convivial Correctives to Metrovincial Prejudice: Kevin MacNeil’s The Stornoway Way and Suhayl Saadi’s Psychoraag
- 11 Scottish Audio- and Film-Poetry: Writing, Sounding, Imaging Twenty-First-Century Scotland
- 12 Post-National Polyphonies: Communities in absentia on the Contemporary Scottish Stage
- 13 Where Words and Images Collide: Will Maclean’s Intertextual Collaborations
- 14 Erasure and Reinstatement: Gray the Artist, Across Space and Form
- 15 Transforming Cultural Memory: The Shifting Boundaries of Post-Devolutionary Scottish Literature
- Notes on Contributors
- Index
- Type
- Chapter
- Information
- Scottish Writing after DevolutionEdges of the New, pp. i - ivPublisher: Edinburgh University PressPrint publication year: 2022