Book contents
- Shakespeare’s Stages
- Shakespeare’s Stages
- Copyright page
- Contents
- Figures
- Videos
- Audios
- Acknowledgements
- Prologue
- A Tale of Two Playhouses
- City Performance
- Innyard Spaces
- The Playhouse Audience
- The Theatre’s Warm-up Acts
- Constructing the Globe
- Prologue
- Seating and Sightlines
- How Many Doors Had the 1599 Globe?
- The Tiring House
- Stage Decoration
- Shakespeare by Candlelight
- Heavens, Pillars, Trap
- The Balcony
- Music and Sound
- Special Effects
- Epilogue: Bringing the House Down
- Works Cited
Prologue
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- Shakespeare’s Stages
- Shakespeare’s Stages
- Copyright page
- Contents
- Figures
- Videos
- Audios
- Acknowledgements
- Prologue
- A Tale of Two Playhouses
- City Performance
- Innyard Spaces
- The Playhouse Audience
- The Theatre’s Warm-up Acts
- Constructing the Globe
- Prologue
- Seating and Sightlines
- How Many Doors Had the 1599 Globe?
- The Tiring House
- Stage Decoration
- Shakespeare by Candlelight
- Heavens, Pillars, Trap
- The Balcony
- Music and Sound
- Special Effects
- Epilogue: Bringing the House Down
- Works Cited
Summary
Welcome to Shakespeare’s Stages, a resource designed to introduce you to the key features of the theatrical spaces for which Shakespeare wrote his plays, in which he worked as an actor, and in which he had a financial stake. Like Shakespeare’s narrative sources, the members of his acting company, and the political climate of early modern England, these spaces had a powerful shaping influence on the conception, dramatic design, and performance of Shakespeare’s plays.
- Type
- Chapter
- Information
- Shakespeare's Stages , pp. 1 - 2Publisher: Cambridge University PressPrint publication year: 2026