Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-05T09:19:00.958Z Has data issue: false hasContentIssue false

1 - “Style” as distinctiveness: the culture and ideology of linguistic differentiation

Published online by Cambridge University Press:  07 December 2009

Penelope Eckert
Affiliation:
Stanford University, California
John R. Rickford
Affiliation:
Stanford University, California
Get access

Summary

Introduction: style as distinctiveness

“What gives a woman style?” asks a recent New Yorker advertisement for The Power of Style, a book in “the Condé Nast Collection” (the fall collection of fashionable books, perhaps?). The ad continues:

“I'm nothing to look at,” the Duchess of Windsor admitted. Rita de Acosta Lydig paid no attention to what was “in fashion.” Jacqueline Kennedy Onassis had none of the attributes of the ideal American girl, and Diana Vreeland never had money. Yet each of these women had a personal magnetism and allure so strong that she could “dominate a room from a footstool.” How did they do it? And what can you learn from them?

Whatever answers the advertised book may offer to these questions, they are likely to have more to do with the fashion industry's notions of style than with a sociolinguistic definition. Still, some aspects of the conception of “style” implicit in this ad are worth the sociolinguist's attention. We ignore the everyday meanings of terminology at our peril; and style in language should not be assumed a priori to be an utterly different matter from style in other realms of life. So, if the ad's discourse represents some popular conception of style, we might draw several inferences about that conception: “style” crucially concerns distinctiveness; though it may characterize an individual, it does so only within a social framework (of witnesses who pay attention); it thus depends upon social evaluation and, perhaps, aesthetics; and it interacts with ideologized representations (the “ideal American girl”; “in fashion”).

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2002

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×