The Asṭabrata or “Eight Rules of Life”, which refer to the meritorious acts of the eight Hindu deities which the ideal king should emulate, was first introduced in Java through the Old Javanese kakawin Rāmāyaṇa, in which Rāma lectures Wibhīṣaṇa on the status and role of a king. This exposition of ancient Hindu political theory has remained popular in Java until this present day, Islamization notwithstanding. Over time it has even become regarded as a genuinely Javanese theory on leadership, and part of indigenous wayang philosophy. This chapter takes a closer look at a Yogyakarta version of the Asṭabrata made at the Pakualaman principality, represented in two early twentieth-century illuminated manuscripts with coloured drawings in wayang style. These rare and beautiful artefacts are a wonderful example of how the age-old Indic tradition was once redefined in an Islamicate environment. Examining the iconography of the eight deities that embody the ideal royal virtues, the conclusion is drawn that the illustrations seem to offer merely visual diversion. Although the two manuscripts discussed here were produced in a colonial context as gifts to high-ranking Dutch representatives of the colonial regime, the words and images do not seem to suggest a mode of “writing back” to the dominant Dutch ideology.

Keywords: Asṭabrata, Yogyakarta, Pakualaman, Javanese manuscript art, mirror for princes.