Transients created what was arguably the first counterculture in the modern United States, known as ‘hobohemia’. This Introduction argues that hobohemia was a literary subculture, the fruits of which included fiction, poetry, autobiography, sociology, journalism, and popular music, including works produced by women and African-Americans. The material examined by this book, much of which has been forgotten or neglected, demonstrates that hobos were not the all-American, white, straight, male hyper-individualists that they have been seen as by much twentieth-century popular history. As well as laying out the argument and structure of the book, the Introduction argues that Hobohemia was a subculture that privileged storytelling, and that the popular genre of hobo memoir emphasises drift as a key aspect of the transient experience.