Book contents
- Virtual Play and the Victorian Novel
- Cambridge studies in nineteenth-century
- Virtual Play and the Victorian Novel
- Copyright page
- Contents
- Abbreviations
- Introduction
- Chapter 1 Virtual, Paracosmic, Fictional
- Chapter 2 Authorship, Omnipotence, and Charlotte Brontë
- Chapter 3 Plotting, Improvisation, and Anthony Trollope
- Chapter 4 Continuation, Attachment, and William Makepeace Thackeray
- Chapter 5 Description, Projection, and Charles Dickens
- Conclusion
- Notes
- Bibliography
- Index
- Cambridge Studies in Nineteenth-Century
Book contents
- Virtual Play and the Victorian Novel
- Cambridge studies in nineteenth-century
- Virtual Play and the Victorian Novel
- Copyright page
- Contents
- Abbreviations
- Introduction
- Chapter 1 Virtual, Paracosmic, Fictional
- Chapter 2 Authorship, Omnipotence, and Charlotte Brontë
- Chapter 3 Plotting, Improvisation, and Anthony Trollope
- Chapter 4 Continuation, Attachment, and William Makepeace Thackeray
- Chapter 5 Description, Projection, and Charles Dickens
- Conclusion
- Notes
- Bibliography
- Index
- Cambridge Studies in Nineteenth-Century
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- Virtual Play and the Victorian NovelThe Ethics and Aesthetics of Fictional Experience, pp. 179 - 204Publisher: Cambridge University PressPrint publication year: 2021
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This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC-ND 4.0 https://creativecommons.org/cclicenses/
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