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New Perspectives in Music History and Criticism

Published online by Cambridge University Press:  05 September 2018

Laurie Stras
Affiliation:
University of Huddersfield
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Publisher: Cambridge University Press
Print publication year: 2018

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References

Published titles

Dunn, Leslie C. and Jones, Nancy A. (eds.), Embodied Voices: Representing Female Vocality in Western CultureGoogle Scholar
Thomas, Downing A., Music and the Origins of Language: Theories from the French EnlightenmentGoogle Scholar
Grey, Thomas S., Wagner’s Musical ProseGoogle Scholar
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Krims, Adam, Rap Music and the Poetics of IdentityGoogle Scholar
Richards, Annette, The Free Fantasia and the Musical PicturesqueGoogle Scholar
Will, Richard, The Characteristic Symphony in the Age of Haydn and BeethovenGoogle Scholar
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Tomlinson, Gary, The Singing of the New World: Indigenous Voice in the Era of European ContactGoogle Scholar
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Kreuzer, Gundula, Verdi and the Germans: From Unification to the Third ReichGoogle Scholar
Watkins, Holly, Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold SchoenbergGoogle Scholar
Caddy, Davinia, The Ballets Russes and Beyond: Music and Dance in Belle-Époque ParisGoogle Scholar
Cohen, Brigid, Stefan Wolpe and the Avant-Garde DiasporaGoogle Scholar
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Brown, Julie, Schoenberg and RedemptionGoogle Scholar
Weliver, Phyllis, Mary Gladstone and the Victorian Salon: Music, Literature, LiberalismGoogle Scholar
Brittan, Francesca, Music and Fantasy in the Age of BerliozGoogle Scholar
Stras, Laurie, Women and Music in Sixteenth-Century FerraraGoogle Scholar

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