Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-wpx84 Total loading time: 0 Render date: 2024-08-17T07:41:01.045Z Has data issue: false hasContentIssue false

10 - ‘The most beautiful language is French’

from Part III - Language in use

Published online by Cambridge University Press:  05 April 2016

Abby Kaplan
Affiliation:
University of Utah
Get access

Summary

We use language in many ways: as a practical tool, to communicate ideas; as a social tool, to maintain relationships and mark our identity; as an artistic tool, in poetry, prose, drama, songs, and so on. For many people, using a particular language, or using language in particular ways, goes right to the heart of who they consider themselves to be. Small wonder, then, that so many people have strong opinions about language.

Within a particular language, people argue about whether it's better to use this word or that word, about whether it's okay to use a particular grammatical construction, about how the language should be written, about how to construct a poem or a speech or a contract. Considering languages as wholes, it's common to find claims that a specific language (or dialect of a language) is especially logical, or primitive, or poetic, or spiritual. Ideas like these have been used to argue that certain languages are particularly fit (or unfit) for specific uses, such as science or art.

In this chapter, we will focus on aesthetic judgments of languages: the idea that a language itself (not just an artistic use of that language) can be beautiful or ugly. Along the way, we'll touch on similar descriptions of languages as especially pleasant, clear, or logical – essentially, any kind of broad, handwavy judgment about a language or dialect as a whole. We will explore the factors that inform these judgments: To what extent are they a reaction to intrinsic properties of the language itself? To what extent are they related to the language's historical and cultural associations? To what extent are they affected by our beliefs about the people who speak the language?

Non-linguists’ evaluations of dialects

We will begin by investigating what people believe about the dialects of their native language. Traditionally, the field of dialectology has involved linguists traveling to different areas and recording the range of variation within a single language. The goal is to document, as accurately as possible, what the dialects of a language are and how they differ from each other. For this reason, dialectologists focus on recording the speech of actual speakers of each dialect, rather than relying on speakers of other dialects to describe the situation: popular beliefs are often inaccurate.

Type
Chapter
Information
Women Talk More Than Men
... And Other Myths about Language Explained
, pp. 216 - 234
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×